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Combining poetic language and the traditions of magic realism to paint a vivid portrait of her family, Pat Mora’s House of Houses is an unconventional memoir that reads as if every member, death notwithstanding, is in one room talking, laughing, and crying. In a salute to the Day of the Dead, the story begins with a visit to the cemetery in which all of her deceased relatives come alive to share stories of the family, literally bringing the food to their own funerals. From there the book covers a year in the life of her clan, revealing the personalities and events that Mora herself so desperately yearns to know and understand.
Architecturally unique, New Orleans has been called the greatest outdoor museum in the world. Glimpses of history can be found in the balconies, arches, and stained-glass windows of its homes, from simple Creole cottages to suburban ranch houses. Written as a house-watchers guide, New Orleans Houses enables the layperson to estimate the date of a houses construction, within ten to fifteen years, and to place it in a historical time frame by studying its architectural details. The author discusses each building style in the context of the major events, personages, and issues of the period during which the buildings were erected. Over 100 illustrations, including drawings of existing New Orleans homes as well as composite sketches, highlight the characteristics commonly associated with certain types of homes, making New Orleans Houses as much an art book as it is a reference guide. A glossary clarifies the sometimes-confusing terminology used in discussing architecture. It also defines words peculiar to New Orleans architecture such as Creole and faubourg.
By the early twentieth century, Chinese residents of the northern treaty-port city of Tianjin were dwelling in the world. Divided by nine foreign concessions, Tianjin was one of the world’s most colonized and cosmopolitan cities. Residents could circle the globe in an afternoon, strolling from a Chinese courtyard house through a Japanese garden past a French Beaux-Arts bank to dine at a German café and fall asleep in a British garden city-style semi-attached brick house. Dwelling in the World considers family, house, and home in Tianjin to explore how tempos and structures of everyday life changed with the fall of the Qing Empire and the rise of a colonized city. Elizabeth LaCouture argues that the intimate ideas and practices of the modern home were more important in shaping the gender and status identities of Tianjin’s urban elites than the new public ideology of the nation. Placing the Chinese home in a global context, she challenges Euro-American historical notions that the private sphere emerged from industrialization. She argues that concepts of individual property rights that emerged during the Republican era became foundational to state-society relations in early Communist housing reforms and in today’s middle-class real estate boom. Drawing on diverse sources from municipal archives, women’s magazines, and architectural field work to social surveys and colonial records, Dwelling in the World recasts Chinese social and cultural history, offering new perspectives on gender and class, colonialism and empire, visual and material culture, and technology and everyday life.
Japanischer Wohnbau faszinierte und fasziniert ganze Architektengenerationen. Gerade die kleinen, sehr konzeptionellen Einfamilienhäuser zeigen neben stringent umgesetzten Wohnkonzepten die grosse Experimentierfreudigkeit in Bezug auf Raumkonstellationen und Materialien und die Fähigkeit auch den kleinsten Raum zu organisieren. Sie sind wie Minilabore, die die Kreativität japanischer Architekten ebenso deutlich zeigen, wie den Umgang mit dem Ephemeren und den vielfältigen Ebenen der Abgrenzung zwischen öffentlich und privat. Durch die Schnelllebigkeit der japanischen Städte entsteht ein riesiger Architekturfundus für den Westen, den Small Houses dokumentiert und dem Leser gleichzeitig die japanische Kultur zugänglicher macht. Kleine Häuser stellt japanische Wohnhausarchitektur vor und richtet sich an Architekten, Innenarchitekten, Studenten und interessierte Laien. Der Fokus liegt dabei auf der Präsentation kleiner Häuser, vorwiegend Einfamilienhäuser. Die Auswahl der Projekte stellt eine Mischung namhafter Architekten, wie zum Beispiel Tezuka Architects oder Atelier Bow-Wow dar, zeigt aber auch ausserhalb Japans noch wenig bekannte Büros. Zu den einzelnen Projekten gibt es Vertiefungen, die dem Leser den kulturellen und gesellschaftlichen Kontext sowie den spezifisch japanischen Umgang mit bestimmten Architekturelementen nahebringen. Auf die Darstellung von Details, die in der Regel ausserhalb Asiens keine Relevanz haben, wird verzichtet. Der Fokus liegt auf dem realisierten Wohnkonzept, das mittels Bild- und Übersichtsplänen (Grundrisse, Schnitte) dargestellt wird.
This book navigates the design process of new housing, like additional dwelling units, and explores ideas that can be implemented from the suburbs to cities. Through the history of urban design, zoning regulation, and with an emphasis on the human side of housing, this architect highlights the role that the home plays in society today.