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Nestled among the rolling hills of South Central Pennsylvania, six counties – Adams, Cumberland, Dauphin, Lancaster, Lebanon, and York – are home to more than three centuries of history and architecture. Beginning with early eighteenth century buildings, almost every style of American architecture is featured in the region's mid-sized cities, charming towns, and quaint villages. Susquehanna Valley buildings showcase excellent examples of Colonial, Early Republic, Victorian, and twentieth-century architectural movements. Featured are educational narratives of three dozen styles as well as special sections on a variety of building types, including farmers' markets and train stations, all brought to life by more than 180 full-color photos. Join author and photographer Scott D. Butcher on an enlightening tour featuring the best of American architecture as seen through the eyes of the region's architects and builders.
Everyday Architecture of the Mid-Atlantic gives proof to the insights architecture offers into who we are culturally as a community, a region, and a nation.
Covering the full range of building in the South from 1607 to the 1820s, An Illustrated Glossary of Early Southern Architecture and Landscape is now available for the first time in paperback. This unique and exhaustive compilation traces the origin and development of an American architectural vocabulary in the colonies and states of the eastern seaboard from Delaware to Georgia. From the fortified earthfast dwellings of Jamestown to the intellectualized landscape of Monticello, southern architectural forms underwent major changes in their early period, as did the language of building. Carl R. Lounsbury's illustrated glossary of architectural and landscape terms delineates regional and traditional terminology as well as classical influences introduced in America through English architectural books and by professionally trained craftsmen. Featuring 1,500 terms ranging from building types to methods of construction, Lounsbury's book is the first of its kind to identify and define the language of building during this formative period of American architecture. Abundantly illustrated with over 300 photographs and drawings, An Illustrated Glossary of Early Southern Architecture and Landscape is an ideal, and now affordable, resource for architectural and cultural historians, preservationists, students of architecture, and anyone who works with older buildings.
Journeyman -- Performances -- Urban building -- Master builder -- Change -- Double parlor -- Cottage and mansion -- Contractor -- Monuments.
In this abundantly illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town houses contained and signified different aspects of city life, argues Herman. Taking a material culture approach, Herman examines urban domestic buildings from Charleston, South Carolina, to Portsmouth, New Hampshire, as well as those in English cities and towns, to better understand why people built the houses they did and how their homes informed everyday city life. Working with buildings and documentary sources as diverse as court cases and recipes, Herman interprets town houses as lived experience. Chapters consider an array of domestic spaces, including the merchant family's house, the servant's quarter, and the widow's dower. Herman demonstrates that city houses served as sites of power as well as complex and often conflicted artifacts mapping the everyday negotiations of social identity and the display of sociability.
It is all here: Palladian mansions, some of the country's earliest and finest Gothic Revival churches, the "romantic" stone cottages of the mid-1800s, Belle Epoch mansions of the wealthy, two of the few extant Freedmen's Bureau buildings in the nation, and, of course, the urban tract housing of the mid-twentieth century.
Comprehensive survey of domestic and public architecture ranges from primitive cabins to Greek Revival mansions of the early 1800s. Nearly 500 illustrations. "Entertaining, vigorous, and clearly written." ? The New York Times.
Incorporating more than 3,000 illustrations, Kornwolf's work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities - their rivalries and frictions, their outlooks and attitudes - as they extended their hold on the land.
"If it isn't Electric, it isn't Modern." Such was the slogan of the Philadelphia Electric Company, developer of an unprecedented network of massive metropolitan power stations servicing greater Philadelphia at the turn of the twentieth century. These once-brilliant sentinels of civic utility and activity were designed to convey "solidity and immensity" in an age of deep public skepticism. They now stand vacant and decaying, a "blight" in the eyes of city planners and a beacon to urban explorers. The first book on the buildings and machines that made possible the electrification of the United States, Palazzos of Power offers a visual and analytical exploration of architecture, technology, place, loss, and reuse. With a foreword by David Nye, this collection of Joseph Elliott's beautiful large-format photographs reveal the urban landscape, monumental spaces, giant machinery, and intricate controls that made up the central station. Aaron Wunsch's essay provides historical context on the social and political climate.