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Readers are asked to picture themselves as the earth, turning in space, facing the light, feeling the green things growing and the oceans shifting.
"Earth Dance," the story of four generations of Balinese women, centers on conflicts that arise between the demands of caste and personal desires. Narrated by Ida Ayu Telaga, a Balinese woman in her thirties, the novel shows Balinese women-as depicted by her mother, grandmother and female peers-to be motivated by two factors: the yearning to be beautiful, and the desire for a high-caste husband. Headstrong Telaga defies her mother's wishes and marries the man of her dreams, who is a commoner. Thus, in a reversal of societal expectations, as shown in the novel by images of women who aspire to "liberation" through "marrying up," Telaga's emancipation is implicitly characterized as a move downwards, through transformation to the status of a commoner. "Earth Dance" also reveals that-like high-caste status-beauty, too, has a price. Behind the thick, glossy hair and golden complexion, lies a web of jealousy, derision and intrigue. Telaga, whose life is controlled by her mother's avarice, her mother-in-law's bitterness and the greed of her sister-in-law, has frequent cause to wonder: "Is this what it means to be a woman?"
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Vivian Murray Caputo has written many canons that have had a life of their own in Level Courses and Workshops for the past 40 years. At long last they are here in one brand new collection. There are speech canons, canons with movement, instrumental canons, and canons for singers. Vivian has also included excellent instructions for teaching canons as well as a classic Orff process lesson plan for each canon.All of these canons have proven the test of time both in the classroom and in Level courses and workshops around the country. The title song, "Earth Dance," is already a classic in the Orff world.
In dynamic words and dramatic pictures, Earthdance invites young readers to become not just part of the earth, but Earth itself.
A personal poetic journey thru the anatomy of love detailing the many joys and the many challenges that must be met in order to help maintain my own physiological, psycho-social and spiritual integrity much better intact living here in the greatest socioeconomic & advanced technological society in the World still Today! As biopsychosocial & spiritual beings, I believe that we should each strive to live at our individually unique optimum levels of health in life each day with so many technological advancements and overall, opportunities for spiritual development! Also, there's much enthusiasm for President Obama' new health & insurance reform!
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Although much of the material in this manual is borrowed from the dance writings of Charles Durang, it remains an important source for the study of mid-nineteenth-century ballroom dance. Unlike other contemporary writers, Ferrero devotes more than eighty pages to the origins of dance and a history of European and Native American dance. The remaining part of the manual concerns ballroom etiquette and descriptions of numerous dances including the quadrille, waltz, polka, schottisch, varsovienne, polka mazurka, and galop. Ferrero gives directions for more than eighty figures of the cotillon, a group dance performed as a series of party games. Some of the figures include "The scarf," "The glass of wine," "The sea during a storm," "The four chairs," and "The rounds thwarted." The manual concludes with music for twenty-three dances.