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Here is an essential short guide to the history of Eastern Europe under the early decades of communist rule. The study explores the communists attempt to transpose a uniform economic and social system across the region copied from the Soviet model. Dr Fowkes shows how this did not always succeed and he reveals the local variations which became more pronounced after the death of Stalin. The book includes detailed analysis of the dramatic events in Poland and Hungary and in the assessment section there is a useful summary of the strengths and weaknesses of the communist model in its heyday. It is an illuminating study, full of maps and photographs as well as over 30 documents (most previously unavailable in English) which brings this complex subject alive. and helps us to understand the special conditions the people of the region have faced in catching up with the West both in terms of material prosperity and more recently in the establishment of democratic political systems.
Here is an essential short guide to the history of Eastern Europe under the early decades of communist rule. The study explores the communists attempt to transpose a uniform economic and social system across the region copied from the Soviet model. Dr Fowkes shows how this did not always succeed and he reveals the local variations which became more pronounced after the death of Stalin. The book includes detailed analysis of the dramatic events in Poland and Hungary and in the assessment section there is a useful summary of the strengths and weaknesses of the communist model in its heyday. It is an illuminating study, full of maps and photographs as well as over 30 documents (most previously unavailable in English) which brings this complex subject alive. and helps us to understand the special conditions the people of the region have faced in catching up with the West both in terms of material prosperity and more recently in the establishment of democratic political systems.
The Warsaw Pact is generally regarded as a mere instrument of Soviet power. In the 1960s the alliance nevertheless evolved into a multilateral alliance, in which the non-Soviet Warsaw Pact members gained considerable scope for manoeuvre. This book examines to what extent the Warsaw Pact inadvertently provided its members with an opportunity to assert their own interests, emancipate themselves from the Soviet grip, and influence Soviet bloc policy. Laurien Crump traces this development through six thematic case studies, which deal with such well known events as the building of the Berlin Wall, the Sino-Soviet Split, the Vietnam War, the nuclear question, and the Prague Spring. By interpreting hitherto neglected archival evidence from archives in Berlin, Bucharest, and Rome, and approaching the Soviet alliance from a radically novel perspective, the book offers unexpected insights into international relations in Eastern Europe, while shedding new light on a pivotal period in the Cold War.
Exploring the visions of the end of the Cold War that have been put forth since its inception until its actual ending, this volume brings to the fore the reflections, programmes, and strategies that were intended to call into question the bipolar system and replace it with alternative approaches or concepts. These visions were associated not only with prominent individuals, organized groups and civil societies, but were also connected to specific historical processes or events. They ranged from actual, thoroughly conceived programmes, to more blurred, utopian aspirations -- or simply the belief that the Cold War had already, in effect, come to an end. Such visions reveal much about the contexts in which they were developed and shed light on crucial moments and phases of the Cold War.
This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ
Containing essays by leading Cold War scholars, such as Wilfried Loth, Geir Lundestad and Seppo Hentilä, this volume offers a broad-ranging examination of the history of détente in the Cold War. The ten years from 1965 to 1975 marked a deep transformation of the bipolar international system of the Cold War. The Vietnam War and the Prague Spring showed the limits of the two superpowers, who were constrained to embark on a wide-ranging détente policy, which culminated with the SALT agreements of 1972. At the same time this very détente opened new venues for the European countries: French policy towards the USSR and the German Ostpolitik being the most evident cases in point. For the first time since the 1950s, Western Europe began to participate in the shaping of the Cold War. The same could not be said of Eastern Europe, but ferments began to establish themselves there which would ultimately lead to the astounding changes of 1989-90: the Prague Spring, the uprisings in Gdansk in 1970 and generally the rise of the dissident movement. That last process being directly linked to the far-reaching event which marked the end of that momentous decade: the Helsinki conference. The Making of Détente will appeal to students of the Cold War, international history and European contemporary history.
Examining the consequences of the removal of some 15 million Germans from Central and Eastern Europe after World War II, this text explores the impact of this human influx on the political development of West Germany, where more than half of those expelled settled, and analyses the consequences for Germany's foreign policy throughout the Cold War.
This book examines the impact that the Warsaw Pact inadvertently had on the non-Soviet Warsaw Pact (NSWP) members, by providing an opportunity to assert their own interests, emancipate themselves from the Soviet grip, and influence Warsaw Pact policy. By analysing archival evidence and examining the Soviet alliance from a fresh perspective, the book is a significant contribution to New Cold War history, and offers new insights into the multilateral dynamics of power within the Soviet bloc. By looking at specific case studies of NSWP countries, the book examines the interplay between the domestic situation in the NSWP countries and their strategy within the Warsaw Pact.
Finalist for the Pulitzer Prize • Winner of the Council on Foreign Relations Arthur Ross Book Award • One of the New York Times' Ten Best Books of the Year “Impressive . . . Mr. Judt writes with enormous authority.” —The Wall Street Journal “Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history.” —The Boston Globe Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers all of Europe, both east and west, drawing on research in six languages to sweep readers through thirty-four nations and sixty years of political and cultural change-all in one integrated, enthralling narrative. Both intellectually ambitious and compelling to read, thrilling in its scope and delightful in its small details, Postwar is a rare joy. Judt's book, Ill Fares the Land, republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer, Ta-Nehisi Coates.