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Join Tara in the seventh Dying Thoughts book! Tara will have the house to herself while her Dad goes on his comeback tour. She has plenty of ideas about what to do with the time. Parties, college work and all the bits and pieces that come from being a student who also works for the police. It’s only when an accident almost kills Colin that Tara’s life is turned upside down and she is pulled from college to sit by her father’s bedside. Away from home, from her friends, from her life, she has to somehow piece together what really happened on that tour bus and she has to do it with only her gift and a little help from Kaolin. Only, someone is determined that Colin won't survive his injuries, and if they have to take Tara out in the process, that’s a price they’re willing to pay. Can Tara solve the puzzle before they catch up with her?
Join Tara in the seventh Dying Thoughts book!Tara will have the house to herself while her Dad goes on his comeback tour. She has plenty of ideas about what to do with the time. Parties, college work and all the bits and pieces that come from being a student who also works for the police.It's only when an accident almost kills Colin that Tara's life is turned upside down and she is pulled from college to sit by her father's bedside. Away from home, from her friends, from her life, she has to somehow piece together what really happened on that tour bus and she has to do it with only her gift and a little help from Kaolin.Only, someone is determined that Colin won't survive his injuries, and if they have to take Tara out in the process, that's a price they're willing to pay.Can Tara solve the puzzle before they catch up with her?
"Pop your favorite Agatha Christie whodunnit into a blender with a scoop of Downton Abbey, a dash of Quantum Leap, and a liberal sprinkling of Groundhog Day and you'll get this unique murder mystery." —Harper's Bazaar THE NATIONAL BESTSELLER! The 71⁄2 Deaths of Evelyn Hardcastle is a breathlessly addictive mystery that follows one man's race to find a killer, with an astonishing time-turning twist that means nothing and no one are quite what they seem. Aiden Bishop knows the rules. Evelyn Hardcastle will die every day until he can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest at Blackheath Manor. And some of his hosts are more helpful than others. With a locked-room mystery that Agatha Christie would envy, Stuart Turton unfurls a breakneck novel of intrigue and suspense. International bestselling author Stuart Turton delivers inventive twists in a thriller of such unexpected creativity it will leave readers guessing until the very last page. ALSO BY STUART TURTON: The Devil and the Dark Water The Last Murder at the End of the World
An eerily dreamlike memoir, and the first work of nonfiction by one of our most inventive novelists. Aurelia, Aurélia begins on a boat. The author, sixteen years old, is traveling to Europe at an age when one can “try on personae like dresses.” She has the confidence of a teenager cultivating her earliest obsessions—Woolf, Durrell, Bergman—sure of her maturity, sure of the life that awaits her. Soon she finds herself in a Greece far drearier than the Greece of fantasy, “climbing up and down the steep paths every morning with the real old women, looking for kindling.” Kathryn Davis’s hypnotic new book is a meditation on the way imagination shapes life, and how life, as it moves forward, shapes imagination. At its center is the death of her husband, Eric. The book unfolds as a study of their marriage, its deep joys and stinging frustrations; it is also a book about time, the inexorable events that determine beginnings and endings. The preoccupations that mark Davis’s fiction are recognizable here—fateful voyages, an intense sense of place, the unexpected union of the magical and the real—but the vehicle itself is utterly new. Aurelia, Aurélia explodes the conventional bounds of memoir. It is an astonishing accomplishment.
Excerpt from Dying Thoughts: Or Meditations on Death and Heaven The worthy author having in his Introduction given his reader an account of the rise and occasion of the following Meditations, there is scarce any thing left us to do, unless to assure the world they are really his, being left by him, at his death, transcribed, ready for the press, carefully revised, and in many places corrected by his own hand. This assurance may, perhaps, be necessary for strangers: but those who knew Mr. Crawford, especially such as had the happiness at any time to sit under his ministry, will have no occasion for our testimony. These familiar, and yet striking illustrations of divine truths, that strength of reasoning and expression, by which he in a manner forced them upon his hearers, and, above all, that easy and unaffected fervour of devotion which distinguished his public performances, show themselves in every part of this, though it is not to be imagined that all these should appear equally in all. And yet one may venture to say, that there are few productions of this sort where reason and devotion are more closely united; and even in those parts where he found it necessary to support some of his principles in a more abstracted way of reasoning than perhaps every ones capacity will easily reach the strength of, he has taken care by suitable and easy reflections to bring them down to the lowest. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In recent years there has been a massive upsurge in academic, professional and lay interest in mortality. This is reflected in academic and professional literature, in the popular media and in the proliferation of professional roles and training courses associated with aspects of death and dying. Until now the majority of reference material on death and dying has been designed for particular disciplinary audiences and has addressed only specific academic or professional concerns. There has been an urgent need for an authoritative but accessible reference work reflecting the multidisciplinary nature of the field. This Encyclopedia answers that need. The Encyclopedia of Death and Dying consolidates and contextualizes the disparate research that has been carried out to date. The phenomena of death and dying and its related concepts are explored and explained in depth, from the approaches of varied disciplines and related professions in the arts, social sciences, humanities, medicine and the sciences. In addition to scholars and students in the field-from anthropologists and sociologists to art and social historians - the Encyclopedia will be of interest to other professionals and practitioners whose work brings them into contact with dying, dead and bereaved people. It will be welcomed as the definitive death and dying reference source, and an essential tool for teaching, research and independent study.
Before Sigmund Freud made dreams the cornerstone of understanding an individual's inner life, Americans shared their dreams unabashedly with one another through letters, diaries, and casual conversation. In this innovative new book, highly regarded historian Andrew Burstein goes back for the first time to discover what we can learn about the lives and emotions of Americans, from colonial times to the beginning of the modern age. Through a thorough study of dreams recorded by iconic figures such as John and Abigail Adams, Thomas Jefferson, and Abraham Lincoln, as well as everyday men and women, we glimpse the emotions of earlier generations and understand how those feelings shaped their lives and careers, and thus gain a fuller multi-dimensional sense of our own past. No one has ever looked at the building blocks of the American identity in this way, and Burstein reveals important clues and landmarks that show the origins of the ideas and values that remain central to who we are today.
This book is a multi-disciplinary collection of death and dying studies, including chapters on philosophy, media studies, health care, literature, and political science.
In Christ Died for Our Sins, Jarvis J. Williams argues a twofold thesis: First, that Paul in Romans presents Jesus' death as both a representation of, and a substitute for, Jews and Gentiles. Second, that the Jewish martyrological narratives in certain Second Temple Jewish texts are a background behind Paul's presentation of Jesus' death. By means of careful textual analysis, Williams argues that the Jewish martyrological narratives appropriated and applied Levitical cultic language and Isaianic languageto the deaths of the Torah-observant Jewish martyrs in order to present their deaths as a representation, a substitution, and as Israel's Yom Kippur for non-Torah-observant Jews. Williams seeks to show that Paul appropriated and applied this same language and conceptuality in order to present Jesus' death as the death of a Torah-observant Jew serving as a representation, a substitution, and as the Yom Kippur for both Jews and Gentiles. Scholars working in the areas of Romans, Pauline theology, Second Temple Judaism, atonement in Paul, or early Christian origins will find much to stimulate and provoke in these pages.