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Readers are asked to picture themselves as the earth, turning in space, facing the light, feeling the green things growing and the oceans shifting.
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"Earth Dance," the story of four generations of Balinese women, centers on conflicts that arise between the demands of caste and personal desires. Narrated by Ida Ayu Telaga, a Balinese woman in her thirties, the novel shows Balinese women-as depicted by her mother, grandmother and female peers-to be motivated by two factors: the yearning to be beautiful, and the desire for a high-caste husband. Headstrong Telaga defies her mother's wishes and marries the man of her dreams, who is a commoner. Thus, in a reversal of societal expectations, as shown in the novel by images of women who aspire to "liberation" through "marrying up," Telaga's emancipation is implicitly characterized as a move downwards, through transformation to the status of a commoner. "Earth Dance" also reveals that-like high-caste status-beauty, too, has a price. Behind the thick, glossy hair and golden complexion, lies a web of jealousy, derision and intrigue. Telaga, whose life is controlled by her mother's avarice, her mother-in-law's bitterness and the greed of her sister-in-law, has frequent cause to wonder: "Is this what it means to be a woman?"
Activities, clear explanations and real-life stories help explain these destructive forces.
Earth Dance Drum
Now available in paperback, Days on Earth--originally published in 1988 (Yale University Press)--traces the dance career and artistic development of one of the founders of American modern dance. In this biography of dance pioneer Doris Humphrey, Marcia B. Siegel follows Humphrey's career from her days with the Denishawn Company (among fellos students like Martha Graham) to her creative partnership with Charles Weidman to her tenure as artistic director of protégé José Limon's dance company. Siegel's reconsideration and description of Humphrey's dances, including many that are no longer performed, sheds important light on this pathbreaking dancer/choreographer.
Vivian Murray Caputo has written many canons that have had a life of their own in Level Courses and Workshops for the past 40 years. At long last they are here in one brand new collection. There are speech canons, canons with movement, instrumental canons, and canons for singers. Vivian has also included excellent instructions for teaching canons as well as a classic Orff process lesson plan for each canon.All of these canons have proven the test of time both in the classroom and in Level courses and workshops around the country. The title song, "Earth Dance," is already a classic in the Orff world.
Celebrated the creatures of the earth, from spiders dangling in their webs to owls hooting and hunting out of sight, and asks that we respect and care for them.
Gaia's Dance is Earth's own enticing adventure story covering billions of years. Looking now through a telescope powerful enough to see Earth from a planet a few thousand light years away from us, we might see an ancient Greek storyteller relating the creation story of Gaia's Dance. Evolution biologist Elisabet Sahtouris takes us through the scientific story of evolution showing parallels with the ancient story while unfolding it scientifically to reveal how our own amazing bodies trace their roots to ancient bacterial cooperatives and how the essence of biological evolution is a repeating maturation process in which youthful competition gives way to mature cooperation. Learning how our own smart molecule proteins manage our cellular economies shows how we ourselves can navigate the perfect storm of crises we face and mature quickly into a healthy, cooperative human future.
A simple retelling of the story from Genesis of how God created the first man and then made creatures, including the first woman, to keep him company.