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This volume presents the first comprehensive classification' of post-medieval vessel glass, including both fine, decorative items as well as more day-to-day domestic objects. Intended as a first-step for the archaeologist, art historian, collector' and interested reader, the guide examines and contrasts examples found from a wide range of excavations across England. The catalogue (of beakers, goblets, jugs, flasks, bottles, bowls, jars and chemical equipment) is preceded by an extensive discussion of methodology, the production and importation of glass as well as the archaeological and social context of glass use. Both archaeological and documentary evidence is drawn on throughout. The volume concludes with a summary of sites and published groups of glass and a glossary.
This volume combines a comprehensive exploration of all vessel glass from middle and late Anglo-Saxon England and a review of the early glass with detailed interpretation of its meaning and place in Anglo-Saxon society. Analysis of a comprehensive dataset of all known Anglo-Saxon vessel glass of middle Anglo-Saxon date as a group has enabled the first quantification of form, color, and decoration, and provided the structure for a new typological, chronological and geographical framework. The quantification and comparison of the vessel glass fragments and their attributes, and the mapping of the national distribution of these characteristics (forms, colors and decoration types), both represent significant developments and create rich opportunities for the future. The geographical scope is dictated by the glass fragments, which are from settlements located along the coast from Northumbria to Kent and along the south coast to Southampton. Seven case studies of intra-site glass distribution reveal that the anticipated pattern of peripheral disposal alongside dining waste is widespread, although exceptions exist at the monastic sites at Lyminge, Kent, and Jarrow, Tyne and Wear. Overall, the research themes addressed are the glass corpus and its typology; glass vessels in Anglo-Saxon society; and glass vessels as an economic indicator of trade and exchange. Analysis reveals new understandings of both the glass itself and the role of glass vessels in the social and economic mechanisms of early medieval England. There is currently no comprehensive work examining early medieval vessel glass, particularly the post sixth-century fragmentary material from settlements, and my monograph will fill that gap. The space is particularly noticeable when considering books on archaeological glass from England: the early medieval period is the only one with no reference volume; no recent, through and accessible source of information. The British Museum published a monograph entitled 'Catalogue of Anglo-Saxon Glass in the British Museum' in 2008, but as the title suggests it is a catalogue at heart, and of a collection of fifth and sixth century grave goods in a single museum. Chronologically, a volume on the subject would fill the space between various books on Roman glass from Britain and 'Medieval glass vessels found in England c. AD 1200-1500' by Rachel Tyson. This book on early medieval vessel glass and the contexts from which it came will also make a significant contribution to early medieval settlement studies and the archaeology of trade in this period: both are growth areas of scholarship and interest and vessel glass provides a new tool to address key debates in the field.
The Routledge Handbook of Material Culture in Early Modern Europe marks the arrival of early modern material culture studies as a vibrant, fully-established field of multi-disciplinary research. The volume provides a rounded, accessible collection of work on the nature and significance of materiality in early modern Europe – a term that embraces a vast range of objects as well as addressing a wide variety of human interactions with their physical environments. This stimulating view of materiality is distinctive in asking questions about the whole material world as a context for lived experience, and the book considers material interactions at all social levels. There are 27 chapters by leading experts as well as 13 feature object studies to highlight specific items that have survived from this period (defined broadly as c.1500–c.1800). These contributions explore the things people acquired, owned, treasured, displayed and discarded, the spaces in which people used and thought about things, the social relationships which cluster around goods – between producers, vendors and consumers of various kinds – and the way knowledge travels around those circuits of connection. The content also engages with wider issues such as the relationship between public and private life, the changing connections between the sacred and the profane, or the effects of gender and social status upon lived experience. Constructed as an accessible, wide-ranging guide to research practice, the book describes and represents the methods which have been developed within various disciplines for analysing pre-modern material culture. It comprises four sections which open up the approaches of various disciplines to non-specialists: ‘Definitions, disciplines, new directions’, ‘Contexts and categories’, ‘Object studies’ and ‘Material culture in action’. This volume addresses the need for sustained, coherent comment on the state, breadth and potential of this lively new field, including the work of historians, art historians, museum curators, archaeologists, social scientists and literary scholars. It consolidates and communicates recent developments and considers how we might take forward a multi-disciplinary research agenda for the study of material culture in periods before the mass production of goods.
Developments in conservation mean that more complete and fragmentary glass vessels survive from the medieval period to the present day than ever before, revealing new information about medieval English glassmaking technology and the social context of these beautiful objects. This highly useful report presents the results of recent research on medieval glass, based on about 1350 vessels, with discussions of developments of craftsmanship and design, the social status of owners of glass vessels and methods of identifying and researching medieval glass. Includes an illustrated catalogue of the different forms of vessels, including goblets, bowls, bottles, lamps and miscellaneous decorated pieces.
A detailed interdisciplinary exploration of ancient glass, examining why and how glass was invented and various contexts of its subsequent development and use.
Livorno fu una creazione postmedievale di notevole successo. Diventò il più grande porto di transito del Mediterraneo e creò il concetto di porto franco in Europa. Costruita dai Granduchi Medici, prosperò come la più importante base commerciale nel Mediterraneo per i Poteri nord-atlantici. Tra questi il principale fu inglese, la cui Royal Navy garantì il suo successo commerciale e il predominio britannico nel Mediterraneo – un’area che era ancora la fonte di prodotti e beni di lusso e che forniva un mercato popoloso per le manifatture, i metalli, il pesce, le riesportazioni coloniali ed i servizi di trasporto inglesi. Questo volume raccoglie quattordici contributi che danno prove materiali della relazione della Gran Bretagna con Livorno e la Toscana. Livorno was a remarkably successful post-medieval creation, which became the greatest transit port in the Mediterranean and pioneered the concept of the free port in Europe. Built by the Medici Grand Dukes, it prospered as the main commercial base in the Mediterranean for north Atlantic powers. Principal amongst these were the English, whose Royal Navy ensured their commercial success and Britain’s dominance of the Mediterranean – an area which was still the source of luxury produce and goods and provided a populous market for British manufactures, metals, fish, colonial re-exports and shipping. This volume brings together fourteen papers highlighting the material evidence of Britain’s relationship with Livorno and Tuscany.
A lovingly illustrated celebration of the Venetian art of "cristallo" focuses on this remarkable glasswork produced in five countries during the sixteenth and seventeenth centuries, using essays and photographs to highlight the aesthetic and social dimensions of this unique craft. 281 colour & 47 b/w illustrations
In contemporary society it would seem self-evident that people allow the market to determine the values of products and services. For everything from a loaf of bread to a work of art to a simple haircut, value is expressed in monetary terms and seen as determined primarily by the 'objective' interplay between supply and demand. Yet this 'price-mechanism' is itself embedded in conventions and frames of reference which differed according to time, place and product type. Moreover, the dominance of the conventions of utility maximising and calculative homo economicus is a relatively new phenomenon, and one which directly correlates to the steady advent of capitalism in early modern Europe. This volume brings together scholars with expertise in a variety of related fields, including economic history, the history of consumption and material culture, art history, and the history of collecting, to explore changing concepts of value from the early modern period to the nineteenth century and present a new view on the advent of modern economic practices. Jointly, they fundamentally challenge traditional historical narratives about the rise of our contemporary market economy and consumer society.