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"[Eagle Voice Remembers] is John Neihardt's mature and reflective interpretation of the old Sioux way of life. He served as a translator of the Sioux past, whose audience has proved not to be limited by space or time. Through Neihardt's writings Black Elk, Eagle Elk, and other old men who were of that last generation of Sioux to have participated in the old buffalo-hunting life and the disorienting period of strife with the U.S. Army found a literary voice. What they say chronicles a dramatic transition in the life of the Plains Indians; the record of their thoughts, interpreted by Neihardt, is a legacy preserved for the future. It transcends the specifics of this one tragic case of cultural misunderstanding and conflict and speaks to universal human concerns. It is a story worth contemplating both for itself and for the lessons it teaches all humanity."--from the introduction by Raymond J. DeMallie In her foreword Coralie Hughes discusses John G. Neihardt's intention that this book, formerly titled When the Tree Flowered, be understood as a prequel to his classic Black Elk Speaks. In this new edition David C. Posthumus adds clarity through his annotations, introducing Eagle Voice Remembers to a new generation of readers and presenting a fresh understanding for fans of the original.
“[Eagle Voice Remembers] is John Neihardt’s mature and reflective interpretation of the old Sioux way of life. He served as a translator of the Sioux past, whose audience has proved not to be limited by space or time. Through Neihardt’s writings Black Elk, Eagle Elk, and other old men who were of that last generation of Sioux to have participated in the old buffalo-hunting life and the disorienting period of strife with the U.S. Army found a literary voice. What they say chronicles a dramatic transition in the life of the Plains Indians; the record of their thoughts, interpreted by Neihardt, is a legacy preserved for the future. It transcends the specifics of this one tragic case of cultural misunderstanding and conflict and speaks to universal human concerns. It is a story worth contemplating both for itself and for the lessons it teaches all humanity.”—from the introduction by Raymond J. DeMallie In her foreword Coralie Hughes discusses John G. Neihardt’s intention that this book, formerly titled When the Tree Flowered, be understood as a prequel to his classic Black Elk Speaks. In this new edition David C. Posthumus adds clarity through his annotations, introducing Eagle Voice Remembers to a new generation of readers and presenting a fresh understanding for fans of the original.
Traveling through a hostile territory with their newborn son, Kwani and her mate must fight to defend themselves and their treasure against vicious enemies and hostile spirits.
Winner of the Society of American Historians' Francis Parkman Prize Winner of the PEN / Jacqueline Bograd Weld Award for Biography Best Biography of 2016, True West magazine Winner of the Western Writers of America 2017 Spur Award, Best Western Biography Finalist, National Book Critics Circle Award for Biography Long-listed for the Cundill History Prize One of the Best Books of 2016, The Boston Globe The epic life story of the Native American holy man who has inspired millions around the world Black Elk, the Native American holy man, is known to millions of readers around the world from his 1932 testimonial Black Elk Speaks. Adapted by the poet John G. Neihardt from a series of interviews with Black Elk and other elders at the Pine Ridge Reservation in South Dakota, Black Elk Speaks is one of the most widely read and admired works of American Indian literature. Cryptic and deeply personal, it has been read as a spiritual guide, a philosophical manifesto, and a text to be deconstructed—while the historical Black Elk has faded from view. In this sweeping book, Joe Jackson provides the definitive biographical account of a figure whose dramatic life converged with some of the most momentous events in the history of the American West. Born in an era of rising violence between the Sioux, white settlers, and U.S. government troops, Black Elk killed his first man at the Little Bighorn, witnessed the death of his second cousin Crazy Horse, and traveled to Europe with Buffalo Bill’s Wild West show. Upon his return, he was swept up in the traditionalist Ghost Dance movement and shaken by the Massacre at Wounded Knee. But Black Elk was not a warrior, instead accepting the path of a healer and holy man, motivated by a powerful prophetic vision that he struggled to understand. Although Black Elk embraced Catholicism in his later years, he continued to practice the old ways clandestinely and never refrained from seeking meaning in the visions that both haunted and inspired him. In Black Elk, Jackson has crafted a true American epic, restoring to its subject the richness of his times and gorgeously portraying a life of heroism and tragedy, adaptation and endurance, in an era of permanent crisis on the Great Plains.
Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863–1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk’s searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable. Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk’s experiences in this powerful and inspirational message for all humankind. This complete edition features a new introduction by historian Philip J. Deloria and annotations of Black Elk’s story by renowned Lakota scholar Raymond J. DeMallie. Three essays by John G. Neihardt provide background on this landmark work along with pieces by Vine Deloria Jr., Raymond J. DeMallie, Alexis Petri, and Lori Utecht. Maps, original illustrations by Standing Bear, and a set of appendixes rounds out the edition.
The Lakȟóta are among the best-known Native American peoples. In popular culture and even many scholarly works, they were once lumped together with others and called the Sioux. This book tells the full story of Lakȟóta culture and society, from their origins to the twenty-first century, drawing on Lakȟóta voices and perspectives. In Lakȟóta culture, “listening” is a cardinal virtue, connoting respect, and here authors Rani-Henrik Andersson and David C. Posthumus listen to the Lakȟóta, both past and present. The history of Lakȟóta culture unfolds in this narrative as the people lived it. Fittingly, Lakhota: An Indigenous History opens with an origin story, that of White Buffalo Calf Woman (Ptesanwin) and her gift of the sacred pipe to the Lakȟóta people. Drawing on winter counts, oral traditions and histories, and Lakȟóta letters and speeches, the narrative proceeds through such periods and events as early Lakȟóta-European trading, the creation of the Great Sioux Reservation, Christian missionization, the Plains Indian Wars, the Ghost Dance and Wounded Knee (1890), the Indian New Deal, and self-determination, as well as recent challenges like the #NoDAPL movement and management of Covid-19 on reservations. This book centers Lakȟóta experience, as when it shifts the focus of the Battle of Little Bighorn from Custer to fifteen-year-old Black Elk, or puts American Horse at the heart of the negotiations with the Crook Commission, or explains the Lakȟóta agenda in negotiating the Fort Laramie Treaty in 1851. The picture that emerges—of continuity and change in Lakȟóta culture from its distant beginnings to issues in our day—is as sweeping and intimate, and as deeply complex, as the lived history it encompasses.
When Luke O’Neil isn’t angry, he’s asleep. When he’s awake, he gives vent to some of the most heartfelt, political and anger-fueled prose to power its way to the public sphere since Hunter S. Thompson smashed a typewriter’s keys. Welcome to Hell World is an unexpurgated selection of Luke O’Neil’s finest rants, near-poetic rhapsodies, and investigatory journalism. Racism, sexism, immigration, unemployment, Marcus Aurelius, opioid addiction, Iraq: all are processed through the O’Neil grinder. He details failings in his own life and in those he observes around him: and the result is a book that is at once intensely confessional and an energetic, unforgettable condemnation of American mores. Welcome to Hell World is, in the author’s words, a “fever dream nightmare of reporting and personal essays from one of the lowest periods in our country in recent memory.” It is also a burning example of some of the best writing you’re likely to read anywhere.
John Neihardt, celebrated for his cycle of epic poems about the American West and for BlackøElk Speaks, was in his nineties when he wrote this engaging book about growing up in the Midwest. All Is But a Beginning describes the people and events instrumental in shaping his later distinguished career as a poet; historian, and authority on Indians.