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This book presents new information on the export trade, patronage, artistic collaboration, and the small-scale shop traditions that defined early Rhode Island craftsmanship. This stunning volume features more than 200 illustrations of beautifully constructed and carved objects—including chairs, high chests, bureau tables, and clocks—that demonstrate the superb workmanship and artistic skill of the state’s furniture makers.
This publication documents The Metropolitan Museum of Art's collection of early colonial furniture and presents a broad spectrum of furniture forms made in America during the 17th and early 18th centuries, including chairs and other seating, tables, boxes, various types of chests and cupboards, dressing tables, and desks. The volume also includes prime examples of the different modes of ornamentation in fashion during that period. Over 140 objects are thoroughly described, with detailed information given on each one's construction, condition, dimensions, materials, and inscriptions and other marks, as well as provenance and exhibition history. Every object is explained in terms of the styles and craftsmanship of the period and evaluated in light of comparative pieces in public and private collections throughout the country. Also included is one appendix containing photographic details of construction and decorative elements, and another with line drawings explaining furniture terms and showing various types of joints and moldings. This is the first volume in a series of two that is dedicated to American furniture in the Museum. -- Metropolitan Museum of Art website.
Beautifully illustrated, comprehensive study of women's painted furniture, a long-lost art that sheds light on women's lives in the early republic
"American Furniture, 1650-1840: Highlights from the Philadelphia Museum of Art show early American furniture participated in an international visual language. This volume provides an important resource for scholars of American furniture, illuminates the cultural and mercantile life of the fledgling nation, and offers a lively introduction to the donors, curators, and personalities who have shaped the institution from its earliest days to the present"--
Charles Rohlfs (1853-1936) ranked among the most innovative furniture makers at the turn of the twentieth century. Praised by the international press and exhibited throughout the United States and Europe, his beautiful works grew out of an interesting mix of styles that included Arts and Crafts, Art Nouveau, and proto-modernism. This book presents the first major study of this important American designer and craftsman, drawing upon new photographs and fresh sources of information. Alongside traditional historical approaches, the book presents detailed formal, structural, and stylistic analyses of Rohlfs's well-known masterpieces from major museums, together with lesser-known objects in public and private collections. Topics include discovering the contribution of Rohlfs's wife--mystery novelist Anna Katharine Green--to his designs; the far-ranging sources of his idiosyncratic motifs; his influence on Gustav Stickley's designs; his commissioned interiors; his efforts at self-promotion and marketing; and his attempts to define a conceptual framework for his artistic endeavor. Handsomely designed and illustrated, the book also features a complete set of unpublished period illustrations of over seventy works.
Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn reconstructs the networks of goods that bound together consumers in Boston, New York, Philadelphia, and Charleston. Moving beyond emulation and the desire for social status as the primary motivators for consumption, Van Horn shows that Anglo-Americans' material choices were intimately bound up with their efforts to distance themselves from Native Americans and African Americans. She also traces women's contested place in forging provincial culture. As encountered through a woman's application of makeup at her dressing table or an amputee's donning of a wooden leg after the Revolutionary War, material artifacts were far from passive markers of rank or political identification. They made Anglo-American society.
FURNITURE OF THE AMERICAN ARTS & CRAFTS MOVEMENT by David M. Cathers. Here is the long awaited, updated & revised edition of David M. Cathers' groundbreaking book on American Arts & Crafts furniture. Originally published in 1981, it provided authoritative information on Gustav Stickley's Craftsman Workshops, the L. & J. G. Stickley Furniture Company & the Roycroft Shop. The book was the first to trace the style &, through a richly detailed text & over 200 illustrations, provide a means for identification, dating & subjectively evaluating many individual pieces. This extensively illustrated book is an invaluable reference for anyone interested in the history of American decorative arts. To order: Turn of the Century Editions, P. O. Box 908, Philmont, NY 12565. 518-672-4639.
Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft
This book shows all types of chairs, tables, sofas, and beds made in America from the seventeenth century to the mid-twentieth century.