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Contributions from anthropology, history, political science, literature, the natural sciences, religion, and philosophy provide a comprehensive overview of the diverse influences America had on Europe. Topics covered include the impact of early botanical and geographic studies on Europe and on the scientific revolution, the structure of indigenous and colonial cultures, and the ideology and ethics of conquest and enslavement. Together, these essays constitute a reevaluation of the images held by the first colonists via new ways of understanding some of the main figures, processes, and events of that era.
Contributions from anthropology, history, political science, literature, the natural sciences, religion, and philosophy provide a comprehensive overview of the diverse influences America had on Europe. Topics covered include the impact of early botanical and geographic studies on Europe and on the scientific revolution, the structure of indigenous and colonial cultures, and the ideology and ethics of conquest and enslavement. Together, these essays constitute a reevaluation of the images held by the first colonists via new ways of understanding some of the main figures, processes, and events of that era.
In this work Robert M. Levine undertakes two separate and important tasks: to provide the first overview of the history of photography in Latin America until the advent of the cheap cameras that permitted mass photography, and to analyze the photographic record for clues to the use of the images as historical documents. Levine has woven together an account of the development of photographic equipment and processes, with the artists and entrepreneurs who actually took the pictures, and places the emergence of photography firmly in the historical context of Latin American societies. Treating the photographs themselves—some 225 in all—Levine develops criteria for questions we can ask of the photographs in an attempt to extract emotional, psychological, and personal information, as well as the more obvious material evidence. This is an often subjective process, one that can lead to differing results, and observers may well come to conclusions departing radically from those of the author. But this may well be one of the most important functions of an innovative work, the creation of controversy that stimulates forward motion in a discipline.
The ridges and ranchlands that once covered the expanse between Burbank and Pasadena became the 16th city in Los Angeles County to incorporate. This 1906 act formalized the Township of Glendale, which had grown from the Rancho San Rafael of the Verdugo family through the Spanish, Mexican, and American colonial eras. In the 20th century, some of the oldest film studios called Glendale home. Seven movie theaters operated in the city in the 1920s and so did the first airport offering cross-country flight, Grand Central. In this book, nearly 200 vintage photographs provide a window to the city's bygone days, focusing on the era up to the Second World War, when Glendale's pleasant neighborhoods were evolving together to form one of the county's most populous and ethnically diverse cities.--From publisher description.
"Published with the assistance of the Getty Foundation."
At the end of the 19th century, outlaws opined they would rather kill themselves than be taken alive to certain slow-boiled death in the caldron of Yuma's territorial prison, known nationally as "The Hell Hole." But to the pioneer residents of Yuma, the prison was the finest structure in town, sitting atop a breezy hill. When the prison was closed, Yuma's citizens used the abandoned structure as a school. That Yuma's residents lived happily where the West's most notorious outlaws feared to die is just one testament to the profound strength and perseverance of the first settlers of the community. This photographic history pays tribute to those men and women-Quechan, Spanish, Mexican, and Anglo-who looked past the arid landscape to envision a thriving river port, then a mining center, and finally, a verdant valley and winter playground.
The vibrant East Bay city of Hayward was named for William Hayward, a '49er and American squatter who endeared himself to Mexican landowner Guillermo Castro by making him a good pair of boots. With Castro's permission, William stayed to open Hayward's Hotel on what is now Main and A Streets. That fortuitous location, near the convergence of the eight tributaries forming San Lorenzo Creek, made the region a natural transportation hub between the bay and the fertile Livermore Valley. Stagecoach lines, a narrow-gauge railroad, and later modern transportation links encouraged more immigrants to settle. Today Hayward is a diverse city of almost 150,000 people, and home to a campus of the California State University.
Way before Rodeo Drive and the "pink palace" of the Beverly Hills Hotel were built, way before the namesake hillbillies, its zip code, and Eddie Murphy's detective techniques reaffirmed its place in popular culture, and way before its 1,001 mansions, Beverly Hills was comprised of wild canyons and ranchlands. Burton Green, one of the three original land developers of the Rancho Rodeo de las Aguas, named this place of severe terrain after Beverly Farms, Massachusetts, a 19th-century spa. Since its establishment in 1907, Beverly Hills, California, has been a crossroads for the great movers and shakers of the entertainment industry as well as the tycoons, world leaders, and flotsam and jetsam magnetized by the limelight. The vintage photographs in this provocative volume illustrate Beverly Hills's early transition from cow pastures to Hollywood's extremely illustrious bedroom community.