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Farmer Jane profiles thirty women in the sustainable food industry, describing their agriculture and business models and illustrating the amazing changes they are making in how we connect with food. These advocates for creating a more holistic and nurturing food and agriculture system also answer questions on starting a community-supported agriculture (CSA) program, how to get involved in policy at local and national levels, and how to address the different types of renewable energy and finance them.
World famous wrestling diva Tammy Lynn “Sunny” Sytch has written a tell-all autobiography that follows her into the ring and on the road, through her romantic relationships, domestic abuse, her battle with cancer, incarceration, getting sober and the release of her adult film with Vivid Entertainment.
This book deals chiefly with the private life of Nicholas Longsworth (1869-1931) who served in congress and as speaker of the house. His ancestral origins are also discussed. The early history of the Cincinnati area where Nicholas was raised is also included.
Organized alphabetically, Expert Rapid Response covers over 100 of the most urgent patient-care situations nurses working in hospitals encounter. Each entry begins with an explanation of how or why the life-threatening circumstance occurs.
An authoritative guide to the legal and ethical issues faced daily by nurses, this handbook includes real-life examples and information from hundreds of court cases. It covers the full range of contemporary concerns, including computer documentation, workplace violence and harassment, needlesticks, telephone triage, pain management, prescribing, privacy, and confidentiality. An entire chapter explains step-by-step what to expect in a malpractice lawsuit.
The most complete self-care guide available from the leaders in diabetes information The most up-to-date information on: • New Diabetes Drugs and Insulin • Achieving Blood Sugar Control • Preventing Complications • Handling Emergencies • Testing • Using a Meter • Insulin Pumps • Nutrition • Exercise • Sexuality • Pregnancy • Insurance • And Much, Much More The American Diabetes Association — the nation’s leading health organization supporting diabetes research, information, and advocacy — has revised this one-volume sourcebook to bring you all the information you need to live an active, healthy life with diabetes. This comprehensive home reference gives you information on the best self-care techniques and latest medical breakthroughs. No matter what type of diabetes you have, this extraordinary guide will answer all your questions. Find out how to: • Choose the best health-care team for you • Maintain tight control over blood glucose levels • Buy, use, and store insulin • Recognize warning signs of low blood sugar • Design an effective exercise and weight-loss plan • Save money on supplies • Maximize insurance coverage • Balance family demands and diabetes • And more
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Shays' Rebellion is often dismissed in the history books as an isolated incident following the American Revolution. Sometimes, it's grudingly given credit for spurring the Constitution Convention. In this well-balanced book, David P. Szatmary devotes the time and study necessary to classify Shays' Rebellion as the historical watershed it truly is. Shays' Rebellion signified more than economically depressed New England farmers waging war on creditors; it marked the beginning of the end of the American subsistence farmer. This change in an accepted way of life was at least as painful as the birth of the new United States. Szatmary chronicles how international influences forced a change in how merchants, farmers and artisans interacted, and how the initial changes brought friction. The rebellion resulting from this friction in turn revealed how ineffective the Articles of Confederation were in dealing with a crisis that could destroy the country. Szatmary links the state's governments weakness to the Constitution by using newspaper and editorial accounts of the day to provide a well-rounded view of an overlooked milestone.
Magnum photographer Antoine DAgata has become a little too intimate with the subject of his photo series. In order to get to know the seamy side of Cambodia, he goes to the end of the end. In Phnom Penh, he moves in with a drug-addicted prostitute named Lee, who not only allows DAgata to photograph her, but shares her crack pipe and her bed with him as well. When she asks him what he really wants from her, he admits that he hopes the pictures will earn him money. DAgata has been throwing himself into projects like this for twenty years now, despite the fact that he is blind in his right eye and myopic in his left. This has not stood in the way of his career as a photographer of the subclass. On the contrary, Its the darkness that brought me up. The film camera employs a similar observational yet alienating style, following the couple from up close while they spend weeks in a stuffy room, in voluntary confinement. The claustrophobic atmosphere of this documentary debut is interspersed with gruesome street shots and uncompromising photos by DAgata, who has increasing doubts about his profession as a photographer. Journalist Philippe Azoury is worried and comes for a visit, forcing DAgata to question his unorthodox working method. Together, they discuss the emotional life that underlies the photographers work.