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Little Worm finds a song stuck in his head--and learns that his friends all have songs of their own to listen to.
Earworm is a tale of grief, desire, infidelity and family secrets narrated bylove song. "Empty Fairground" is a hit from the nineties. Nicole wasconceived to it and now it dwells in her head - a living entity accessing herthoughts and dreams. When Nicole discovers her deceased father is not herbiological parent, certainties disintegrate and the song strives to separatefantasy from memory and myth from history, building towards an extraordinarycrescendo. Drenched in rhythm and the vividness of pop lyrics, "Earworm" explores thecomplexities of filial and romantic love, connecting us to our universalcommunion with music. Colin Varney is an entirely groovy new voice in Australianfiction." - DanielleWood, author The Alphabet ofLight and Dark.
A musical treat for the ear and eye, this antic tale of a worm on a mission doubles as a cozy bedtime book. One summer day, as Little Worm heads out to play, he discovers he has a song stuck in his head. “What’s that you’re singing?” Owl asks, but Little Worm can’t say. He wriggles past, determined to learn who filled his head with “Shimmy shimmy, no-sashay.” Owl flaps along with a song of his own, and before long Chipmunk, Bunny, and Fox fall in line, each contributing an ear worm to the joyful cacophony. Amid all the singing and dancing, Little Worm forgets his musical mystery until later when—surprise!—Papa Worm tucks him in. Hip, vintage-inspired illustrations and whimsical typesetting meet movement, sound play, and comic, cumulative delights in a picture book that will charm media-savvy children and their parents alike.
Earworm, the second book from acclaimed poet Nick Thran, expertly combines wicked cleverness, adept craftsmanship and a uniquely insightful perspective in an entertaining yet substantial tour de force. Building on the success of his debut, Thran has enhanced his compelling pop culture rhythms and distinctive voice with bolder formal experimentation and greater poetic maturity. This eclectic collection takes in topics ranging from cartoons to Caravaggio to cicadas, expressed in a comparable variety of poetic forms. Despite this diversity, the book is unified by its perfectly balanced blend of thoughtful observation laced with Thran's characteristically whimsical sense of humour. Earworm is also interspersed with several poems inspired by works of art in a variety of media. Whether he's reinterpreting Picasso's Blue Period, encapsulating a moment from The True Adventures of the Rolling Stones, or lending a narrative to one of Dennis Oppenheim's conceptual sculptures, Thran is able to distill the essence of the original while adding a fresh twist.
A “profound, sometimes hilarious, often heartbreaking” (The New York Times) view of prison life, as told by currently and formerly incarcerated people, from the co-creators and co-hosts of the Peabody- and Pulitzer-nominated podcast Ear Hustle “A must-read for fans of the legendary podcast and all those who seek to understand crime, punishment, and mass incarceration in America.”—Piper Kerman, author of Orange Is the New Black When Nigel Poor and Earlonne Woods met, Nigel was a photography professor volunteering with the Prison University Project and Earlonne was serving thirty-one years to life at California’s San Quentin State Prison. Initially drawn to each other by their shared interest in storytelling, neither had podcast production experience when they decided to enter Radiotopia’s contest for new shows . . . and won. Using the prize for seed money, Nigel and Earlonne launched Ear Hustle, named after the prison term for “eavesdropping.” It was the first podcast created and produced entirely within prison and would go on to be heard millions of times worldwide, garner Peabody and Pulitzer award nominations, and help earn Earlonne his freedom when his sentence was commuted in 2018. In This Is Ear Hustle, Nigel and Earlonne share their own stories of how they came to San Quentin, how they created their phenomenally popular podcast amid extreme limitations, and what has kept them collaborating season after season. They present new stories, all with the same insight, balance, and rapport that distinguish the podcast. In an era when more than two million people are incarcerated across the United States—a number that grows by 600,000 annually—Nigel and Earlonne explore the full and often surprising realities of prison life. With characteristic candor and humor, their moving portrayals include unexpected moments of self-discovery, unlikely alliances, inspirational resilience, and ingenious work-arounds. One personal narrative at a time, framed by Nigel’s and Earlonne’s distinct perspectives, This Is Ear Hustle reveals the complexity of life for incarcerated and formerly incarcerated people while illuminating the shared experiences of humanity that unite us all.
On Repeat offers an in-depth inquiry into music's repetitive nature. Drawing on a diverse array of fields, it sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and considers related implications for repetition in language, learning, and communication.
If you can find a worm, then you can be a biologist! Foster a love of animals and science with this charming activity guide for finding and observing earthworms. Hands-on experiments help young biologists answer questions like "Which end is which?" and "Do worms make noise?" Insider tips encourage readers to think like a scientist and handle living things with care. Equally entertaining with or without a worm friend.
In a return to middle-grade fiction, master of perspectives Jo Knowles depicts a younger sibling struggling to maintain his everyday life when his older sister is in crisis. Noah is just trying to make it through seventh grade. The girls are confusing, the homework is boring, and even his friends are starting to bug him. Not to mention that his older sister, Emma, has been acting pretty strange, even though Noah thought she’d been doing better ever since the Thing They Don’t Talk About. The only place he really feels at peace is in art class, with a block of clay in his hands. As it becomes clear through Emma’s ever-stricter food rules and regulations that she’s not really doing better at all, the normal seventh-grade year Noah was hoping for begins to seem pretty unattainable. In an affecting and realistic novel with bright spots of humor, Jo Knowles captures the complexities of navigating middle school while feeling helpless in the face of a family crisis.