Download Free Eadwines Canterbury Psalter Book in PDF and EPUB Free Download. You can read online Eadwines Canterbury Psalter and write the review.

The Eadwine Psalter (Cambridge, Trinity College MS R.17.1) is arguably the most ambitious manuscript produced in England in the twelfth century. Over a dozen scribes and artists combined to produce a book which contains five different version of the text of the Psalms, three in Latin, one in Old English, and one in Anglo-Norman, with a prologue, a commentary, and a concluding prayer to each Psalm. In addition, the most complex set of Psalter illustrations available, those from the ninth-century Utrecht Psalter, was adapted for the project; the largest known cycle of prefatory biblical pictorial narratives of the period was devised and happened as a pictorial preface; and every Psalm, prayer, and Canticle was given a set of fully illuminated major initials as well as gold and silver minor initials throughout. Several other noteworthy images feature in the book: a portrait of the 'Prince of Scribes', Eadwine himself, the depiction of a comet, and the two plans of the precinct waterworks of Canterbury Cathedral Priory installed c. 1160. In the past the various aspects of this complex compilation have been treated individually (or in some cases not at all). It is the aim of the present volume of studies to counteract the tendency of modern scholarship to fragment its subjects by bringing under scrutiny between two covers all the major components of the Eadwine Psalter. To this end, thirteen distinguished specialists representing all the fields of inquiry have collaborated over a number of years and have consulted each other, comparing notes and opinions. The result is a volume of communal endeavor which locates the manuscript within a particular milieu, at once monastic and proud, aware of contemporary scholarship but inherently conservative.
With authorative contributions on the historical, stylistic, and iconographic context of this masterpiece of Carolingian Renaissance by R. McKitterick, K. van der Horst, K. Corrigan, F. Mütherich, and W. Noel, and including the catalogue of the 1996 exhibition on the Utrecht Psalter at the Museum Catharijneconvent, Utrecht.
A study of the making of the Harley Psalter at Christ Church Canterbury c.1020-1130.
"Three eyewitnesses of Gothic. Villard de Honnecourt: ymagier and interlocutor ; Possessing Villard ; The role of the interlocutor in the Villard enterprise ; Animating the artifact ; Animating the beholder ; Controlling the artifact ; Conclusion: deceit and desire in the Villard enterprise ; Gervase of Canterbury: cronicus and logistics man ; Storytelling ; Mnemonics: remembering the old ; The means of production: controlling the new ; Old and new reconciled ; Apocryphal storytelling: a building that "speaks" ; Conclusion: signs, miracles, and illusionism ; Suger, abbot of S-Denis, and the rhetoric of persuasion: manipulating reality and producing meaning ; Rhetorical structure of de consecratione: manipulated dialectic ; Production of the text: from oral to written ; Making connections ; Production of the new church, production of salvation ; Apocryphal stories ; Conclusion: the abbot who spoke the building -- Staking out the plot. Interlocutor and monument ; Material contexts: the means of production ; How on earth did they do that? ; Economic means ; Reading the signs: construction history ; The production of meaning ; Similitude to nature; local roots ; Similitude to other buildings ; Modernism and reason ; An image of heaven ; Conclusion -- Animating the plot. Picturing the three agents of construction ; The cathedral as object of desire ; Triangulating desire ; The gap between vision and realization ; Compression and expansion: plotting ; My desire ; Conclusion: Gothic plots' synchronic, diachronic, and spatial."
Binomials, such as for and against, dead or alive, to have and to hold, can be broadly defined as two words belonging to the same grammatical category and linked by a semantic relationship. They are an important phraseological phenomenon present throughout the history of the English language. This volume offers a range of studies on binomials, their types and functions from Old English through to the present day. Searching for motivations and characteristic features of binomials in a particular genre or writer, the chapters engage with many linguistic levels of analysis, such as phonology or semantics, and explore the important role of translation. Drawing on philological and corpus-linguistic approaches, the authors employ qualitative and quantitative methods, setting the discussion firmly in the extra-linguistic context. Binomials and their extended forms - multinomials - emerge from these discussions as an important phraseological tool, with rich applications and complex motivations.
Scholars have long been interested in the extent to which the Anglo-Saxon past can be understood using material written, and produced, in the twelfth century; and simultaneously in the continued importance (or otherwise) of the Anglo-Saxon past in the generations following the Norman Conquest of England. In order to better understand these issues, this volume provides a series of essays that moves scholarship forward in two significant ways. Firstly, it scrutinises how the Anglo-Saxon past continued to be reused and recycled throughout the longue durée of the twelfth century, as opposed to the early decades that are usually covered. Secondly, by bringing together scholars who are experts in various different scholarly disciplines, the volume deals with a much broader range of historical, linguistic, legal, artistic, palaeographical and cultic evidence than has hitherto been the case. Divided into four main parts: The Anglo-Saxon Saints; Anglo-Saxon England in the Narrative of Britain; Anglo-Saxon Law and Charter; and Art-history and the French Vernacular, it scrutinises the majority of different genres of source material that are vital in any study of early medieval British history. In so doing the resultant volume will become a standard reference point for students and scholars alike interested in the ways in which the Anglo-Saxon past continued to be of importance and interest throughout the twelfth century.
An entertaining and illuminating collection of weird, wonderful, and downright baffling words from the origins of English—and what they reveal about the lives of the earliest English speakers Old English is the language you think you know until you actually hear or see it. Unlike Shakespearean English or even Chaucer’s Middle English, Old English—the language of Beowulf—defies comprehension by untrained modern readers. Used throughout much of Britain more than a thousand years ago, it is rich with words that haven’t changed (like word), others that are unrecognizable (such as neorxnawang, or paradise), and some that are mystifying even in translation (gafol-fisc, or tax-fish). In this delightful book, Hana Videen gathers a glorious trove of these gems and uses them to illuminate the lives of the earliest English speakers. We discover a world where choking on a bit of bread might prove your guilt, where fiend-ship was as likely as friendship, and where you might grow up to be a laughter-smith. The Wordhord takes readers on a journey through Old English words and customs related to practical daily activities (eating, drinking, learning, working); relationships and entertainment; health and the body, mind, and soul; the natural world (animals, plants, and weather); locations and travel (the source of some of the most evocative words in Old English); mortality, religion, and fate; and the imagination and storytelling. Each chapter ends with its own “wordhord”—a list of its Old English terms, with definitions and pronunciations. Entertaining and enlightening, The Wordhord reveals the magical roots of the language you’re reading right now: you’ll never look at—or speak—English in the same way again.