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Music has great power to touch the heart and change the world. Words we sing in worship shape our beliefs and actions. The inclusive songs in this collection will contribute to social justice, peace, equality, and expansive spiritual experience. This collection includes all new songs, most to widely known tunes and some to new tunes. Many of the songs are appropriate for interfaith settings. A special feature of this new collection is the inclusion of multigenerational short songs for various parts of worship services, such as invocations and benedictions. The songs in this collection name Deity as female and male and more to support the foundational biblical truth that all people are created equally in the divine image (Genesis 1:27). Earth Transformed with Music! Inclusive Songs for Worship will instill belief in the sacredness of all people and all creation. The predominant themes of gender equality, racial equality, marriage equality, economic justice, care of creation, and peacemaking flow from the prophetic tradition in Scripture. This collection also includes songs for comfort, healing, celebration, and thanksgiving.
Inclusive Hymns for Liberating Christians will expand the spiritual experience of any group, large or small. These hymns inspire justice and peacemaking. They empower women, men, and children of all races to become all they are created to be in the divine image. These hymns will lift the heart, invigorate the mind, and enliven the spirit. The wide variety of biblical divine names and images in this hymnbook will contribute to belief in the sacredness of all people and all creation. Peace and justice flow from this belief. These hymns draw from the prophetic, liberating tradition in Scripture. Predominant themes of the hymns are peace, justice, resurrection, abundant life, liberation, new creation, and partnership in relationships. This collection includes hymns that celebrate the seasons of the church year and other special occasions.
Words we sing in worship have great power to shape our beliefs and actions. This is the second collection of hymns by Jann Aldredge-Clanton with composer Larry E. Schultz. These hymns, like those in the first collection, will contribute to an expansive theology and an ethic of equality and justice in human relationships. Inclusive Hymns for Liberation, Peace, and Justice will empower people to take prophetic action on gender, race, interfaith cooperation, sexual orientation, ecology, and other social justice issues. These hymns include female and male divine images to support the foundational biblical truth that all people are created equally in the divine image (Genesis 1:27). Inclusive Hymns for Liberation, Peace, and Justice will instill belief in the sacredness of all people and all creation. The predominant themes of social justice, peace, liberation, care of creation, partnership in relationships, and unity in diversity come from the prophetic tradition in Scripture. This collection also includes hymns of lament and hymns that celebrate special occasions. Many of the hymns are appropriate for interfaith settings. Most of the hymns are set to widely known tunes, many with fresh arrangements.
Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship--Black and White, Protestant and Catholic--is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music--whatever the genre--must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.
A womanist church has great power to transform church and society, primarily because womanist theology centers the experiences of Black women while working for the survival and wholeness of all people and all creation. Experiences of the triple oppression of racism, sexism, and classism give Black women an epistemological insight into recognizing injustice and creating solutions that benefit all. The Gathering is unique, the only church founded and identified as "womanist," applying womanist theology to the full life and worship of a church. The Gathering, a womanist faith community in Dallas, Texas, welcomes all people to partner in pursuing racial equity, LGBTQ equality, and dismantling PMS (patriarchy, misogyny, and sexism), following Jesus in liberating the oppressed and lifting up the marginalized. The Gathering, A Womanist Church tells the story of the birth and ongoing development of a womanist faith community. This book includes personal narratives of people transformed in this community, womanist co-pastors' sermons informed by their experiences and those of other Black women, and litanies for womanist worship.
The American dream of "pulling yourself up by your bootstraps" is no longer possible, if it ever was. Most of us live paycheck-to-paycheck, and inequality has become one of the greatest problems facing our country. Working people and people of faith have the power to change this-but only when we get unified! In this practical and theological handbook for justice, renowned theologian Joerg Rieger and his wife, community and labor activist Rosemarie Henkel-Rieger, help the working majority (the 99% of us) understand what is happening and how we can make a difference. Discover how our faith is deeply connected with our work. Find out how to organize people and build power and what our different faith traditions can contribute. Learn from case studies where these principles have been used successfully-and how we can use them. Develop "deep solidarity" as a way to forge unity while employing our differences for the common good.
How is our Christian hope both expressed and experienced in contemporary worship? In this Dynamics of Christian Worship volume, pastor, theologian, and songwriter Glenn Packiam explores what Christians sing about when they sing about hope and what kind of hope they experience when they worship together.
Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music—and discourse about music—has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom—especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society. The collection is divided into four sections, each section focusing on a key phenomenon of this period—the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.
Speaking to pastors and musicians in traditional or "mainline" Protestant (and some Catholic) churches that use contemporary music in their worship services, Sirchio explains to church musicians why many mainline and/or progressive pastors and church members often struggle with the language and theology of "praise and worship" music.