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Illustrated with more than four hundred on-the-scene photographs, this is the definitive account of the 1906 earthquake and fire that devastated San Francisco. The Earth Shook, The Sky Burned tells the tragic story of the four days of upheaval and destruction that swept San Francisco when a violent earth tremor rocked the land, succeeded rapidly by a devastating fire that destroyed nearly thirty thousand buildings and left more than a quarter million people homeless. William Bronson’s blow-by-blow account is full of dramatic detail and includes a fascinating cast of characters, including Enrico Caruso, John Barrymore, and other turn of the century icons. A classic of San Francisco history, The Earth Shook, The Sky Burned reveals what really happened that April morning when the face of the city was changed forever.
A solid seller for over a decade, this dramatic account of San Francisco's 1906 earthquake and fire is updated with a contemporary cover. Over 400 on-the-scene photos provide a blow-by-blow account of the violent tremor and the three-day fire that followed, in which nearly 30,000 structures were destroyed and over a quarter million people left homeless."A fascinating book, and the pictures are magnificent." -Chicago Sunday Tribune
The Earth Shook, The Sky Burned is the dramatic, complete account of the San Francisco earthquake of April 18, 1906. In the early morning of that day, the sleeping city was rocked by a violent earth tremor that ravaged buildings, heaved streets, and terrified drowsy residents. But worse was to come: the devastating fire that swept across the city for three days. Nearly 30,000 structures were destroyed, and over a quarter million people were left homeless. The Earth Shook, The Sky Burned is a blow-by-blow account of the four days of devastation, not only in San Francisco, but in its adjacent communities. Among the huge cast are Enrico Caruso, who vowed never to return after the quake; John Barrymore, reportedly shaken from a tryst with a young actress; General Frederick Funston, who directed attempts to halt the spreading fire; and Amadeo Giannini, who saved the Bank of Italy’s gold reserves in his horsecart and founded Bank of America after the fire. Illustrated with over 400 on-the-scene photographs, this memorable book reflects the indomitable spirit and vigor of the people who built the West. “Bronson covers every aspect of the disaster in lucid sinewy prose and the selection of a brilliant gallery of pictures...This must rank as the most moving and comprehensive account of the great disaster ever published.”—Los Angeles Times “A fascinating book, and the pictures are magnificent.”—Chicago Sunday Tribune “The Earth Shook, The Sky Burned will make you quake in your boots. The extraordinary story that began on April 18, 1906, has never been told better than what you will find between these covers.”—Michael McCone, Executive Director, The California Historical Society
Presents in picture and text, a chronological account of the San Francisco earthquake and fire of April 18, 1906.
Presents In Picture And Text, A Chronological Account Of The San Francisco Earthquake And Fire Of April 18, 1906.
"In this well-researched book, Fradkin contends that it was the people of San Francisco, not the forces of nature, who were responsible for the extent of the destruction and death."--"Booklist."
SEVEN YEARS IN SODOM SEVEN FRANCISCO, AN URBAN MISSION REVEALS: - A BIOGRAPHICAL SKETCH OF AN URBAN MISSIONARY AND HIS FAMILY. - A HISTORY OF THE CITY AND ITS CHURCHES - A RISE AND FALL OF MANY. - A PLANTING OF A CHURCH - A PATHWAY FEW WOULD DARE TROD. - A DIVIDED CITY - A CHOICE AND A CALL. - A LOOK AT ITS BEAUTY AND ITS DARKSIDE. - A VIEW OF THE CITY'S HEART OR PERHAPS THAT OF A NATION. - A FAITHFUL GOD IN THE MIDST OF HIS PEOPLE. AS TOLD BY THE FORMER "CHAPLAIN OF BROADWAY"
"At 5:12 A.M. on the morning of April 18, 1906, San Francisco was struck by one of the worst earthquakes ever recorded, a disaster that instantly killed hundreds and leveled large sections of the city. The quake has become a watershed event in American history, yet with the passage of time its drama has overshadowed the even greater calamity to which it gave rise: the fires that broke out as the result of toppling chimneys, broken flues, and severed gas lines. These blazes burned for days and were ultimately responsible for the deaths of as many as three thousand people, the destruction of more than five hundred blocks and twenty-eight thousand buildings, and the dislocation of some two hundred thousand residents." "In San Francisco Is Burning, Dennis Smith recounts the three terrible days of the tragedy with an almost cinematic immediacy, tracing the drama through the experiences of a number of people who lived it: a valiant naval officer who helped save the city's piers and wharves, the corrupt mayor, a firefighter who witnessed firsthand the staggering intensity of the fires, a woman who ran a shelter in Chinatown, and the army general who took command of the city and inadvertently placed the city and its people at even greater risk." "Above all, San Francisco Is Burning is a compelling and timely account of how a city copes with catastrophe - how it prepares for such contingencies and how effectively it deals with them when they occur. Smith reveals how San Francisco's corrupt municipal government had paid little heed to the warnings of its fire chief about the inadequacies of the public water system, a failing that would leave the city particularly vulnerable to spreading blazes. Once the fires began, a number of decisions made by the emergency leadership not only proved ineffective hut actually exacerbated the situation. Dynamiting to create firebreaks became, in the hands of amateurs, a dangerous incendiary, while the enforced evacuation of many of the city's neighborhoods deprived them of a volunteer fire brigade, desperate to save their own homes. But the most drastic measure - the declaration of martial law and posting of militia with shoot-to-kill orders against looters - turned out to be the most damaging of all as it led to senseless deaths and the demoralizing of an already overwhelmed populace."--BOOK JACKET.
