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Anger is central to the Homeric epic, but few scholarly interventions have probed HomerOs language beyond the study of the IliadOs first word: menis. Yet Homer uses over a dozen words for anger. Fighting Words and Feuding Words engages the powerful tools of Homeric poetic analysis and the anthropological study of emotion in an analysis of two anger terms highlighted in the Iliad by the Achaean prophet Calchas. Walsh argues that kotos and kholos locate two focal points for the study of aggression in Homeric poetry, the first presenting HomerOs terms for feud and the second providing the native terms that designates the martial violence highlighted by the Homeric tradition. After focusing on these two terms as used in the Iliad and the Odyssey, Walsh concludes by addressing some post-Homeric and comparative implications of Homeric anger.
A clear-eyed exploration of Celtic spirituality that enriches the Christian experience. Every Earthly Blessing delves into the rich, earthy Celtic heritage and traditions to bring lyricism and charm to Christian worship. It presents the reader with scholarly research and context, along with beautiful Celtic poetry and songs. The topics Esther de Waal explores include monasticism, pilgrimages, creation and healing, sin and sorrow, and salvation, in the previously mystical and romanticized backdrop of Celtic Christianity. “Esther de Waal writes with perceptive insight about the beauty and richness of the Celtic Christian world, especially its poetic tradition, but without romanticizing it. Every Earthly Blessing remains one of the best books in its field.”—Cintra Pemberton, O.S.H., author of Soulfaring: Celtic Pilgrimages Then and Now
Grammatica, Gramadach, and Gramadeg : Vernacular grammar and grammarians in medieval Ireland and Wales is concerned with the history of linguistic ideas and literary theory in the vernacular languages of medieval Ireland and Wales. While much good work, especially by Vivian Law, has been done on the Latin materials, this volume is the first to engage with the vernacular texts. It consists of ten essays that explore a range of interconnected topics relating to these themes. Yet while the contributors offer a close analysis of the development of linguistic thought in these literary traditions, they likewise seek to situate their discussions within the wider context of European grammatical learning during this period, considering both the widespread influence of texts from classical linguistic tradition and also the significance of sources from other contemporary learned disciplines for our understanding of the history of linguistics in the medieval world.
Paying homage to prayer traditions from around the world and throughout history, this celebration of prayer covers everything from Pentacoastalist revivals to the sacred pipe to the Catholic rosary.
Rediscover the lost words of an ancient land in this new and updated edition of an international bestseller. Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German, and branches spanning the world, from Australia and India to North America. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn and crag. Today, this heritage can be found nowhere more powerfully than in modern-day Gaelic. In Thirty-Two Words for Field Manchán Magan explores the enchantment, sublime beauty and sheer oddness of a 3000-year-old lexicon. Imbuing the natural world with meaning and magic, it evokes a time-honoured way of life, from its 32 separate words for a field, to terms like loisideach (a place with a lot of kneading troughs), bróis (whiskey for a horseman at a wedding), and iarmhaireacht (the loneliness you feel when you are the only person awake at cockcrow). Told through stories collected from Magan's own life and travels, Thirty-Two Words for Field is an enthralling celebration of Irish words, and a testament to the indelible relationship between landscape, culture and language.
Historian and Iona Community member Rosemary Power tells the story of the small Hebridean island of Iona and its remarkable spiritual influence over fifteen centuries. Beginning with the earliest Stone Age settlements, she combines new translations of early Gaelic and medieval Latin prayers with original research to chart: the founding of the abbey in 563ADsix centuries of monasticism: food, lifestyle, work and the pattern of daily prayerarchitecture, the high crosses and early artmedieval Iona: the nunnery, women’s lives, and catering for pilgrimspost Reformation Iona: the rebuilding of the Abbey, the lives of the resident population and what visitors from the 17th century onwards experienced
This interdisciplinary volume of essays examines the real and imagined role of Classical and Celtic influence in the history of British identity formation, from late antiquity to the present day. In so doing, it makes the case for increased collaboration between the fields of Classical reception and Celtic studies, and opens up new avenues of investigation into the categories Celtic and Classical, which are presented as fundamentally interlinked and frequently interdependent. In a series of chronologically arranged chapters, beginning with the post-Roman Britons and ending with the 2016 Brexit referendum, it draws attention to the constructed and historically contingent nature of the Classical and the Celtic, and explores how notions related to both categories have been continuously combined and contrasted with one another in relation to British identities. Britishness is revealed as a site of significant Celtic-Classical cross-pollination, and a context in which received ideas about Celts, Romans, and Britons can be fruitfully reconsidered, subverted, and reformulated. Responding to important scholarly questions that are best addressed by this interdisciplinary approach, and extending the existing literature on Classical reception and national identity by treating the Celtic as an equally relevant tradition, the volume creates a new and exciting dialogue between subjects that all too often are treated in isolation, and sets the foundations for future cross-disciplinary conversations.