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A compelling examination of the ultimate global commodity, blue and white porcelain, from kiln to consumers across the globe.
This beautiful book is the second in a major three-volume series that will survey China's immense wealth of art, architecture, and artefacts from prehistoric times to the twentieth century. It covers the most prolific and broad-ranging period of Chinese art history, from the Song Dynasty with its spectacular landscape paintings to the Ming Dynasty with its lovely pottery. William Watson considers architecture, painting, sculpture, and the decorative arts in equal balance. He follows styles and motifs as they are developed in each medium from one province to another and discusses materials and techniques as well as the iconography and function of every art form. He also explores relationships between one medium and another, tracing, for example, the influence of Buddhist iconography on sculptural traditions and on the architecture of temples and towers and showing how ceramic ornament affected the development of ornament in other media.
We think of blue and white porcelain as the ultimate global commodity: throughout East and Southeast Asia, the Indian Ocean including the African coasts, the Americas and Europe, consumers desired Chinese porcelains. Many of these were made in the kilns in and surrounding Jingdezhen. Found in almost every part of the world, Jingdezhen's porcelains had a far-reaching impact on global consumption, which in turn shaped the local manufacturing processes. The imperial kilns of Jingdezhen produced ceramics for the court, while nearby private kilns manufactured for the global market. In this beautifully illustrated study, Anne Gerritsen asks how this kiln complex could manufacture such quality, quantity and variety. She explores how objects tell the story of the past, connecting texts with objects, objects with natural resources, and skilled hands with the shapes and designs they produced. Through the manufacture and consumption of Jingdezhen's porcelains, she argues, China participated in the early modern world.
Song Blue and White Porcelain on the Silk Road disproves received opinion that pre-Ming blue and white dates to the Yuan (1279-1368 A.D.) and establishes the proper foundation for 21st century study of ancient Chinese porcelain.
Ceramic powder synthesis and processing are two of the most important technologies in chemical engineering and the ceramics-related area of materials science. This book covers both the processing and the synthesis ofceramic powders in great depth and is indeed the only up-to-date, comprehensive source on the subject available.The application of modern scientific and engineering methods to the field of ceramic powder synthesis has resulted in much greater control of properties. Fundamentals of Ceramic Powder Processing and Synthesis presents examples of these modern methods as they apply to ceramic powders. The book is organized to describe the natural and synthetic raw materials that comprise contemporary ceramics. It covers the three reactant processes used in synthetic ceramic powder synthesis: solid, liquid, andgas.Ceramic powder processing, as a field of materials processing, is undergoing rapid expansion. The present volume is intended as a complete and useful source on this subject of great current interest. It provides comprehensive coverage from a strong chemistry and chemical engineering perspective and is especially applicable to materials scientists, chemical engineers, and applied chemists.Key Features* The most complete and updated reference source on the subject* Comprehensive coverage from a stron chemical engineering and chemistry perspective* Emphasis on both natural and synthetic raw materials in ceramic powder synthesis* Information on reaction kinetics* Superior, more comprehensive coverage than that in existing texts* Sample problems and exercises* Problems at the end of each chapter which supplement the material
All About Chinese Dragons attempts to foster a wider understanding about the Chinese dragon and the many forms it took, in art, legend, and folklore. It is dedicated to the dragon, and its many offshoots and variations, and gives not only details of what a Chinese dragon was, where it was used, and what it was called, but also a few of the hundreds of legends about it that have arisen. The reader will become more acquainted with the dragon, and will gain a greater understanding of this magnificent beast. This book will interest and please the serious student and the enthusiastic tourist alike.