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Specially commissioned photographs and lively text capture the spirit of 23 of South Africa's grandest houses, following a timeline of social and cultural development. Authoritative text brings to life the spirit of the houses, along with their builders and occupantsfrom Dutch East India Company merchants and English aristocrats to 19th-century sugar barons and diamond magnates. 337 illustrations. 237 in full color.
In many facets of Western culture, including archaeology, there remains a legacy of perceiving gender divisions as natural, innate, and biological in origin. This belief follows that men are naturally pre-disposed to public, intellectual pursuits, while women are innately designed to care for the home and take care of children. In the interpretation of material culture, accepted notions of gender roles are often applied to new findings: the dichotomy between the domestic sphere of women and the public sphere of men can color interpretations of new materials. In this innovative volume, the contributors focus explicitly on analyzing the materiality of historic changes in the domestic sphere around the world. Combining a global scope with great temporal depth, chapters in the volume explore how gender ideologies, identities, relationships, power dynamics, and practices were materially changed in the past, thus showing how they could be changed in the future.
This is the first full study of the relationship of knowledge to national identity formation in modern South Africa. It explores how the cultivation of knowledge served to support white political ascendancy and claims to nationhood. Elegantly written and wide ranging, the book addresses major themes in both South African and comparative imperial historiography.
A major contribution to the environmental history of settler societies, William Beinart's innovative study analyses the development of conservationalist ideas over the long term in South Africa, examining them as a response to the rapid transformation of natural pastures brought about as the Cape became a major exporter of wool.
A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies. A comprehensive introduction and overview of the classical tradition - the interpretation of classical texts in later centuries Comprises 26 newly commissioned essays from an international team of experts Divided into three sections: a chronological survey, a geographical survey, and a section illustrating the connections between the classical tradition and contemporary theory
The book explores three key groups: The Dutch East India Company, the free settlers, and the slaves, through a number of archaeological sites and contexts. With the archaeological evidence, the book examines how these different groups were enmeshed within racial, sexual, and class ideologies in the broader context of capitalism and colonialism, and draws extensively on current social theory, in particular post-colonialism, feminism, and Marxism.
In a compelling example of the cultural history of South Africa, Robert Ross offers a subtle and wide-ranging study of status and respectability in the colonial Cape between 1750 and 1850. His 1999 book describes the symbolism of dress, emblems, architecture, food, language, and polite conventions, paying particular attention to domestic relationships, gender, education and religion, and analyses the values and the modes of thinking current in different strata of the society. He argues that these cultural factors were related to high political developments in the Cape, and offers a rich account of the changes in social identity that accompanied the transition from Dutch to British overrule, and of the development of white racism and of ideologies of resistance to white domination. The result is a uniquely nuanced account of a colonial society.
The material culture of the old Cape Colony has been well enough documented in largely descriptive studies and ÿpublications. There are comprehensive books on ?Cape Dutch? architecture, on furniture, silver, copper, and on what was the outstanding practitioner towards the end of the 18th century, Anton Anreith. What Hans Fransen has done in this new volume, is to investigate whether, and to what extent, the surprisingly rich body of Cape material culture ? the decorative gables of its homesteads, the city mansions with their ornate entrances and cornices, the superbly crafted armoires, can be seen as part and parcel of the international Baroque: that ebullient style of painting, architecture and design that swept across Europe and some of its spheres of influence.