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This book explores the ways in which past cultures have been used to shape colonial and postcolonial cultural identities. It provides a theoretical framework to understand these processes, and offers illustrative case studies in which the agency of ancient peoples, rather than the desires of antiquarians and archaeologists, is brought to the fore.
The American Journal of Islamic Social Sciences (AJISS), established in 1984, is a quarterly, double blind peer-reviewed and interdisciplinary journal, published by the International Institute of Islamic Thought (IIIT), and distributed worldwide. The journal showcases a wide variety of scholarly research on all facets of Islam and the Muslim world including subjects such as anthropology, history, philosophy and metaphysics, politics, psychology, religious law, and traditional Islam.
A STUDY OF THE SAK? HISTORY是同作者《塞种史研究》一书的英文版。《塞种史研究》曾于1992年由中国社会科学出版社出版；商务印书馆2012年再版。该部在国外的具体发表信息如下：“A Study of Sakā History”, Sino-Platonic Papers Number 80, July, 1998, Department of Asian and Middle Eastern Studies, University of Pennsylvania, Philadelphia, 2 + 2 + 225 pp。塞种是亚洲上古史最重要的游牧部落之一，主要活跃于公元前6世纪至公元前2世纪。本书作为我国第一部关于塞种史的专著，主要贡献在于首先清楚地勾勒出了塞种历史的基本轮廓，对塞种各组成部分的名称、起源、种族、语言及迁徙过程等提出了一个自成系统的假说。
When in 1925 the initiative was taken by the Kern Institute Leiden to start the publica tion of an Annual Bibliography of Indian Archaeology, the Board of the Institute could do so with confidence, as it was sure of the assistance of scholars all over the world as to the supply of publications as well as of information. With the help of this material a bibliography could be compiled by a small team of highly skilled archaeologists who could devote part of their time and attention to such a task for the benefit of their colleagues in all parts of the world. Times since then have changed, and circumstances have become less and less favourable. To find classified labour for the compilation and editing of such a bibliography has become extremely difficult, and this the more so as this work cannot be paid in accordance with the standards for this branch of classified documentation. The work has to be done as a part of the daily routine work even a scholar in today's time is expected to perform, and which he cannot but consider as being detrimental to the performing of those parts of his work, that demand the use of those qualifications that actually make him the expert.
Part 1 deals with the life of Prof. A.L. Basham and his 80 letters addressed to the author. Part 2 covers the `colourful complexities of early Indian political, socio-economic, religious and cultural life', (p. xi).
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.