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Explores the circularity of Navajo thought through studies of sandpaintings, chantway myths, and stories reflected in the constellations.
This study brings together three closely related aspects of Maori literature - myth, memory and identity. It examines selected novels by Witi Ihimaera and Patricia Grace in order to trace an ever-developing Maori identity that has changed considerably over three decades of the Maori novel. This book demonstrates that an investigation of the construction of identity in literature benefits from a close look at the importance of Maori mythology as well as associated cultural and individual memories. Indicating that Maori fiction has become what Homi Bhabha terms a third space, this book verifies the links between novel, myth and memory with the help of existing research in these areas in order to assess their importance for the reinterpretation of identity. The Maori novels that depict situations reflecting current issues are viewed as an experimental playground in which authors can explore a variety of solutions to tribal, societal and political issues. This study establishes the early novels as reinterpretations of the past and guides to the future, and characterises the more recent novels as representing a move towards empowerment and pioneering that has not yet come to a conclusion.
A young woman comes of age in this epic saga. “Harrison expertly frames dramatic events with depictions of prehistoric life in the Aleutian Islands” (The New York Times Book Review). It’s 7056 BC, a time before history. On the first day that Chagak’s womanhood is acknowledged within her Aleut tribe, she unexpectedly finds herself betrothed to Seal Stalker, the most promising young hunter in the village. A bright future lies ahead of Chagak—but in one violent moment, she loses her entire way of life. Left with her infant brother, Pup, and only a birdskin parka for warmth, Chagak sets out across the icy waters on a quest for survival and revenge. Mother Earth, Father Sky is the first book of the Ivory Carver Trilogy, which also includes My Sister the Moon and Brother Wind.
In Amanda Skenandore’s provocative and profoundly moving debut, set in the tragic intersection between white and Native American culture, a young girl learns about friendship, betrayal, and the sacrifices made in the name of belonging. On a quiet Philadelphia morning in 1906, a newspaper headline catapults Alma Mitchell back to her past. A federal agent is dead, and the murder suspect is Alma’s childhood friend, Harry Muskrat. Harry—or Asku, as Alma knew him—was the most promising student at the “savage-taming” boarding school run by her father, where Alma was the only white pupil. Created in the wake of the Indian Wars, the Stover School was intended to assimilate the children of neighboring reservations. Instead, it robbed them of everything they’d known—language, customs, even their names—and left a heartbreaking legacy in its wake. The bright, courageous boy Alma knew could never have murdered anyone. But she barely recognizes the man Asku has become, cold and embittered at being an outcast in the white world and a ghost in his own. Her lawyer husband, Stewart, reluctantly agrees to help defend Asku for Alma’s sake. To do so, Alma must revisit the painful secrets she has kept hidden from everyone—especially Stewart. Told in compelling narratives that alternate between Alma’s childhood and her present life, Between Earth and Sky is a haunting and complex story of love and loss, as a quest for justice becomes a journey toward understanding and, ultimately, atonement.
DIVDIVAs two women from different Aleut tribes struggle against their harsh fates, they find their extraordinary destinies intertwined/divDIV In the tribe of the First Men, courageous, beautiful Kiin, an accomplished ivory carver, is finally content with her hard-won life, which includes twin sons and a loving warrior husband. When she is suddenly pulled back into her nightmarish former existence as slave to the Raven, shaman of the Walrus People, her husband’s brother, Samiq, vows to bring her back to their tribe. Across the land, Kukutux, the wife of a Whale Hunter, finds the loss of her husband and the hostility of her clan too much to bear. The lives of Kiin, Samiq, and Kukutux, and the paths of their tribesmen will converge in a final dramatic confrontation that tests the strength of their hearts and spirits against the cruelty of man, nature, and fate./divDIV /divDIVBrother Wind is the final book of the Ivory Carver Trilogy, which also includes Mother Earth Father Sky and My Sister the Moon./div/div
World-renowned Zen monk Thich Nhat Hanh champions a more mindful, spiritual approach to protecting nature and limiting climate change—one that recognizes people and planet as one and the same. While many experts point to the enormous complexity in addressing issues ranging from the destruction of ecosystems to the loss of millions of species, Thich Nhat Hanh identifies one key issue as having the potential to create a tipping point. He believes that we need to move beyond the concept of the “environment,” as it leads people to experience themselves and Earth as two separate entities and to see the planet only in terms of what it can do for them. Here, Thich Nhat Hanh points to the lack of meaning and connection in peoples’ lives as being the cause of our addiction to consumerism. He deems it vital that we recognize and respond to the stress we are putting on the Earth if civilization is to survive. Rejecting the conventional economic approach, Thich Nhat Hanh shows that mindfulness and a spiritual revolution are needed to protect nature and limit climate change. Love Letter to the Earth is a hopeful book that gives us a path to follow by showing that change is possible only with the recognition that people and the planet are ultimately one and the same.
Desert scenes recreate the sense of harmony with nature traditionally enjoyed by the Southwestern Indians
Winner of the 2016 Whiting Award One of Publishers Weekly's "Most Anticipated Books of Spring 2016" One of Lit Hub's "10 must-read poetry collections for April" “Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub "Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate “In his impressive debut collection, Vuong, a 2014 Ruth Lilly fellow, writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity. Managing this balance becomes the crux of the collection, as when he writes, ‘Your father is only your father/ until one of you forgets. Like how the spine/ won’t remember its wings/ no matter how many times our knees/ kiss the pavement.’”—Publishers Weekly "What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."—Li-Young Lee Torso of Air Suppose you do change your life. & the body is more than a portion of night—sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side— waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York.
2-sprachiger Lektüreband mit einer Erzählung von Jonathan Frantzen und einer Audio-CD mit dem englischen Text; für Lernende mit guten Vorkenntnissen.