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A selection of Sandburg's poems made for young people. A Voyager Book. 70 line drawings by James Daughetry.
In 1998, fiery Eleanor “Els” Gordon thought the new century would find her married to her childhood soul mate, rejuvenating her family’s Scottish Highlands estate, and finally earning a managing director title at her investment bank. Maybe she’d even have the courage to discover why her estranged mother ran home to Italy thirty years earlier. But when 2000 dawns, Els is mourning her fiancé and her father, and she’s unemployed, broke, and sharing an antique plantation house on the Caribbean island of Nevis with the ghost—or “jumbie”—of Jack Griggs, the former owner. Jack’s jumbie wangles Els’s help in making amends for wrongs committed during his Casanova life, and in exchange he appoints himself Cupid on behalf of a charter captain who’s as skittish about vulnerability as Els. Meanwhile, Els lures her mother to Nevis in hopes of unraveling the family secrets—but will the shocking truth set her free, or pull her fragile new happiness apart? A moving and lyrical novel that transports readers from lush tropics to rugged highlands and back again, The Moon Always Rising explores how the power of forgiveness can help even the most damaged person fix whatever is broken.
A young girl helps her grandmother with preparations for the traditional Chinese celebration for her new baby brother's one-month-old birthday.
Full of facts and fun, this lovely kit helps girls understand and enjoy the transition into womanhood. This charming boxed set, developed by an experienced facilitator of girls' self-esteem circles is designed to support girls as they develop physically and socially into young women, specifically at the time leading up to and including their first menstrual period. It offers easy-to-understand biological information as well as guidance for going through the emotional and social changes of puberty with grace and confidence. It includes a journal as well as a guidebook featuring stories from girls around the world, affirmations, visualizations ("Moontime Meditations"), rituals ("Moontime Magic"), and crafts and projects ranging from beading and baking to beauty treatments. It also contains stickers, henna tattoos, a calendar (the "Flow Chart"), and a moon cycle spinner wheel. Down-to-earth, warm, and encouraging, First Moon is a welcome resource for young girls and their parents, and a thoughtful gift for girls ages nine to 14.
A selection of Sandburg's poems made for young people. A Voyager Book. 70 line drawings by James Daughetry.
Since the beginning of civilization, the origins of the Earth and Moon have been the subjects of continuing interest, speculation, and enquiry. These are also among the most challenging of all scientific problems. They are, perhaps to a unique degree, interdisciplinary, having attracted the attention of philosophers, astronomers, mathematicians, geologists, chemists, and physicists. A large and diverse literature has developed, far beyond the capacity of individuals to assimilate adequately. Consequently, most of those who attempt to present review-syntheses in the area tend to reflect the perspectives of their own particular disciplines. The present author's approach is that of a geochemist, strongly influenced by the basic phil osophy of Harold Urey. Whereas most astronomical phenomena are controlled by gravitational and magnetic fields, and by nuclear interactions, Urey (1952) emphasized that the formation of the solar system occurred in a pressure-temperature regime wherein the chemical properties of matter were at least as important as those of gravitational and magnetic fields. This was the principal theme of his 1952 book, "The Planets," which revolutionized our approach to this subject. In many subsequent papers, Urey strongly emphasized the importance of meteorites in providing critical evidence of chemical conditions in the primordial solar nebula, and of the chemical fractionation processes which occurred during formation of the terrestrial planets. This approach has been followed by most subsequent geochemists and cosmochemists.
The astronauts of Apollo 11 made history as the first men to land on the Moon. Learn more about how Neil Armstrong, Buzz Aldrin, and Michael Collins trained and achieved this momentous feat in this Step 5 History Reader. Step 5 Readers tell stories in chapters using longer paragraphs, for children who want to take the plunge into chapter books but still like colorful illustrations and photography. "The story of Apollo 11's historic flight, from lift-off, through 'The Eagle has landed,' to splashdown and quarantine. Donnelly does a good job of setting the stage with chapters on the history of the idea of flight to the moon, astronaut selection and training, and look at the flight's effect on people in general." --School Library Journal.
A true story from one of the Women of NASA! Margaret Hamilton loved numbers as a young girl. She knew how many miles it was to the moon (and how many back). She loved studying algebra and geometry and calculus and using math to solve problems in the outside world. Soon math led her to MIT and then to helping NASA put a man on the moon! She handwrote code that would allow the spacecraft’s computer to solve any problems it might encounter. Apollo 8. Apollo 9. Apollo 10. Apollo 11. Without her code, none of those missions could have been completed. Dean Robbins and Lucy Knisley deliver a lovely portrayal of a pioneer in her field who never stopped reaching for the stars.
Aidan and his parents attend the local coven's Full Moon celebration.
The Moon is at once a face with a thousand expressions and the archetypal planet. Throughout history it has been gazed upon by people of every culture in every walk of life. From early perceptions of the Moon as an abode of divine forces, humanity has in turn accepted the mathematized Moon of the Greeks, the naturalistic lunar portrait of Jan van Eyck, and the telescopic view of Galileo. Scott Montgomery has produced a richly detailed analysis of how the Moon has been visualized in Western culture through the ages, revealing the faces it has presented to philosophers, writers, artists, and scientists for nearly three millennia. To do this, he has drawn on a wide array of sources that illustrate mankind's changing concept of the nature and significance of heavenly bodies from classical antiquity to the dawn of modern science. Montgomery especially focuses on the seventeenth century, when the Moon was first mapped and its features named. From literary explorations such as Francis Godwin's Man in the Moone and Cyrano de Bergerac's L'autre monde to Michael Van Langren's textual lunar map and Giambattista Riccioli's Almagestum novum, he shows how Renaissance man was moved by the lunar orb, how he battled to claim its surface, and how he in turn elevated the Moon to a new level in human awareness. The effect on human imagination has been cumulative: our idea of the Moon, and therefore the planets, is multilayered and complex, having been enriched by associations played out in increasingly complicated harmonies over time. We have shifted the way we think about the lunar face from a "perfect" body to an earthlike one, with corresponding changes in verbal and visual expression. Ultimately, Montgomery suggests, our concept of the Moon has never wandered too far from the world we know best—the Earth itself. And when we finally establish lunar bases and take up some form of residence on the Moon's surface, we will not be conquering a New World, fresh and mostly unknown, but a much older one, ripe with history.