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This is the true story of a jazz drummer who worked with many famous musicians.
The Cultural Politics of Jazz Collectives: This Is Our Music documents the emergence of collective movements in jazz and improvised music. Jazz history is most often portrayed as a site for individual expression and revolves around the celebration of iconic figures, while the networks and collaborations that enable the music to maintain and sustain its cultural status are surprisingly under-investigated. This collection explores the history of musician-led collectives and the ways in which they offer a powerful counter-model for rethinking jazz practices in the post-war period. It includes studies of groups including the New York Musicians Organization, Sweden’s Ett minne för livet, Wonderbrass from South Wales, the contemporary Dutch jazz-hip hop scene, and Austria‘s JazzWerkstatt. With an international list of contributors and examples from Europe and the United States, these twelve essays and case studies examine issues of shared aesthetic vision, socioeconomic and political factors, local education, and cultural values among improvising musicians.
Celebrates Oakland, California's contribution to the national stage in terms of music, dance, visual arts, and literature over the past half century through vintage images, from the early days of Slim Jenkins's nightclub to the changing styles of Esther's Orbit Room and the Malonga Casquelourd Center for the Arts. Original.
This is another book in a series of jazz scrapbooks that gives recognition to musicians who should not be forgotten and were personally known to the author. Browse the first book in the seires: Some Jazz Friends .
This is about the life of a jazz trombonist written by Jim Goggin who has been a close friend of Bob Mielke for over fifty years.
Honor My Father is a true story of how college men came to the US Navy as reservists, instructed by the officers from Annapolis, and teamed together. It brings their many personal stories of interactions with my dad (Air Defense Commander), serving on two destroyers (USS Bancroft & USS Goodrich) with the naming of their actual crew members. My story honors these silent, humble heroes. Thirty Benson-class destroyers were built from 1938 to 1943 and were the most vulnerable in the sea, protecting the fleet. The officers and crews earned 174 Battle Star Citations, one Presidential Citation and two Navy Unit Commendations posthumously. The last section of my true story about Dad, Comedy of Adolescence; describes how as a new professor, working on his Ph.D. this writer entered his teenage years while the two of us moved from the city of Chicago to the small town of Athens, Ohio. After his war experiences, he experienced nothing like the big guns going off in his ear until the hard pounding drums from my new rock and roll band!
Within one of the most complex musical categories yet to surface, Cal Tjader quietly pioneered the genre as a jazz vibraphonist, composer, arranger and bandleader from the 1950s through the 1980s. Reid tells the life story of a humble musician, written in a familiar, conversational tone that reveals Tjader's complex charisma. Tjader left behind a legacy and a labyrinth of influence, attested by his large audience and innovation that would change the course of jazz. Expanded and revised, this intimate biography now includes additional interviews and anecdotes from Tjader's family, bandmates, and community, print research, and rare photographs, presenting a full history of an undervalued musician, as well as a detailed account of the progression of Latin Jazz.