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This tale of exploration and adventure is a warm account of the people and places around the waters of Southern Massachusetts.
In the tradition of the preceding volumes - the first of which was published in 1964 - this work synthesizes edited documents, including correspondence, ship logs, muster rolls, orders, and newspaper accounts, that provide a comprehensive understanding of the war at sea in the spring of 1778. The editors organize this wide array of texts chronologically by theater and incorporate French, Italian, and Spanish transcriptions with English translations throughout.
This is a complete historical record of Martha's Vineyard's Wampanoag families, presented within the context of family genealogies. The main portion is a compendium of every Indian with Island connections whose name was found in the 17th and 18th centuries in various records, such as land records and deeds, wills, maritime, and census records.
Ellen Tucker Emerson's biography of her mother, Lidian Jackson Emerson, provides important insights into the life of Ralph Waldo Emerson's wife of 46 years. Delores Bird Carpenter has carefully edited this narrative to enhance continuity and to ensure completeness.
“This remarkable collection of essays both documents and brings to life the contributions of amateur filmmakers in the Northeast region.” —Anne Goodyear, Co-Director, Bowdoin College Museum of Art A compelling regional and historical study that transforms our understanding of film history, Amateur Movie Making demonstrates how amateur films and home movies stand as testaments to the creative lives of ordinary people, enriching our experience of art and the everyday. Here we encounter the lyrical and visually expressive qualities of films produced in New England between 1915 and 1960 and held in the collections of Northeast Historic Film, a moving image repository and study center that was established to collect, preserve, and interpret the audiovisual record of northern New England. Contributors from diverse backgrounds examine the visual aesthetics of these films while placing them in their social, political, and historical contexts. Each discussion is enhanced by technical notes and the analyses are also juxtaposed with personal reflections by artists who have close connections to particular amateur filmmakers. These reflections reanimate the original private contexts of the home movies before they were recast as objects of study and artifacts of public history.