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Casts light on a time that saw the creation of some of the most treasured and enigmatic objects in Scotland.
This edited volume explores how (what is today) Scotland can be compared with, contrasted to, or was connected with other parts of Early Medieval Europe. Far from a 'dark age', Early Medieval Scotland (AD 300-900) was a crucible of different languages and cultures, the world of the Picts, Scots, Britons and Anglo-Saxons. Though long regarded as somehow peripheral to continental Europe, people in Early Medieval Scotland had mastered complex technologies and were part of sophisticated intellectual networks.This cross-disciplinary volume includes contributions focussing on archaeology, artefacts, art-history and history, and considers themes that connect Scotland with key processes and phenomena happening elsewhere in Europe. Topics explored include the transition from Iron Age to Early Medieval societies and the development of secular power centres, the Early Medieval intervention in prehistoric landscapes, and the management of resources necessary to build kingdoms.
A one-volume political and ecclesiastical history of Scotland from the eleventh century to the Reformation.
In this interdisciplinary collaboration, an international group of scholars have come together to suggest new directions for the study of the family in Scotland circa 1300-1750. Contributors apply tools from across a range of disciplines including art history, literature, music, gender studies, anthropology, history and religious studies to assess creatively the broad range of sources which inform our understanding of the pre-modern Scottish family.
During the first millennium AD the most northerly part of Britain evolved into the country known today as Scotland. The transition was a long process of social and political change driven by the ambitions of powerful warlords. At first these men were tribal chiefs, Roman generals or rulers of small kingdoms. Later, after the Romans departed, the initiative was seized by dynamic warrior-kings who campaigned far beyond their own borders. Armies of Picts, Scots, Vikings, Britons and Anglo-Saxons fought each other for supremacy. From Lothian to Orkney, from Fife to the Isle of Skye, fierce battles were won and lost. By AD 1000 the political situation had changed for ever. Led by a dynasty of Gaelic-speaking kings the Picts and Scots began to forge a single, unified nation which transcended past enmities. In this book the remarkable story of how ancient North Britain became the medieval kingdom of Scotland is told.
“A major study of the art of the Picts.” —Library Journal Drawing on their extensive research and expertise, renowned historians George and Isabel Henderson illuminate one of the great enigmas of medieval art: the unique metalwork and sculpture of the Picts. Tribal Celtic-speaking warriors and farmers in what is now Scotland, the Picts were one of the major peoples of early medieval Britain, but their culture and their beautiful art have puzzled historians for centuries. George and Isabel Henderson’s acute analysis reveals an art form that both interacted with the currents of “Insular” art and was produced by a sophisticated society capable of sustaining large-scale art programs. The illustrations include specially commissioned drawings that help one understand the mysterious symbols found in the art.
What use is it to be given authority over men and lands if others do not know about it? Furthermore, what use is that authority if those who know about it do not respect it or recognise its jurisdiction? And what strategies and 'language' -written and spoken, visual and auditory, material, cultural and political - did those in authority throughout the medieval and early modern era use to project and make known their power? These questions have been crucial since regulations for governance entered society and are found at the core of this volume. In order to address these issues from an historical perspective, this collection of essays considers representations of authority made by a cross-section of society within the British Isles. Arranged in thematic sections, the 14 essays in the collection bridge the divide between medieval and early modern to build up understanding of the developments and continuities that can be followed across the centuries in question. Whether crown or noble, government or church, burgh or merchant; all desired power and influence, but their means of representing authority were very different. These essays encompass a myriad of methods demonstrating power and disseminating the image of authority, including: material culture, art, literature, architecture and landscapes, saintly cults, speeches and propaganda, martial posturing and strategic alliances, music, liturgy and ceremonial display. Thus, this interdisciplinary collection illuminates the variable forms in which authority was presented by key individuals and institutions in Scotland and the British Isles. By placing these within the context of the European powers with whom they interacted, this volume also underlines the unique relationships developed between the people and those who exercised authority over them.
Early historic Scotland - from the fifth to the tenth century AD - was home to a variety of diverse peoples and cultures, all competing for land and supremacy. Yet by the eleventh century it had become a single, unified kingdom, known as Alba, under a stable and successful monarchy. How did this happen, and when? At the heart of this mystery lies the extraordinary influence of the Picts and of their neighbours, the Gaels - originally immigrants from Ireland. In this new and revised edition of her acclaimed book, Sally M. Foster establishes the nature of their contribution and, drawing on the latest archaeological evidence and research, highlights a huge number of themes, including the following: the origins of the Picts and Gaels; the significance of the remarkable Pictish symbols and other early historic sculpture; the art of war and the role of kingship in tribal society; settlement, agriculture, industry and trade; religious beliefs and the impact of Christianity; how the Picts and Gaels became Scots.
Ancient Lives provides new perspectives on objects, people and place in early Scotland and beyond.This scholarly and accessible volume provides a show-case of new information and new perspectives on material culture linked, but not limited to, Scotland.
Deconstructs the early history of Britain, illustrating a transformative era with wide-ranging sources and an accessible narrative.