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Bringing together the most significant papers on the interpretation of objects and collections, this volume examines how people relate to material culture and why they collect things.
This book examines the historical context of museums, their collections, and the objects that form them. Susan M. Pearce probes the psychological and social reasons that people collect and identifies three modes of collecting: collecting as souvenirs, as fetishes, and as systematic assemblages. She considers how museum professionals set policies of collection management; acquire, study, and exhibit objects; and make meaning of the objects in their care. Pearce also explores the ideological relationship between museums and their collections and the intellectual and social relationships of museums to the public.
"First opened in 1873, the Victoria and Albert Museum's 'Cast Courts' were purpose built to house copies of architecture and sculpture from around the world. They contain some of the Museum's largest objects, including casts of Trajan's Column (shown in two halves) and the twelfth century Portico de la Gloria from the cathedral at Santiago de Compostela. Among the Museum's most popular galleries, the Cast Courts are an extraordinary expression of Victorian taste, ambition and public spirit. Published to celebrate the opening of the refurbished 'Cast Courts' at the V & A, this book presents a fresh perspective on the Museum's diverse collection of reproductions including plaster cats, electrotypes and photographs." -- provided by publisher.
Myer Myers, a Jewish silversmith in colonial America, created outstanding works for leading members of the New York elite, and the objects made in his workshop have long been regarded as among the most important American statements of the Rococo style. These works are also valuable for the information they provide about craftsmanship, patronage, colonial Judaism, and changing cultural values in pre- and post-Revolutionary America. This stunning catalogue presents works from Myers's workshop in conjunction with essays by eminent authorities on his life and times, all of which shed light on significant themes and events in American culture and history. Myers's lifelong membership in the New York Jewish community, for example, reveals much about the role of religious minorities and social toleration in eighteenth-century America, and the artefacts he created for his family and religious community provide a vivid picture of colonial Jewish life. At the same time, Myers's career as a silversmith offers insights into the complexities of preindustrial craftsmanship in America, showing that silversmiths were less autonomous than has previously been assumed. Catalogue entries provide a chro