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This lively history immerses the reader in San Francisco’s musical life during the first half of the twentieth century, showing how a fractious community overcame virulent partisanship to establish cultural monuments such as the San Francisco Symphony (1911) and Opera (1923). Leta E. Miller draws on primary source material and first-hand knowledge of the music to argue that a utopian vision counterbalanced partisan interests and inspired cultural endeavors, including the San Francisco Conservatory, two world fairs, and America’s first municipally owned opera house. Miller demonstrates that rampant racism, initially directed against Chinese laborers (and their music), reappeared during the 1930s in the guise of labor unrest as WPA music activities exploded in vicious battles between administrators and artists, and African American and white jazz musicians competed for jobs in nightclubs.
The amusement parks which first appeared in England at the turn of the twentieth century represent a startlingly novel and complex phenomenon, combining fantasy architecture, new technology, ersatz danger, spectacle and consumption in a new mass experience. Though drawing on a diverse range of existing leisure practices, the particular entertainment formula they offered marked a radical departure in terms of visual, experiential and cultural meanings. The huge, socially mixed crowds that flocked to the new parks did so purely in the pursuit of pleasure, which the amusement parks commodified in exhilarating new guises. Between 1906 and 1939, nearly 40 major amusement parks operated across Britain. By the outbreak of the Second World War, millions of people visited these sites each year. The amusement park had become a defining element in the architectural psychological pleasurescape of Britain. This book considers the relationship between popular modernity, pleasure and the amusement park landscape in Britain from 1900-1939. It argues that the amusement parks were understood as a new and distinct expression of modern times which redefined the concept of public pleasure for mass audiences. Focusing on three sites - Blackpool Pleasure Beach, Dreamland in Margate and Southend's Kursaal - the book contextualises their development with references to the wider amusement park world. The meanings of these sites are explored through a detailed examination of the spatial and architectural form taken by rides and other buildings. The rollercoaster - a defining symbol of the amusement park - is given particular focus, as is the extent to which discourses of class, gender and national identity were expressed through the design of these parks.
Steeped in Irish mythology, these stories bristle with singular imagination and exude style and narrative prowess. Playful and ingenious, they are a fresh new voice in Irish literature – one that captivates and enthralls with ease. So watch out. The gods are back...
Embark on a captivating journey through the pages of "Pastafarian Chronicles: Navigatin' da Noodle-y Seas o' Faith," where Ministeroni Antonicus invites you to join him on a thought-provoking adventure that traverses the realms of belief and skepticism. With a seasoned pen that wields both insightful introspection and uproarious humor, Antonicus delves into the complex tapestry of interfaith spirituality and atheistic musings. As you follow his footsteps through encounters with diverse belief systems, you'll be immersed in a rich narrative that encourages open-minded exploration, challenges preconceptions, and fosters a deep sense of connection among all individuals, regardless of their paths. Get ready to set sail on the noodle-y seas of faith, guided by the wisdom and wit of Ministeroni Antonicus.