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When the gun smoke cleared, four men were found dead at the hardware store in a rural East Texas town. But this December 1934 shootout was no anomaly. San Augustine County had seen at least three others in the previous three years, and these murders in broad daylight were only the latest development in the decade-long rule of the criminal McClanahan-Burleson gang. Armed with handguns, Jim Crow regulations, and corrupt special Ranger commissions from infamous governors “Ma” and “Pa” Ferguson, the gang racketeered and bootlegged its way into power in San Augustine County, where it took up robbing and extorting local black sharecroppers as its main activity. After the hardware store shootings, white community leaders, formerly silenced by fear of the gang’s retribution, finally sought state intervention. In 1935, fresh-faced, newly elected governor James V. Allred made good on his promise to reform state law enforcement agencies by sending a team of qualified Texas Rangers to San Augustine County to investigate reports of organized crime. In East Texas Troubles, historian Jody Edward Ginn tells of their year-and-a-half-long cleanup of the county, the inaugural effort in Governor Allred’s transformation of the Texas Rangers into a professional law enforcement agency. Besides foreshadowing the wholesale reform of state law enforcement, the Allred Rangers’ investigative work in San Augustine marked a rare close collaboration between white law enforcement officers and black residents. Drawing on firsthand accounts and the sworn testimony of black and white residents in the resulting trials, Ginn examines the consequences of such cooperation in a region historically entrenched in racial segregation. In this story of a rural Texas community’s resurrection, Ginn reveals a multifaceted history of the reform of the Texas Rangers and of an unexpected alliance between the legendary frontier lawmen and black residents of the Jim Crow South.
When the gun smoke cleared, four men were found dead at the hardware store in a rural East Texas town. But this December 1934 shootout was no anomaly. San Augustine County had seen at least three others in the previous three years, and these murders in broad daylight were only the latest development in the decade-long rule of the criminal McClanahan-Burleson gang. Armed with handguns, Jim Crow regulations, and corrupt special Ranger commissions from infamous governors “Ma” and “Pa” Ferguson, the gang racketeered and bootlegged its way into power in San Augustine County, where it took up robbing and extorting local black sharecroppers as its main activity. After the hardware store shootings, white community leaders, formerly silenced by fear of the gang’s retribution, finally sought state intervention. In 1935, fresh-faced, newly elected governor James V. Allred made good on his promise to reform state law enforcement agencies by sending a team of qualified Texas Rangers to San Augustine County to investigate reports of organized crime. In East Texas Troubles, historian Jody Edward Ginn tells of their year-and-a-half-long cleanup of the county, the inaugural effort in Governor Allred’s transformation of the Texas Rangers into a professional law enforcement agency. Besides foreshadowing the wholesale reform of state law enforcement, the Allred Rangers’ investigative work in San Augustine marked a rare close collaboration between white law enforcement officers and black residents. Drawing on firsthand accounts and the sworn testimony of black and white residents in the resulting trials, Ginn examines the consequences of such cooperation in a region historically entrenched in racial segregation. In this story of a rural Texas community’s resurrection, Ginn reveals a multifaceted history of the reform of the Texas Rangers and of an unexpected alliance between the legendary frontier lawmen and black residents of the Jim Crow South.
The heritage of East Texas partakes in the same degree of unexpected turns and hidden depths as its backroads and bayous. One line of inquiry meanders into another. Start out searching for La Salle's grave and end up chasing Spanish gold in Upshur County. From Sam Houston's Bible to the Longview nightclub that hosted both Frank Sinatra and Elvis Presley, one tale follows another and introduces a cast of characters that includes Candace and Peter Ellis Bean, Old Rip, Jack Lummus and Vernon Wayne Howell. Part the Pine Curtain with Tex Midkiff for a history as heated as the La Grange Chicken Ranch's parlor and irresistible as a batch of Golden sweet potatoes.
From 1840 through 1844 East Texas was wracked by murderous violence between Regulator and Moderator factions. More than thirty men were killed in assassinations, lynchings, ambushes, street fights, and pitched battles. The sheriff of Harrison County was murdered, and so was the founder of Marshall, as well as a former district judge. Senator Robert Potter, a signer of the Texas Declaration of Independence, was slain by Regulators near his Caddo Lake home. Courts ceased to operate and anarchy reigned in Shelby County, Panola District, and Harrison County. Only the personal intervention of President Sam Houston and an invasion of the militia of the Republic of Texas halted the bloodletting. The Regulator-Moderator War was the first and largest—in numbers of participants and fatalities—of the many blood feuds of Texas, and Bill O'Neal's book is the first detailed account of this feud. He has included numerous photographs, maps to help the reader to identify various locations of specific events, and rosters of names of the Regulator and Moderator factions arranged by the counties in which the individuals were associated—along with a roster of the victims of the war.
