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This book is about the map of an English county – Hertfordshire – which was published in 1766 by two London mapmakers, Andrew Dury and John Andrews. For well over two centuries, from the time of Elizabeth I to the late 18th century, the county was the basic unit for mapping in Britain and the period witnessed several episodes of comprehensive map making. The map which forms the subject of this book followed on from a large number of previous maps of the county but was greatly superior to them in terms of quality and detail. It was published in a variety of forms, in nine sheets with an additional index map, over a period of 60 years. No other maps of Hertfordshire were produced during the rest of the century, but the Board of Ordnance, later the Ordnance Survey, established in the 1790s, began to survey the Hertfordshire area in 1799, publishing the first maps covering the county between 1805 and 1834. The OS came to dominate map making in Britain but, of all the maps of Hertfordshire, that produced by Dury and Andrews was the first to be surveyed at a sufficiently large scale to really allow those dwelling in the county to visualize their own parish, local topography and even their own house, and its place in the wider landscape. The first section examines the context of the map’s production and its place in cartographic history, and describes the creation of a new, digital version of the map which can be accessed online . The second part describes various ways in which this electronic version can be interrogated, in order to throw important new light on Hertfordshire’s landscape and society, both in the middle decades of the eighteenth century when it was produced, and in more remote periods. The attached DVD contains over a dozen maps which have been derived from the digital version, and which illustrate many of the issues discussed in the text, as well as related material which should likewise be useful to students of landscape history, historical geography and local history.
The cultural, political, and economic influences on the changing fortunes of Hertfordshire’s great parks over the past 500 years are examined in this authoritative history. Fascinating accounts of such parks as Hatfield, Moor Park, and Knebworth are illustrated by revisiting each historical era and its prevailing fashions, such as the enthusiasm for deer hunting in the 16th century and the golden age of landscape gardening in the 18th century. Close analysis of each time period’s cartographical sources further supports this fitting record of the county’s green spaces, which ultimately outlines the ongoing decline in Hertfordshire’s parklands, now divided piecemeal between golf courses, schools, and hotels; sold as real estate; or precariously maintained as tourist attractions.
This volume contains original research into aspects of garden history in Hertfordshire.
Garden design evolved hugely during the Georgian period – as symbols of wealth and stature, the landed aristocracy had been using gardens for decades. Yet during the eighteenth century, society began to homogenise, and the urban elite also started demanding landscapes that would reflect their positions. The gardens of the aristocracy and the gentry were different in appearance, use and meaning, despite broad similarities in form. Underlying this was the importance of place, of the landscape itself and its raw material. Contemporaries often referred to the need to consult the ‘genius of the place’ when creating a new designed landscape, as the place where the garden was located was critical in determining its appearance. Genius loci - soil type, topography, water supply - all influenced landscape design in this period. The approach taken in this book blends landscape and garden history to make new insights into landscape and design in the eighteenth century. Spooner’s own research presents little-known sites alongside those which are more well known, and explores the complexity of the story of landscape design in the Georgian period which is usually oversimplified and reduced to the story of a few ‘great men’.
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This collection of essays offers a historical glimpse into the lives and happenings in Hertfordshire from the 13th century to the present. Topics range from graffiti evidence of medieval music. King James's connections with Hertfordshire, settlements in the Connecticut Valley, art traditions in the 19th century, and the history of Christ's Hospital. This compilation was designed to honor Lionel Munby, one of Hertfordshire's leading 20th-century historians.
Lancelot “Capability” Brown is often thought of as the innovative genius who single-handedly pioneered a new, naturalistic style of landscape design, but he was in fact only one of many landscape designers in Georgian England. Published to commemorate the three hundredth anniversary of Brown’s birth, this book casts important new light on his world-renowned work, his eventful life, and the wider and robust world of landscape design in Georgian England. David Brown and Tom Williamson argue that Brown was one of the most successful designers of his time working in a style that was otherwise widespread—and that it was his skill with this style, and not his having invented it, that linked his name to it. The authors look closely at Brown’s design business and the products he offered clients, showing that his design packages helped define the era’s aesthetic. They compare Brown’s business to those of similar designers such as the Adam brothers, Thomas Chippendale, and Josiah Wedgwood, and they contextualize Brown’s work within the wider contexts of domestic planning and the rise of neoclassicism. Beautifully illustrated throughout, this book celebrates the work of a master designer who was both a product and harbinger of the modern world.