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When all the shapes in the world disappear little dot must save the day!
It's 2381, and Basil Miranda, on the verge of graduation, knows exactly what she's doing with the rest of her life and always has: a primo assignment on the best ship in the fleet alongside her best friend in the world. She has meticulously prepared herself, and the final Fleet Exam is tomorrow. But what if none of that is what she really wants? And why hasn't she ever asked herself that before? Lost on Planet Earth is the latest expectation-defying series from Visaggio, the Eisner-nominated writer of Kim & Kim and Eternity Girl, whose acclaimed comic Vagrant Queen was recently adapted for TV by SYFY. Lost on Planet Earth reunites Visaggio with artist Aguirre. The pair previously collaborated on Kim & Kim and created the acclaimed series Morning in America; they are joined by letterer Zakk Saam and editor Joe Corallo. This is the first release for Visaggio, Aguirre, Saam, and Corallo under the name DEATH RATTLE, a rock band-style moniker for their creative collaborations.
It finally happened. Commander Thrax Ti Ix created a hyper-spatial tube for the Swarm Imperium. Across thousands of light-years, a vast armada of warships is heading for Earth to burn the homeworld down to its bedrock as the Swarm begins its genocidal campaign against the human race. No one-not the New Men, the Spacers, the Wahhabi Caliphate or Star Watch-has faced such staggering odds. Alone or united, it makes no difference. Captain Maddox has a last-ditch plan. He's returning to the null region of last voyage to grab the ancient Destroyers hidden there. But an immortal entity of evil cunning haunts the vessels. If it escapes its prison...Maddox will have made things infinitely worse. This time, mankind needs a miracle. THE LOST EARTH is the seventh book in the LOST STARSHIP SERIES.
Only now can we see Paul Cézanne as the invisible genius at the very inception of modern art. Recent exhibitions of his early works reveal an artist very different from the serene landscapist we thought we knew. What was it that made these disturbingly dark and troubled paintings, with their violence and psychological truth, as important to him as, later, his huge series of bathers, an obsession with the nude that continued to the end? With the last full-length biography written more than a quarter century ago, the demand for a new life of Cézanne has never been greater. In Lost Earth, Philip Callow delivers it brilliantly. Using contemporary sources, exceptional biographical skills, and a poetic prose, Callow finds beneath an outwardly uneventful life a wealth of anguish and bitter struggle to overcome personal inadequacies and the insults of the critical community. For all of Cézanne's weakness and despair, Lost Earth is the story of a transcendent artist who was passionately committed to a tradition he would one day transform. Callow examines with fresh insights Cézanne's profound friendship with Émile Zola, his ingrained fear of women, his love of the outdoors that enabled him to paint the universe in an apple. Lost Earth gets to the heart of the great painter. With 8 pages of photographs and color plates.
The Earth Chronicles series is based on the premise that mythology is not fanciful but the repository of ancient memories; that the Bible ought to be read literally as a historic/scientific document; and that ancient civilizations--older and greater than assumed--were the product of knowledge brought to Earth by the Anunnaki, "Those Who from Heaven to Earth Came." The 12th Planet, the first book of the series, presents ancient evidence for the existence of an additional planet in the Solar System: the home planet of the Anunnaki. In confirmation of this evidence, recent data from unmanned spacecraft has led astronomers to actively search for what is being called "Planet X." The subsequent volume, The Stairway to Heaven, traces man's unending search for immortality to a spaceport in the Sinai Peninsula and to the Giza pyramids, which had served as landing beacons for it--refuting the notion that these pyramids were built by human pharaohs. Recently, records by an eye witness to a forgery of an inscription by the pharaoh Khufu inside the Great Pyramid corroborated the book's conclusions. The Wars of Gods and Men, recounting events closer to our times, concludes that the Sinai spaceport was destroyed 4,000 years ago with nuclear weapons. Photographs of Earth from space clearly show evidence of such an explosion. Such gratifying corroboration of audacious conclusions has been even swifter for The Lost Realms. In the relatively short interval between the completion of the manuscript and its publication, archaeologists, linguists, and other scientists have offered a "coastal theory" in lieu of the "frozen trekking" one to account for man's arrival in the Americas--in ships, as this volume has concluded. These experts have "suddenly discovered 2,000 years of missing civilization" in the words of a Yale University scholar--confirming this book's conclusion--and are now linking the beginnings of such civilizations to those of the Old World, as Sumerian texts and biblical verses. For the first time, the entire Earth Chronicles series is now available in a hardcover collector's edition.
Ten thousand years ago, a single alien super-ship survived a desperate battle. The vessel's dying crew set the AI on automatic to defend the smashed rubble of their planet. Legend has it the faithful ship continues to patrol the empty battlefield, obeying its last order throughout the lonely centuries.In the here and now, Earth needs a miracle. Out of the Beyond invade the New Men, stronger, faster and smarter than the old. Their superior warships and advanced technology destroy every fleet sent to stop them. Their spies have infiltrated the government and traitors plague Earth's military. Captain Maddox of Star Watch Intelligence wonders if the ancient legend could be true. Would such an old starship be able to face the technology of the New Men? On the run from killers, Maddox searches for a group of talented misfits. He seeks Keith Maker, a drunken ex-strikefighter ace, Doctor Dana Rich the clone thief stuck on a prison planet and Lieutenant Valerie Noonan, the only person to have faced the New Men in battle and survived to tell about it. Maddox has to find a place hidden in the Beyond and bring back a ship no one can enter. If he fails, the New Men will replace the old. If he succeeds, humanity might just have a fighting chance...
The long-awaited follow-up to Voyager: Architects of Infinity from the New York Times bestselling author and cocreator of Star Trek: Picard! As the crew of the Full Circle fleet works to determine the fate of their lost ship, the Galen, a struggle for survival begins at the far edge of the galaxy. New revelations about Species 001, the race that built the biodomes that first drew the fleet to investigate planet DK-1116, force Admiral Kathryn Janeway to risk everything to learn the truth.
By 1979, we knew all that we know now about the science of climate change - what was happening, why it was happening, and how to stop it. Over the next ten years, we had the very real opportunity to stop it. Obviously, we failed.Nathaniel Rich's groundbreaking account of that failure - and how tantalizingly close we came to signing binding treaties that would have saved us all before the fossil fuels industry and politicians committed to anti-scientific denialism - is already a journalistic blockbuster, a full issue of the New York Times Magazine that has earned favorable comparisons to Rachel Carson's Silent Spring and John Hersey's Hiroshima. Rich has become an instant, in-demand expert and speaker. A major movie deal is already in place. It is the story, perhaps, that can shift the conversation.In the book Losing Earth, Rich is able to provide more of the context for what did - and didn't - happen in the 1980s and, more important, is able to carry the story fully into the present day and wrestle with what those past failures mean for us in 2019. It is not just an agonizing revelation of historical missed opportunities, but a clear-eyed and eloquent assessment of how we got to now, and what we can and must do before it's truly too late.