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A collection of essays dealing with pollution, wildlife conservation, depletion of natural resources, and other aspects of ecology.
With imagination and flair, the author also introduces the idea of a play ethic, as opposed to a work ethic, and demonstrates the importance of play as a necessary and desirable component of the comic spirit. The Comedy of Survival is a book for literary critics, environmentalists, human ecologists, philosophers, and anthropologists. General readers, too, will find much to ponder in the author's clear explication of how all of us might become better stewards of this, our home planet Earth.
Applying the concept of historical waves originally propounded by Alvin Toffler in The Third Wave, Herman Maynard and Susan Mehrtens look toward the next century and foresee a "fourth wave," an era of integration and responsibility far beyond Toffler's revolutionary description of third-wave postindustrial society. Whether we attain this stage of global well-being, however, will depend on how well our business institutions adapt and change. The Fourth Wave examines the ways business has changed in the second and third waves and must continue to change in the fourth. The changes concern the basics-how an institution is organized, how it defines wealth, how it relates to surrounding communities, how it responds to environmental needs, and how it takes part in the political process. Maynard and Mehrtens foresee a radically different future in which business principles, concern for the environment, personal integrity, and spiritual values are integrated. The authors also demonstrate the need for a new kind of leadership-managers and CEOs who embrace an attitude of global stewardship; who define their assets as ideas, information, creativity, and vision; and who strive for seamless boundaries between work and private lives for all employees.
This study examines the new ecological dimensions of the regional impulse in the poetry of three major, contemporary poets of the Pacific Northwest of the United States. The study opens with a survey and analysis of the discussion of a general regional aesthetic in poetry in the Northwest during the 20th century and argues that the important development visible in the regional impluse since World War II in these poets has less to do with an earlier regional aesthetic than with the elements of an ecological metaphor. strategies of expressing the metaphor within the context of their common region is explored. It is argued that in the poetry the ecological metaphor conveys a new view of the relationship between man and non-human nature, between man and place, in which man is seen as an integrated and inseparable part of the natural systems of a region. This poetic metaphor is ethical in that it voices a concern about the destruction of the natural environment, suggests a model of ecologically correct behaviour, and envisages a harmonious balance where the human and non-human meet as equals. integrity of the non-human world, the poetry tends to reject images and emblems of our contemporary industrial-technological society, and to harken back not only to earlier Romantic and Transcendental currents in poetry, but more significantly, to the vision of man's place in nature as traditionally perceived by native Americans. Finally, the study concludes with a brief survey of other Northwest poets who emphasize regional and/or ecological themes - including a glance at three prominent Northwest Native American poets - and a brief discussion of the political dimensions of this metaphor.