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Excerpt from Early English Furniture and Woodwork, Vol. 2 The next type, Fig. 2, which also belongs to the thirteenth century, is where the front is formed with very wide upright styles fixed ush to the centre and acting as huge clamps. The tenons of the central panel are secured in the mortises of these vertical clamps by large wooden pegs, which are here allowed to project, and are finished Off as ornamental features. The entire front is fixed to the Sides with heavy wrought-iron nails. This chest is rare, for its date, in being ornamented with roundels and geometrical devices in chip-carving. As a rule, thirteenth-century chests are plain, and tracery was never applied. This Earl Stonham chest is supported on large runners, kept well away from the ends to minimise any tendency to sagging of the bottom. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
A revised edition of a classic guide to woodworking methods that have been refined and developed over thousands of years. It teaches and preserves techniques and historical information that were lost when modern woodworking technology, dedicated to mass production, displaced the craftsman. Every woodworking operationâ?¬â? chopping, splitting, using the workbench, sawing, hewing, boring, chiseling, shaping, planing, turningâ?¬â? is described in detail. There is also information on the role of various tools in the evolution of wood products, the types and characteristics of wood, the preparation and maintenance of tools, collective tools of antique value, and instruction on the subtleties of the craft, from rabbeting to molding. The professional woodworker, the hobbyist, the collector, the antiques dealer, and the craft enthusiast will discover valuable information in this definitive work. It is reference, guide, and history all in one volume.This book contains over 200 line drawings by the author to illustrate age-old, yet fascinating, ways of working with wood. With chapters that describe the ways to fell a tree, methods for splitting wood, and more, along with a complete appendix and index, this is a great reference for anyone interested in the ways of wood working.
This is a study of the world of carpenters and joiners, discussing both the technical and the ritual and religious aspects of building. The heart of the book is an annotated translation of the fifteenth-century carpenter's manual Lu Ban jing. Numerous illustrations further enhance the value of this book.
Reprint of rare volume offers detailed review of hardwood furniture from early Shang to late Ming. For collector, craftsman. 161 illustrations.
Chinese classical furniture is esteemed throughout the world for its beauty, functionalism, and influence on contemporary design aesthetics. Sarah Handler's stunningly illustrated volume traces Chinese hardwood furniture from its earliest origins in the Shang dynasty (c. 1500 to c. 1050 B.C.) to the present. She offers a fascinating and poetic view of Chinese furniture as functional sculpture, a fine art alongside the other Chinese arts of calligraphy, architecture, painting, and literature. Handler, a widely respected scholar of Chinese furniture, uses her knowledge of Chinese social, political, and economic history to provide a backdrop for understanding the many nuances of this art form. Drawing on literary and visual evidence from excavated materials, written texts, paintings, prints, and engravings, she discusses how people lived, their notions of hierarchy, and their perceptions of space. Her descriptions of historical developments, such as the shift from mats to chairs, evoke the psychological and sociological ramifications. The invention of a distinctive way to support and contain people and things within the household is one of China's singular contributions, says Handler. With more than three hundred exquisite illustrations, many in color, Handler's comprehensive study reveals "the magical totality of Chinese classical furniture, from its rich surfaces and shrewd proportions down to the austere soul of art that resides in the hardwood interiors." Austere Luminosity recognizes Chinese classical furniture as one of China's premier arts, unique in the furniture traditions of the world.