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Issues for 1912-16, 1919- accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly) This bibliography was incorporated into the main list in 1917-18.
Contains the cumulation of the subject index issued in the quarterly numbers of the Bulletin of bibliography and magazine subject-index.
One of the most enchanting figures of the silver screen, Ronald Colman appeared in such classic films as Beau Geste, The Prisoner of Zenda, Lost Horizon, and A Tale of Two Cities. He was nominated four times for the Academy Award, which he won for a spectacular performance in A Double Life. His voice was unrivaled, and he had a brilliant career as a radio star. A charismatically photogenic performer, he was voted the handsomest actor in Hollywood on several occasions. His superior skills, his dashing visage, and his resonant speech made him one of the most sought after and acclaimed stars of his day. In spite of his enormous talent and supreme achievements, Ronald Colman has strangely been overlooked. This immensely detailed reference book brings Colman's life and career into sharp focus, corrects misleading information about him, and comments on the critical response to his work. The heart of this expertly researched volume is a series of chapters with entries for Colman's many hundreds of performances in film, radio, and television. Entries provide full production information, plot synopses, excerpts from reviews, and valuable commentary. An extensive annotated bibliography summarizes and assesses material written about Colman, and the author scrupulously debunks the many myths that have been written about Colman in previous publications.
After more than fifteen years, this initial volume of the American Film Institute Catalog series is again in print. The 1920s set covers the important filmmaking period when "movies" became "talkies," and the careers of many influential directors and actors were launched. Films such as Wings, The Phantom of the Opera, All Quiet on the Western Front, and The Jazz Singer are included in this volume.
The 50-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but also in the centrality of theater in the lives of Americans. As the impact of European modernism began to gradually seep into American theater during the 1880s and quite importantly in the 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. American playwrights like Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the Golden Age of American drama. The A to Z of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E.H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfeld; critics; architects; designers; and costumes.