“San Francisco in 1900 was a Gold Rush boomtown settling into a gaudy middle age. . . . It had a pompous new skyline with skyscrapers nearly twenty stories tall, grand hotels, and Victorian mansions on Nob Hill. . . . The wharf bristled with masts and smokestacks from as many as a thousand sailing ships and steamers arriving each year. . . . But the harbor would not be safe for long. Across the Pacific came an unexpected import, bubonic plague. Sailing from China and Hawaii into the unbridged arms of the Golden Gate, it arrived aboard vessels bearing rich cargoes, hopeful immigrants, and infected vermin. The rats slipped out of their shadowy holds, scuttled down the rigging, and alighted on the wharf. Uphill they scurried, insinuating themselves into the heart of the city.” The plague first sailed into San Francisco on the steamer Australia, on the day after New Year’s in 1900. Though the ship passed inspection, some of her stowaways—infected rats—escaped detection and made their way into the city’s sewer system. Two months later, the first human case of bubonic plague surfaced in Chinatown. Initially in charge of the government’s response was Quarantine Officer Dr. Joseph Kinyoun. An intellectually astute but autocratic scientist, Kinyoun lacked the diplomatic skill to manage the public health crisis successfully. He correctly diagnosed the plague, but because of his quarantine efforts, he was branded an alarmist and a racist, and was forced from his post. When a second epidemic erupted five years later, the more self-possessed and charming Dr. Rupert Blue was placed in command. He won the trust of San Franciscans by shifting the government’s attack on the plague from the cool remove of the laboratory onto the streets, among the people it affected. Blue preached sanitation to contain the disease, but it was only when he focused his attack on the newly discovered source of the plague, infected rats and their fleas, that he finally eradicated it—truly one of the great, if little known, triumphs in American public health history. With stunning narrative immediacy fortified by rich research, Marilyn Chase transports us to the city during the late Victorian age—a roiling melting pot of races and cultures that, nearly destroyed by an earthquake, was reborn, thanks in no small part to Rupert Blue and his motley band of pied pipers.
This new biography—featuring over 150 archival images and full-color photographs printed throughout—introduces Julia Morgan as both a pioneering architect and a captivating individual. Julia Morgan was a lifelong trailblazer. She was the first woman admitted to study architecture at the École des Beaux-Arts in Paris and the first licensed to practice architecture in California. Over the first half of the 20th century, she left an indelible mark on the American West. Of her remarkable 700 creations, the most iconic is Hearst Castle. Morgan spent thirty years constructing this opulent estate on the California coast for the newspaper magnate William Randolph Hearst—forging a lifelong friendship and creative partnership with him. Together, they built a spectacular and unequalled residence that once hosted the biggest stars of Hollywood's golden age, and that now welcomes hundreds of thousands of visitors each year. This compelling biography draws on interviews, letters, and Morgan's diaries, including never-before-seen reflections on faith, art, and her life experiences. Morgan's friendship with Hearst, her passion for California's landscape, her struggles with familial dementia, and her devotion to architecture reveal her to have been a singularly brilliant and determined artist. PREVIOUSLY UNPUBLISHED CONTENT: Victoria Kastner has spent years compiling photographs, interviews, letters, drawings, and diaries—including material never published before—to create the first truly comprehensive portrait of this amazing woman. OVER 150 PHOTOGRAPHS: This book features over 150 photographs, printed throughout the text. These include both fascinating archival images and beautiful, full-color contemporary shots of Morgan's buildings. INSPIRING STORY: By exploring both Morgan's work and her life, Kastner weaves a captivating tale about courage, vision, and resilience. Julia Morgan forged a path for herself against the odds, and her story will inspire contemporary women and creatives. ARCHITECTURAL ICON: Julia Morgan created 700 buildings during her career, from hotels to churches to private homes. Born in San Francisco and trained in Paris, she developed a distinctive aesthetic that now defines certain regions of California. But only in the last twenty years has her contribution to architecture been fully recognized and celebrated. In 2014, the American Institute of Architects' posthumously awarded her its Gold Medal; she was the first female recipient. Perfect for: • History buffs • Students, enthusiasts, and professional architects • Aspiring creatives in all fields • Feminists seeking role models • Visitors to Hearst Castle and Morgan's other buildings • Californians and visitors to California