"Stephen King's Stand by Me collides with Gillian Flynn's Sharp Objects in this exceptional thriller. Gutsy, gripping—and pitch-perfect in its resurrection of an era long gone."—A. J. Finn, #1 New York Times bestselling author of The Woman in the Window When her sister disappears, the only clue Leah has is a cryptic message: Underground. By the Woods. It's 1989 in the sleepy town of Longview, Texas, when ten-year-old Lucy disappears. Her parents, the police, and the community all brace for the worst, assuming her body will soon be found in Big Woods. Just like the other unsolved kidnappings. But then Lucy's fourteen-year-old sister, Leah, starts having dreams about Lucy—dreams that reveal startling clues as to what happened. Leah begins her own investigation, and soon she meets a reclusive widow who may hold the key to finding Lucy...if only she can find the courage to come forward. Delving into the paranoia surrounding satanic cults in the 1980s, Big Woods is an emotionally wrought, propulsive thriller about the enormity of grief, the magical bond between sisters, and a small town's dark secrets. Praise: "Big Woods is perfectly timed to take advantage of the 1980s horror revival. Its historic details are excellent, down to the songs on Leah's car stereo. Cobb paints in Day-Glo and brings terrors of the night to life."—Foreword Magazine "Readers will be grabbed by Big Woods and sucked into the mysterious story. Hold on tight—it's worth it."—Criminal Element "Cobb's intense, heart-wrenching debut introduces a courageous, determined teen who must find her lost sister amid a disturbing atmosphere of paranoia and fear, crafting a compelling, suspenseful story reminiscent of William Kent Krueger's Ordinary Grace."—Library Journal (starred review) "Big Woods is a nuanced family story and also a heart-stopping thriller with surprising twists. Cobb taps into the fabulous '80s sensibility of Stranger Things and also into our deepest fears about safety, evil, trust, and the power of faith in what we don't understand. I couldn't put it down."—Amanda Eyre Ward, author of The Nearness of You and The Same Sky "Compulsively readable."—Rosamund Lupton, New York Times bestselling author of Sister "Big Woods is brilliant! Cobb has crafted a haunting thriller that dives deep into grief, family connections, and the dreadful power of fear. The novel succeeds as a rich exploration of emotion and a not-so-distant time while also shining as a riveting page-turner."—Owen Egerton, author of Hollow and writer/director of horror-comedy Bloodfest "Big Woods is such a blast—a page-turning thriller with '80s hair, like a Texan Stranger Things."—Amy Gentry, author of Good as Gone "Literally the best thriller I've read in years. Intensely gripping, so evocative of the late '80s, and a brilliant, original storyline. It's blinding."—Clare Empson, author of Him
“Swanson has done a crucial public service by exposing the barbarous side of the Rangers.” —The New York Times Book Review A twenty-first century reckoning with the legendary Texas Rangers that does justice to their heroic moments while also documenting atrocities, brutality, oppression, and corruption The Texas Rangers came to life in 1823, when Texas was still part of Mexico. Nearly 200 years later, the Rangers are still going--one of the most famous of all law enforcement agencies. In Cult of Glory, Doug J. Swanson has written a sweeping account of the Rangers that chronicles their epic, daring escapades while showing how the white and propertied power structures of Texas used them as enforcers, protectors and officially sanctioned killers. Cult of Glory begins with the Rangers' emergence as conquerors of the wild and violent Texas frontier. They fought the fierce Comanches, chased outlaws, and served in the U.S. Army during the Mexican War. As Texas developed, the Rangers were called upon to catch rustlers, tame oil boomtowns, and patrol the perilous Texas-Mexico border. In the 1930s they began their transformation into a professionally trained police force. Countless movies, television shows, and pulp novels have celebrated the Rangers as Wild West supermen. In many cases, they deserve their plaudits. But often the truth has been obliterated. Swanson demonstrates how the Rangers and their supporters have operated a propaganda machine that turned agency disasters and misdeeds into fables of triumph, transformed murderous rampages--including the killing of scores of Mexican civilians--into valorous feats, and elevated scoundrels to sainthood. Cult of Glory sets the record straight. Beginning with the Texas Indian wars, Cult of Glory embraces the great, majestic arc of Lone Star history. It tells of border battles, range disputes, gunslingers, massacres, slavery, political intrigue, race riots, labor strife, and the dangerous lure of celebrity. And it reveals how legends of the American West--the real and the false--are truly made.
