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In keeping with the tenets of socialist internationalism, the political culture of the German Democratic Republic strongly emphasized solidarity with the non-white world: children sent telegrams to Angela Davis in prison, workers made contributions from their wages to relief efforts in Vietnam and Angola, and the deaths of Patrice Lumumba, Ho Chi Minh, and Martin Luther King, Jr. inspired public memorials. Despite their prominence, however, scholars have rarely examined such displays in detail. Through a series of illuminating historical investigations, this volume deploys archival research, ethnography, and a variety of other interdisciplinary tools to explore the rhetoric and reality of East German internationalism.
Faced with an accusation from the US Army's highest legal authority in 1952, Grossman left his unit stationed in Bavaria and swam the Danube to East Germany. He traces his childhood and experiences as a student, worker, and soldier; then describes life in his new home among a surprisingly large community of defectors. There is no index. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
"A detailed introductory essay to provide the necessary historical and political context precedes each part. The individual documents are introduced by short headnotes summarizing the contents and orienting the reader. A chronology, glossary and bibliography offer further background information."--BOOK JACKET.
For roughly the first decade after the demise of the GDR, professional and popular interpretations of East German history concentrated primarily on forms of power and repression, as well as on dissent and resistance to communist rule. Socio-cultural approaches have increasingly shown that a single-minded emphasis on repression and coercion fails to address a number of important historical issues, including those related to the subjective experiences of those who lived under communist regimes. With that in mind, the essays in this volume explore significant physical and psychological aspects of life in the GDR, such as health and diet, leisure and dining, memories of the Nazi past, as well as identity, sports, and experiences of everyday humiliation. Situating the GDR within a broader historical context, they open up new ways of interpreting life behind the Iron Curtain – while providing a devastating critique of misleading mainstream scholarship, which continues to portray the GDR in the restrictive terms of totalitarian theory.
Based on interviews and the voluminous materials in the archives of the SED, the Stasi and central and regional authorities, this volume focuses on several contrasting minorities (Jehovah’s Witnesses, Jews, ‘guest’ workers from Vietnam and Mozambique, football fans, punks, and skinheads) and their interaction with state and party bodies during Erich Honecker’s rule over the communist system. It explores how they were able to resist persecution and surveillance by instruments of the state, thus illustrating the limits on the power of the East German dictatorship and shedding light on the notion of authority as social practice.
The first volume in English about the German Democratic Republic (GDR) as a cultural phenomenon, with essays by leading scholars providing a chronological and genre-based overview along with close readings of individual works. It addresses the history and context of GDR culture, including the two decades since its decline.
As the first historical study of East Germany‘s sepulchral culture, this book explores the complex cultural responses to death since the Second World War. Topics include the interrelated areas of the organization and municipalization of the undertaking industry; the steps taken towards a socialist cemetery culture such as issues of design, spatial layout, and commemorative practices; the propagation of cremation as a means of disposal; the wide-spread introduction of anonymous communal areas for the internment of urns; and the emergence of socialist and secular funeral rituals. The author analyses the manifold changes to the system of the disposal of the dead in East Germany—a society that not only had to negotiate the upheaval of military defeat but also urbanization, secularization, a communist regime, and a planned economy. Stressing a comparative approach, the book reveals surprising similarities to the development of Western countries but also highlights the intricate local variations within the GDR and sheds more light on the East German state and its society.
How East German artists made their country’s experimental art scene a form of (counter) public life. Experimental artists in the final years of the German Democratic Republic did not practice their art in the shadows, on the margins, hiding away from the Stasi’s prying eyes. In fact, as Sara Blaylock shows, many cultivated a critical influence over the very bureaucracies meant to keep them in line, undermining state authority through forthright rather than covert projects. In Parallel Public, Blaylock describes how some East German artists made their country’s experimental art scene a form of (counter) public life, creating an alternative to the crumbling collective underpinnings of the state. Blaylock examines the work of artists who used body-based practices—including performance, film, and photography—to create new vocabularies of representation, sharing their projects through independent networks of dissemination and display. From the collective films and fashion shows of Erfurt's Women Artists Group, which fused art with feminist political action, to Gino Hahnemann, the queer filmmaker and poet who set nudes alight in city parks, these creators were as bold in their ventures as they were indifferent to state power. Parallel Public is the first work of its kind on experimental art in East Germany to be written in English. Blaylock draws on extensive interviews with artists, art historians, and organizers; artist-made publications; official reports from the Union of Fine Artists; and Stasi surveillance records. As she recounts the role culture played in the GDR’s rapid decline, she reveals East German artists as dissenters and witnesses, citizens and agents, their work both antidote to and diagnosis of a weakening state.
On 13 August 1961 eighteen million East Germans awoke to find themselves walled in by an edifice which was to become synonymous with the Cold War: the Berlin Wall. Patrick Major explores how the border closure affected ordinary East Germans, from workers and farmers to teenagers and even party members, 'caught out' by Sunday the Thirteenth.
Drawing on his own research in East Germany and relying primarily on sources published in East Germany itself, author John Burgess demonstrates the roots of the church's theology in Barth, Bonhoeffer, and in the Barmen declaration, which in 1934 pronounced Christianity and Nazi ideology to be incompatible.