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First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
This treatise on the growth and early development of the Sangha (Buddhist Monastic Order) has often been referred to by scholars as the most complete and masterly treatment of the subject and, as such, invaluable to students of Buddhism. It has besides a peculiar importance in relation to the history of Indian culture, As the author says, "Indian culture is composite and the Buddhist contribution to it during the two millennia and a half that Buddhism was a living religion in India is so much a part and parcel of it that no true view of Indian culture is possible by ignoring the Buddhist contribution". This contribution was made through the organisation of Buddhist monkhood. The author has shown with a wealth of masterly scholarship how this organisation was established and developed in India. His chapters on the Patimokkha and Vinaya regulations of the monk community, the growth of coenobium among them, their internal polity of communal life, written from a scientific and historical point of view, are interestingly presented and will hold the general reader. First submitted anonymously as a prize-thesis to the University of Calcutta, it won the Griffith Memorial Prize in 1919. The verdict of the university examiners has been confirmed by Buddhistic scholars the world over who hailed it on its first publication as a work of exceptional originality and of great value in the study of Buddhism and Buddhist history.
Carter unfolds the cumulative traditions of Theravāda Buddhism by showing how one "looks at the world through Buddhist eyes." Presenting evidence from the Buddhist heritage in Sri Lanka, he develops a disciplined, inclusive approach to understanding notions of ethical living and "faith," or how individuals live life religiously. The author examines Buddhism as a worldview, reviewing the process of its origins and the development of its important concepts such as the pursuit of dhamma by Buddhists; the "Four Noble Truths;" the notion of refuge and the process of transcending; the role of the Buddhist monk (bhikkhu); and the role of music in ritual chant and song.
This book uses gender as a framework to offer unique insights into the socio-cultural foundations of Buddhism. Moving away from dominant discourses that discuss women as a single monolithic, homogenous category—thus rendering them invisible within the broader religious discourse—this monograph examines their sustained role in the larger context of South Asian Buddhism and reaffirms their agency. It highlights the multiple roles played by women as patrons, practitioners, lay and monastic members, etc. within Buddhism. The volume also investigates the individual experiences of the members, and their equations and relationships at different levels—with the Samgha at large, with their own respective Bhikşu or Bhikşunī Sangha, with the laity, and with members of the same gender (both lay and monastic). It rereads, reconfigures and reassesses historical data in order to arrive at a new understanding of Buddhism and the social matrix within which it developed and flourished. Bringing together archaeological, epigraphic, art historical, literary as well as ethnographic data, this volume will be of interest to researchers and scholars of Buddhism, gender studies, ancient Indian history, religion, and South Asian studies.
Seeks To Trace The Growth Of The Buddhist Community, To Indicate Its Relation To The World Of Hindu And Non-Hindu Society And To Follow The Rise And Development Of The Doctrines From Their Legendary Origin Into The System Which Has Sread Over A Great Part Of Asia. This Reprint Of The Work Originally Published In London In 1933, Contains 19 Chapters, 2 Appendices, 4 Plates, Bibliography And Index.
First Buddhist Women is a readable, contemporary translation of and commentary on the enlightenment verses of the first female disciples of the Buddha. The book explores Buddhism’s relatively liberal attitude towards women since its founding nearly 2,600 years ago, through the study of the Therigatham, the earliest know collection of women’s religious poetry. Through commentary and storytelling, author Susan Murcott traces the journey of the wives, mothers, teachers, courtesan, prostitutes, and wanderers who became leaders in the Buddhist community, roles that even today are rarely filled by women in other patriarchal religions. Their poetry beautifully expresses their search for spiritual attainment and their struggles in society.