Captain M. T. Lone Wolf Gonzaullas, 1st ed. includes bibliographical references index.
Hailed as "toweringly important" (Baltimore Sun), "a work of scrupulous and significant reportage" (E. L. Doctorow), and "an unforgettable historical drama" (Chicago Sun-Times), Big Trouble brings to life the astonishing case that ultimately engaged President Theodore Roosevelt, Supreme Court justice Oliver Wendell Holmes, and the politics and passions of an entire nation at century's turn. After Idaho's former governor is blown up by a bomb at his garden gate at Christmastime 1905, America's most celebrated detective, Pinkerton James McParland, takes over the investigation. His daringly executed plan to kidnap the radical union leader "Big Bill" Haywood from Colorado to stand trial in Idaho sets the stage for a memorable courtroom confrontation between the flamboyant prosecutor, progressive senator William Borah, and the young defender of the dispossessed, Clarence Darrow. Big Trouble captures the tumultuous first decade of the twentieth century, when capital and labor, particularly in the raw, acquisitive West, were pitted against each other in something close to class war. Lukas paints a vivid portrait of a time and place in which actress Ethel Barrymore, baseball phenom Walter Johnson, and editor William Allen White jostled with railroad magnate E. H. Harriman, socialist Eugene V. Debs, gunslinger Charlie Siringo, and Operative 21, the intrepid Pinkerton agent who infiltrated Darrow's defense team. This is a grand narrative of the United States as it charged, full of hope and trepidation, into the twentieth century.
Marauding outlaws, or violent rebels still bent on fighting the Civil War? For decades, the so-called “Taylor-Sutton feud” has been seen as a bloody vendetta between two opposing gangs of Texas gunfighters. However, historian James M. Smallwood here shows that what seemed to be random lawlessness can be interpreted as a pattern of rebellion by a loose confederation of desperadoes who found common cause in their hatred of the Reconstruction government in Texas. Between the 1850s and 1880, almost 200 men rode at one time or another with Creed Taylor and his family through a forty-five-county area of Texas, stealing and killing almost at will, despite heated and often violent opposition from pro-Union law enforcement officials, often led by William Sutton. From 1871 until his eventual arrest, notorious outlaw John Wesley Hardin served as enforcer for the Taylors. In 1874 in the streets of Comanche, Texas, on his twenty-first birthday, Hardin and two other members of the Taylor ring gunned down Brown County Deputy Charlie Webb. This cold-blooded killing—one among many—marked the beginning of the end for the Taylor ring, and Hardin eventually went to the penitentiary as a result. The Feud That Wasn’t reinforces the interpretation that Reconstruction was actually just a continuation of the Civil War in another guise, a thesis Smallwood has advanced in other books and articles. He chronicles in vivid detail the cattle rustling, horse thieving, killing sprees, and attacks on law officials perpetrated by the loosely knit Taylor ring, drawing a composite picture of a group of anti-Reconstruction hoodlums who at various times banded together for criminal purposes. Western historians and those interested in gunfighters and lawmen will heartily enjoy this colorful and meticulously researched narrative.
A "heartbreakingly resonant" thriller about the explosive intersection of love, race, and justice from a writer and producer of the Emmy-winning Fox TV show Empire (USA Today). "In Bluebird, Bluebird Attica Locke had both mastered the thriller and exceeded it."-Ann Patchett When it comes to law and order, East Texas plays by its own rules -- a fact that Darren Mathews, a black Texas Ranger, knows all too well. Deeply ambivalent about growing up black in the lone star state, he was the first in his family to get as far away from Texas as he could. Until duty called him home. When his allegiance to his roots puts his job in jeopardy, he travels up Highway 59 to the small town of Lark, where two murders -- a black lawyer from Chicago and a local white woman -- have stirred up a hornet's nest of resentment. Darren must solve the crimes -- and save himself in the process -- before Lark's long-simmering racial fault lines erupt. From a writer and producer of the Emmy winning Fox TV show Empire, Bluebird, Bluebird is a rural noir suffused with the unique music, color, and nuance of East Texas.