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In 2503, the World Council re-elects Samuels as Director of Space Research. He is tasked with developing a reply to the message delivered by the alien robot Interface. After many stops and starts, the Directors decide to send a robot, Nuwoman, to track and follow Interface, who they believe is returning to his alien civilisation. The twenty-sixth century has seen rapid development in space technology and robotics. Habitats have been developed on the Moon and Mars, all in an attempt to set up ways to track the spaceships of both Interface and Nuwoman. However, Interface does not behave as expected. Instead of returning to his alien civilisation, he makes a detour. He lingers in the shadows of the Alpha Centauri triple star system, waiting for Nuwoman. Interface becomes infatuated with the development of Nuwoman. This incredible meeting of two like minds is both intellectual and romantic—and not at all what the Directors expected. Nevertheless Earth’s reply to the message from the neighbours is a success.
Ralph Waldo Emerson was an American essayist, poet, philosopher, pastor, lecturer, and public figure. During his life, he was one of the most prominent thinkers and writers in the United States with his work remaining influential today. In the late 19th century, after the death of Benjamin Franklin, it was Emerson who filled the role of thinker, motivator, and spiritual guide for the American nation. While he was the mentor and friend of Henry David Thoreau, he was viewed by most liberals of his generation as their spiritual leader. The admiration was well deserved: he was the first thinker to formulate the philosophy of transcendentalism. Emerson’s writings influenced the work of Friedrich Nietzsche, Maurice Maeterlinck, Charles Baudelaire, and Leo Tolstoy. Poems of Youth and Early Manhood Poems, 1847 May-Day and Other Pieces Elements and Mottoes Quatrains Fragments Uncollected Poems Translations The Poems Essays. First Series Essays, Second Series Representative Men
Over the past decade literary critic and editor Jerome McGann has developed a theory of textuality based in writing and production rather than in reading and interpretation. These new essays extend his investigations of the instability of the physical text. McGann shows how every text enters the world under socio-historical conditions that set the stage for a ceaseless process of textual development and mutation. Arguing that textuality is a matter of inscription and articulation, he explores texts as material and social phenomena, as particular kinds of acts. McGann links his study to contextual and institutional studies of literary works as they are generated over time by authors, editors, typographers, book designers, marketing planners, and other publishing agents. This enables him to examine issues of textual stability and instability in the arenas of textual production and reproduction. Drawing on literary examples from the past two centuries--including works by Byron, Blake, Morris, Yeats, Joyce, and especially Pound--McGann applies his theory to key problems facing anyone who studies texts and textuality.