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The mystery that attracts Howard Mansfield's attention is that some houses have lifeare home, are dwellings, and others aren't. Dwelling, he says, is an old-fashioned word that we've misplaced. When we live heart and soul, we dwell. When we belong to a place, we dwell. Possession, they say, is nine-tenths of the law, but it is also what too many houses and towns lack. We are not possessed by our home places. This lost quality of dwellingthe soul of buildingshaunts most of our houses and our landscape. Dwelling in Possibility is a search for the ordinary qualities that make some houses a home, and some public places welcoming.
Dwelling in Possibility cuts across conventional boundaries between critical and creative writing by featuring the work of both women poets and feminist critics as they explore and exemplify the relationship between gender and poetic genres. The contributors suggest new ways of thinking and writing about poetry in light of contemporary questions about history and identity. Most of the contributions are published here for the first time.
The human imagination gives rise to the most beautiful man-made structures and creations on Earth: architecture, literature, theatre, music, art, humanitarian initiatives, moon landings and space exploration, mythology, science, they all require a large dose of imagination. We all live surrounded by the results of the imagination of our peers, and the creations of our ancestors. Without imagination there is no compassion, no moral compass and no progress. But without imagination there is also no fear of death. There are no premeditated murders or terrorist attacks; these rely on the human ability to imagine, to call up images and test-drive possible scenarios in the human mind. Once we get out the magnifying glass, we discover that the imagination is a double-edged sword. All of us together, humanity as a collective, are creating very confused and mixed outcomes: world peace remains elusive, wars rage and children starve. Addictions and pollution proliferate. Medicine of the Imagination: Dwelling in Possibility examines these issues and suggests that if we are to transcend religious wars, homophobia and medical “cures” worse than the diseases we face then it that it is our moral duty to engage our imagination in service to other people.
A longtime professor of Ethnic Studies at the University of California at Berkeley, Ronald Takaki was recognized as one of the foremost scholars of American ethnic history and diversity. When the first edition of A Different Mirror was published in 1993, Publishers Weekly called it "a brilliant revisionist history of America that is likely to become a classic of multicultural studies" and named it one of the ten best books of the year. Now Rebecca Stefoff, who adapted Howard Zinn's best-selling A People's History of the United States for younger readers, turns the updated 2008 edition of Takaki's multicultural masterwork into A Different Mirror for Young People. Drawing on Takaki's vast array of primary sources, and staying true to his own words whenever possible, A Different Mirror for Young People brings ethnic history alive through the words of people, including teenagers, who recorded their experiences in letters, diaries, and poems. Like Zinn's A People's History, Takaki's A Different Mirror offers a rich and rewarding "people's view" perspective on the American story.
"A milestone publication of the late Christopher Gilbert's poetry, with an introduction by the National Book Award winner Terrance Hayes. Christopher Gilbert's award-winning 'Across the Mutual Landscape' has become an underground classic of contemporary American poetry. Now reissued and presented with Gilbert's never-before-published last manuscript written before his death in 2007, 'Turning into Dwelling' offers new readers the original music and vision of one of our most inventive poets."--Provided by publisher.
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
John Constantine is back-and, unfortunately for Tim Hunter, he’s convinced the only way the human race can survive is if Tim is taken off the board. But from where Tim’s standing, he’s the only one with the power to save us all. Who’s right? Who’s wrong? And is there room in London for the both of them? That’s just the start of Tim’s troubles-because his evil doppelgänger has been unleashed on the world! Collects Books of Magic #14-23.
A dramatic visual history celebrates the contributions of women who helped shape the history of America, from the earliest Native Americans to the suffragists who won the right to vote in 1919, in a study that incorporates 160 period photographs and artworks, diary excerpts, and letters. Reprint.
The bestselling, award-winning author of The Midnight Library offers his funniest, most devastating dark comedy yet, a “silly, sad, suspenseful, and soulful” (Philadelphia Inquirer) novel that’s “full of heart” (Entertainment Weekly). When an extra-terrestrial visitor arrives on Earth, his first impressions of the human species are less than positive. Taking the form of Professor Andrew Martin, a prominent mathematician at Cambridge University, the visitor is eager to complete the gruesome task assigned him and hurry home to his own utopian planet, where everyone is omniscient and immortal. He is disgusted by the way humans look, what they eat, their capacity for murder and war, and is equally baffled by the concepts of love and family. But as time goes on, he starts to realize there may be more to this strange species than he had thought. Disguised as Martin, he drinks wine, reads poetry, develops an ear for rock music, and a taste for peanut butter. Slowly, unexpectedly, he forges bonds with Martin’s family. He begins to see hope and beauty in the humans’ imperfection, and begins to question the very mission that brought him there. Praised by The New York Times as a “novelist of great seriousness and talent,” author Matt Haig delivers an unlikely story about human nature and the joy found in the messiness of life on Earth. The Humans is a funny, compulsively readable tale that playfully and movingly explores the ultimate subject—ourselves.