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A remarkable collection of textiles made in Islamic lands and traded along the Silk Road, most of which are published here for the first time. The al-Sabah Collection, Kuwait, holds a spectacular array of ancient textiles created in Islamic lands, mostly from the ninth to the fifteenth centuries, and traded along the Silk Road, the network of ancient trade routes that linked China, Central Asia, and Byzantium for more than 1,500 years. This fascinating volume presents these Islamic pieces along with a selection of predominantly Chinese textiles dating from the Han period (25–220 CE) to the Yuan period (thirteenth– fourteenth century CE). This collection, which has remained largely unpublished until now, is a rich source of information, not only for the history of textiles, but also for the history of the Silk Road itself. Together, the exceptional beauty and variety of the garments and textile fragments reflect the many strands of influence along the Silk Road. New scientific analysis has enabled a number of these textiles to be dated with precision for the first time, making them an especially valuable scholarly resource. Early Islamic Textiles from Along the Silk Road displays an astonishing range of textile motifs, patterns, and calligraphic designs. A selection of rare intact garments vividly evokes the lives of merchants, pilgrims, and travelers, as well as the inhabitants of countries linked by the Silk Road, making this a one-of-a-kind resource.
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"Excellent . . . as colorful and as full of joie de vivre as a room full of Matisse paintings." --The World of Interiors
Explores art in the Islamic world, including architecture, decoration, household objects, books, music, and illustrations.
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
"The exceptional collection published here ranges widely in region, material and technique. There are textiles and garments from North Africa, Syria, Arabia, Iran, Turkey and the Indian subcontinent linked by a shared vocabulary of ornament - evidence of the international nature of Islamic design. Materials represented are silk - the most prestigious of fibres, requiring highly respected weavers - wool, cotton and linen. Decoration is based on variations of weave and colour and embellishment through embroidery, printing and appliqué and illustrates the work of both professional and domestic workers. The strengths of the collection are concentrated in the textile production of the nineteenth and early twentieth centuries, which, thanks to the basically conservative nature of textile technique and design, preserve and continue the traditions established in the medieval Islamic world. They are important in an assessment of Islamic textiles both for their quality and as illustrations of survival and adaptation in a major industry. Their heritage reaches back well over a thousand years, even though their very high perishability means that for the earlier part of the tradition our knowledge is reliant very largely on written sources. These, however, attest to the superb quality and quantity of textiles at the courts of the period."--From Amazon.com.
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
Fragile Remnants: Egyptian Textiles of Late Antiquity and Early Islam~ISBN 3-7757-1699-8 U.S. $40.00 / Paperback, 8.5 x 10.5 in. / 198 pgs / 130 color. ~Item / March / Decorative Arts