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An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students.
"This book examines the unique synergy between religion and technology, and explores the many ways that technology is shaping religious expression, as well as ways that religion is coming to influence technology"--Provided by publisher.
In this two-volume work, writing for a general audience, Dr Michael Gurvitch proposes a unifying concept of electronics which combines the history of electronics with the science of evolution. Drawing on his long experience in scientific development, Gurvitch illuminates electronics from the inside using the point of view of a practicing scientist. What is elusive and often overlooked becomes palpable, engaging and even humorous with the author's tireless and methodical exposition of fundamental scientific roots from which electronics grew and continues to grow.This set contains both volumes of Brave New e-World, presenting the historical review of electronics from the middle of the 18th century to the present day. From the telegraph to the quantum computer and superconductors, Gurvitch combines personal recollections with scientific knowledge to advance the final thesis: the representation of a new non-biological evolution in electronics. This is all done in an intellectually engaging way: spiced by historical anecdotes, warmed by Gurvitch's enthusiastic love for science, and completed with the full participation of the reader. The concluding argument on electronic evolution is alarming, but it might prove to be a necessary concern in the continual development of electronic technologies.
This book constitutes the thoroughly refereed post-conference proceedings of the 11th IFIP WG 6.11 Conference on e-Business, e-Services and e-Society, I3E 2011, held in Kaunas, Lithuania, in October 2011. The 25 revised papers presented were carefully reviewed and selected from numerous submissions. They are organized in the following topical sections: e-government and e-governance, e-services, digital goods and products, e-business process modeling and re-engineering, innovative e-business models and implementation, e-health and e-education, and innovative e-business models.
We live in a world facing many crises, pandemics, climate and environmental challenges, human rights abuses, and threats of totalitarian regimes. Romano Guardini (1885-1968), a major influencer of Pope Benedict XVI and Pope Francis, worked through one of the most difficult periods of German history--the first half of the twentieth century. What does he have to say to these challenges, and how is his notion of providence relevant today? Jane Lee-Barker shows how Guardini's insight and deep thought on God's providence weave their way through his work, enabling the reader to fully appreciate "God's world." In relationship with God, the human person is invited to participate in responsible care for the world while responding to their own vocational call from the God who sustains him or her.
"This book provides critical research and knowledge on electronic cultivation and political development experiences from around the world"--Provided by publisher.
Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo, Adin E. Lears traces how medieval thinkers adopted the concept of noise as a mode of lay understanding grounded in the body and the senses. With a broadly interdisciplinary approach, Lears examines a range of literary genres to highlight the poetic and social effects of this vibrant discourse, offering close readings of works by Geoffrey Chaucer and William Langland, as well as the mystics Richard Rolle and Margery Kempe. Each of these writers embraced an embodied experience of language resistant to clear articulation, even as their work reflects inherited anxieties about the appeal of such sensations. A preoccupation with the sound of language emerged in the form of poetic soundplay at the same time that mysticism and other forms of lay piety began to flower in England. As Lears shows, the presence of such emphatic aural texture amplified the cognitive importance of feeling in conjunction with reason and was a means for the laity—including lay women—to cultivate embodied forms of knowledge on their own terms, in precarious relation to existing clerical models of instruction. World of Echo offers a deep history of the cultural and social hierarchies that coalesce around aesthetic experience and gives voice to alternate ways of knowing.
By intelligence officials for intelligent people
Today we think of ukiyo-e—“the pictures of the floating world”—as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World, Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, and described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers—both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e’s history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.