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The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival’s leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.
The Anthology of Baroque Keyboard Music is paired with the DVD Performance Practices in Baroque Keyboard Music for a comprehensive look at the literature and performing conventions of the Baroque era. On the DVD, Dr. Hinson performs music from the Anthology, and relates invaluable information on basic touches, articulations, dynamics and ornamentation that will help the performer create a more historically-informed performance. Also on this DVD is a lecture on the history of Baroque dance and the relationship between dance and music, with nine of the most popular court dances performed to Dr. Hinson's keyboard accompaniment by dancers in Baroque costume.
"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.
The Keyboard Music of J.S. Bach provides an introduction to and comprehensive discussion of all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685-1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world. Intended as both a practical guide and an interpretive study, the book consists of three introductory chapters on general matters of historical context, style, and performance practice, followed by fifteen chapters on the individual works, treated in roughly chronological order. The works discussed include all of Bach's individual keyboard compositions as well as those comprising his famous collections, such as the Well-Tempered Clavier, the English and French Suites, and the Art of Fugue.
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.
The New Grove Musical Instruments Series, a companion to the much-acclaimed New Grove Composer Biography Series, presents in book form many of the lengthy and informative articles published in The New Grove Dictionary of Musical Instruments. Each book is a comprehensive guide to all facets of an instrument: its history, construction, repertory, playing techniques, and makers, written by leading authorities.
In A Romantic-Style Christmas, arranger Faye López blends ideas from Chopin's artistic "palette" with her own to create beautiful piano arrangements. Titles: *Coventry Carol (Inspired by Nocturne in E Minor, Op. 72, No. 1) *God Rest Ye Merry, Gentlemen (Inspired by Prelude in E Minor, Op. 28, No. 4) *In the Bleak Midwinter (Inspired by Prelude in G Major, Op. 28, No. 3) *Joy to the World (Inspired by Polonaise in A-flat Major, Op. 53, "Heroic") *O Come, All Ye Faithful (Inspired by Ballade in G Minor, Op. 23, No. 1) *Once in Royal David's City (Inspired by Etude in E Major, Op. 10, No. 3) *Rise Up, Shepherd, and Follow (Inspired by Prelude in F Major, Op. 28, No. 23) *Still, Still, Still (Inspired by Prelude in D-flat Major, Op. 28, No. 15, "Raindrop") *There's a Song in the Air (Inspired by Nocturne in E-flat Major, Op. 9, No. 2) *What Child Is This? (Inspired by Nocturne in C-sharp Minor, posthumous)
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.