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The Mountain Dwellers touches on themes of fundamental importance: Individuality, Language, Political Correctness, Religion, Education, Mediocrity and Role Models.
A charming natural history (inclined to botany) of the Rincon Mountains of SE Arizona. But the location is not carefully specified.
In The Mountain, geographers Bernard Debarbieux and Gilles Rudaz trace the origins of the very concept of a mountain, showing how it is not a mere geographic feature but ultimately an idea, one that has evolved over time, influenced by changes in political climates and cultural attitudes. To truly understand mountains, they argue, we must view them not only as material realities but as social constructs, ones that can mean radically different things to different people in different settings. From the Enlightenment to the present day, and using a variety of case studies from all the continents, the authors show us how our ideas of and about mountains have changed with the times and how a wide range of policies, from border delineation to forestry as well as nature protection and social programs, have been shaped according to them. A rich hybrid analysis of geography, history, culture, and politics, the book promises to forever change the way we look at mountains.
A reader's companion to the Bible draws on classic interpretations as well as modern scholarship to explain how the Bible may also be a metaphorical reflection of anthropological history.
Hualien, on the Pacific coast of eastern Taiwan, and its mountains, especially Mount Qilai, were deeply inspirational for the young poet Yang Mu. A place of immense natural beauty and cultural heterogeneity, the city was also a site of extensive social, political, and cultural change in the twentieth century, from the Japanese occupation and the American bombings of World War II to the Chinese civil war, the White Terror, and the Cold War. Taken as a whole, these evocative and allusive autobiographical essays provide a personal response to history as Taiwan transitioned from a Japanese colony to the Republic of China. Yang Mu recounts his childhood experiences under the Japanese, life in the mountains in proximity to indigenous people as his family took refuge from the American bombings, his initial encounters and cultural conflicts with Nationalist soldiers recently arrived from mainland China, the subsequent activities of the Nationalist government to consolidate power, and the island's burgeoning new manufacturing society. Nevertheless, throughout those early years, Yang Mu remained anchored by a sense of place on Taiwan's eastern coast and amid its coastal mountains, over which stands Mount Qilai like a guardian spirit. This was the formative milieu of the young poet. Yang Mu seized on verse to develop a distinct persona and draw meaning from the currents of change reshuffling his world. These eloquent essays create an exciting, subjective realm meant to transcend the personal and historical limitations of the individual and the end of culture, "plundered and polluted by politics and industry long ago."
Heroin first reached Gejiu, a Chinese city in southern Yunnan known as Tin Capital, in the 1980s. Widespread use of the drug, which for a short period became “easier to buy than vegetables,” coincided with radical changes in the local economy caused by the marketization of the mining industry. More than two decades later, both the heroin epidemic and the mining boom are often discussed as recent history. Middle-aged long-term heroin users, however, complain that they feel stuck in an earlier moment of the country’s rapid reforms, navigating a world that no longer resembles either the tightly knit Maoist work units of their childhood or the disorienting but opportunity-filled chaos of their early careers. Overcoming addiction in Gejiu has become inseparable from broader attempts to reimagine laboring lives in a rapidly shifting social world. Drawing on more than eighteen months of fieldwork, Nicholas Bartlett explores how individuals’ varying experiences of recovery highlight shared challenges of inhabiting China’s contested present.
American Leif Langdon who discovers an amazing warm valley in Alaska! Two races inhabit the valley, the Little People and a branch of an ancient Mongolian race and they worship the Kraken named Khalk'ru which they summon from another dimension to offer human sacrifice. The inhabitants believe Langdon to be the reincarnation of their long dead hero, Dwayanu...
Sir Edmund Hillary and Tenzing Norgay reached the top of Mount Everest, the world's highest mountain, on a British expedition in 1953. The achievement was hailed around the world and launched a 20th century obsession with climbing ever higher. This exciting new book describes their perilous journey as well as their relationship and Norgay's role as a Sherpa guide.
The Riftmaster Ari is on their own, with nothing but their wit, their satchel, and a vow to make it back to Earth. To do that they must stay alive, no matter the cost… but it seems that the inhabitants of this vast universe have other plans. With Bailey gone, Ari’s life should shift back to normalcy. But after discovering all that remains of their family and taking the life of their love, Ari feels more alone than ever. Their only company is the strange sickness that fights against their every move, and the starships that seem to creep across the skies of every planet they visit. Starships belonging to the Renohaiin Empire. In their time as Riftmaster, Ari has made allies and enemies alike. Even still, the Empire’s motives are hazy at the best of times, and insidious at the worst. As Ari’s condition deteriorates, the Renohaiin alone might have a cure. For now, the Riftmaster is alive. But just how far will they go to keep it that way? Renegade is the much anticipated sequel to Riftmaster, the 2021 bestseller from Miles Nelson. Cover art: Miles Nelson
The Anthropocene - what can poetry do in this epoch in the Earth's history defined by human impact? With its immersion in powerful wilderness landscapes, Earth Dwellers challenges our human-centredness by embracing perspectives which set the intimate delicacy of life forms against time scales that go back millions of years. These are deep-breath poems, full of touch and awareness, consolidated by their commitment to the ecologies that envelop us. Asked where we come from, the poems speak not of nations or tribes but of mosses, mountains, oceans, birds. And asked where we are going, the poems refer not to rockets or recessions, but to the biome, a place where consumption is a relationship and not a right. This is ecopoetry - where the natural world is primary, and humans have to find their place in it, rather than the other way around.