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From personal ornamentation to funerary practice, from palace decoration to private devotion, jade has played a major role in Chinese social, cultural, and political life for millennia. Exploring the history of this revered stone through the esteemed Grenville L. Winthrop Collection at the Harvard Art Museums--which includes some of the finest examples of ancient and archaizing jades outside China--this volume explains how and why jade developed its special significance. In-depth entries on over one hundred objects present recent archaeological discoveries and new information garnered from conservation analysis, while Jenny So's broad and engaging narrative not only elucidates the layered meanings of the objects and their iconography but also delves into the unique qualities of the material and the craftsmanship involved in quarrying and working jade. Distributed for the Harvard Art Museums
With some 280,000 objects, the Harvard Art Museum is the largest university art museum in the United States. This first handbook of the collections surveys their full scope, from early-Egyptian bronzes and Chinese ceramics to contemporary paintings and prints.
The Chinese have revered the mystery and magic of jade since ancient times. This authoritative book provides an up-to-date and comprehensive survey of six thousand years of development, from the earliest cultures to the twentieth century. The author describes and assesses the variety of roles and functions, ritual and ceremonial, which jade has played in China. Recent discoveries from hitherto little known neolithic cultures of around 3000 BC have highlighted the extraordinary skills of the craftsmen and the complexity of the cultures that supported them. Other remarkable finds include the precursors of the famous jade suits, which range from jade plaques and shrouds dating from about 900 BC to superb pendants and sword fittings carved for a king buried near Canton in around 122 BC. This catalogue describes over 300 outstanding pieces from Sir Joseph Hotung's collection, which spans the history of jade in China. Drawing upon the very latest archaeological reseach to set jade in its historical and artistic context, this work will stand as a definitive reference for many years to come. In her wide-ranging introduction to the catalogue the author analyses the arguments and sets out new views, supplementing this major essay with a series of shorter introductions to the chronological sections into which the jades of different types, shapes and functions have been divided. The book is fully illustrated throughout with specially commisioned photographs of each piece from the collection, all in color, along with comparative examples from the rich collection of the British Museum.
From around 3000 to 1900BC, the late Neolithic period was a time of transition. In Mesopotamia, Egypt, and all around the Mediterranean basin, better living standards saw the rise of new cultures. In China Far East, along the Yellow River, settlements started to flourish and create their own unique identity. Jade was a precious and extremely difficult to carve mineral, mainly dedicated to the service of rituals or religious ceremonies. However, for a long time, the Shang dynasty jade design was regarded as a mere reproduction of the widely available bronzes the Shang were known for. In this book, the author revisits pre-conceived historical knowledge and, based on the research of well-respected scholar Hayashi Minao and expert historians Deng Shuping and Cai Qingliang, proposes that many of the jades pieces exhibited today in museums and private collections may have come from distinct earlier cultures and that bronze design may have been influenced by these devotional objects, not the reverse. Part one of this book, Jade from the early and middle Shang, presents the historical context in which cultures such as the Erlitou and the Erligang developed their unique style before being assimilated into the later Shang Dynasty. Part two, Jade from the late Shang, focuses on specific examples of ceremonial, weapons, and decorative jade to prove further that these pieces may actually have been anterior to the predominantly bronze ear and, by doing so, bring to light the exceptional craftsmanship of much older cultures. Eighty-four illustrations and photographs of unique jade artworks open a unique window of appreciation for these late neolithic times' sophisticated and little-known cultures.
"The first publication to explore Philadelphia Museum of Art's wide-ranging collection of Chinese art, offering an introduction to general readers and serving as a valuable resource for future research and scholarship. This catalogue of one hundred highlights, drawn from a collection of more than seven thousand objects spanning more than four thousand years, will be both a sumptuous visual record of the Philadelphia Museum of Art's most notable Chinese works and an informative and valuable reference for those interested in Chinese art. The objects have been selected to show not only the strengths of the collection, but also important and distinctive examples of Chinese art in different mediums. They are also intended to bring together the museum's Chinese collection, which is presently housed in such disparate departments as Chinese export art, costume and textiles, Sino-Tibetan art, and contemporary art--representing sculpture, ceramics, furniture, architectural interiors, textiles, and paintings"--
Confucius (551-479 BC) praised jade as 'the embodiment of virtue'. Excavations in China since the 1970s have shed much light on the use and production of jade in neolithic and early dynastic periods. Excavated jade artefacts dating from the seventh to seventeenth centuries are rare, so it is particularly valuable that a number of specimens have been unearthed from tombs and pagoda foundations during the past two decades, thus allowing heirloom jades to be compared with these excavated examples and correctly dated. This book is a timely reassessment of what is known about Chinese jade, which has been a central element of Chinese material culture for an uninterrupted span of seven thousand years, and will appeal to collectors and newcomers to the subject alike.
Discover ancient civilizations that have disappeared beneath the ocean's surface and explore how the science of submergence adds to our knowledge of human history. The traces of much of human history – and that which preceded it – lie beneath the ocean surface; broken up, dispersed, often buried and always mysterious. This is fertile ground for speculation, even myth-making, but also a topic on which geologists and climatologists have increasingly focused in recent decades. We now know enough to tell the true story of some of the continents and islands that have disappeared throughout Earth's history, to explain how and why such things happened, and to unravel the effects of submergence on the rise and fall of human civilizations. In Worlds in Shadow Patrick Nunn sifts the facts from the fiction, using the most up-to-date research to work out which submerged places may have actually existed versus those that probably only exist in myth. He looks at the descriptions of recently drowned lands that have been well documented, those that are plausible, and those that almost certainly didn't exist. Going even further back, Patrick examines the presence of more ancient lands, submerged beneath the waves in a time that even the longest-reaching folk memory can't touch. Such places may have played important roles in human evolution, but can only be reconstructed through careful geological detective work. Exploring how lands become submerged, whether from sea-level changes, tectonic changes, gravity collapse, giant waves or volcanoes, helps us determine why, when and where land may disappear in the future, and what might be done to prevent it.
From Japan's first forays onto the international stage of world's fairs in the late 19th century to the dynamic creativity of the 1920 and 1930s, from the heady post-World War II period to the present day, Japanese crafts have exhibited a rich diversity of media and techniques. One of the first illustrated surveys in English of modern-era Japanese crafts--including ceramics, lacquerware, metalcraft, and wood--this elegant book, with 70 color illustrations, is an invaluable guide for the collector and scholar. Focusing on an important collection of Japanese crafts destined for the Philadelphia Museum of Art, the text discusses the artists and ideas that shaped and defined the aesthetic of 20th-century Japan, noting that this nation--which so deeply appreciates and fosters its crafts traditions--hails its artists as "living national treasures." The book also includes artists' biographies and reproductions of their signatures and marks. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (December 6, 2008 - fall 2009)