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The classic works of Emile Durkheim are characterized by a structural approach to the understanding of collective behaviour, and it is this element of his writings that has been most taken up by modern social science. This volume, however, rejects the dominant structural approach, and draws instead on Durkheim's later work, in which he shifted to a symbolic theory of modern industrial societies that emphasized the importance of ritual and placed the tension between the sacred and the profane at the center of society. In so doing, the contributors offer both a radically different approach to Durkheimian sociology and a new way of linking the interpretation of culture and the interpretation of society. In his introduction to the volume, Jeffrey Alexander elaborates the new interpretation of Durkheim that informs the contributions. His arguments form a background for the lively and provacative chapters that follow, which provide broadly cultural interpretations of such topics as popular upheavals and social movements, ranging from the French Revolution to the massive rebellions in Poland and Nicaragua in the 1980s; political crisis, from Watergate to the crisis of legitimation in contemporary capitalism; and the creative and contingent element in symbolic behaviour, including the symbolics of intimate friendship, and the ritual and rhetoric of media events. In addition to re-examining Durkheimian sociology, the essays also demolish the myth that attention to cultural values implies conservatism or the inability to analyze social change, and challenge the common antithesis between normative theory and microsociology. Its exploration of the links between Durkheimian sociology and the most important developments in contemporary sociology, history, anthropology and semiotics will ensure it a broad appeal across the social sciences.
Durkheim, in his very role as a "founding father" of a new social science has become like a figure in an old religious painting, enshrouded in myth and encrusted in layers of thick, impenetrable varnish. This book undertakes detailed, up-to-date investigations of Durkheim's work in an effort to restore its freshness and reveal it as originally created. These investigations explore his particular ideas, within an overall narrative of his initial problematic search for solidarity, how it became a quest for the sacred, and how, at the end of his life, he embarked on a project for a new great work on ethics. A theme running through this is his concern with a modern world in crisis and a hope in social and moral reform. Accordingly, the book concludes with a set of essays on modern times and on a crisis that Durkheim thought would pass but which now seems here to stay.
Until recently the subject of suffering and evil was neglected in the sociological world and was almost absent in Durkheimian studies as well. This book aims to fill the gap, with particular reference to the Durkheimian tradition, by exploring the different meanings that the concepts of evil and suffering have in Durkheim's works, together with the general role they play in his sociology. It also examines the meanings and roles of these concepts in relation to suffering and evil in the work of other authors within the group of the Année sociologique up until the beginning of World War II. Finally, the Durkheimian legacy in its wider aspects is assessed, with particular reference to the importance of the Durkheimian categories in understanding and conceptualizing contemporary forms of evil and suffering.
Durkeim's book on suicide, first published in 1897, is widely regarded as a classic text, and is essential reading for any student of Durkheim's thought and sociological method. This book examines the continuing importance of Durkheim's methodology. The wide-ranging chapters cover such issues as the use of statistics, explanation of suicide, anomie and religion and the morality of suicide. It will be of vital interest to any serious scholar of Durkheim's thought and to the sociologist looking for a fresh methodological perspective.
By studying how different societies understand categories such as time and causality, the Durkheimians decentered Western epistemology. With contributions from philosophy, sociology, anthropology, media studies, and sinology, this volume illustrates the interdisciplinarity and intellectual rigor of the “category project” which did not only stir controversies among contemporary scholars but paved the way for other theories exploring how the thoughts of individuals are prefigured by society and vice versa.
Using a broad definition of the Durkheimian tradition, this book offers the first systematic attempt to explore the Durkheimians’ engagement with art. It focuses on both Durkheim and his contemporaries as well as later thinkers influenced by his work. The first five chapters consider Durkheim’s own exploration of art; the remaining six look at other Durkheimian thinkers, including Marcel Mauss, Henri Hubert, Maurice Halbwachs, Claude Lévi-Strauss, Michel Leiris, and Georges Bataille. The contributors—scholars from a range of theoretical orientations and disciplinary perspectives—are known for having already produced significant contributions to the study of Durkheim. This book will interest not only scholars of Durkheim and his tradition but also those concerned with aesthetic theory and the sociology and history of art.
Table of contents
Classical Durkheimian Studies of Myth and the Sacred presents English translations of several important essays, some never before translated, by members of the famous Annee sociologique group around Emile Durkheim. These works by Marcel Mauss, Henri Hubert, and Robert Hertz are key contributions to today's growing interest in and reinterpretation of Durkheimian thought on culture, religion, and symbolism. The central thrust in this new interpretive effort uses the Durkheimian theory of the sacred to understand the symbolism and meanings of cultural structures and narratives more generally. This book is vital to any contemporary collection emphasizing social theory.
A five volume collection of scholarly journal articles and chapters from books covering the subject of Emile Durkheim's work. The five volumes are thematically organized in the following sections: Volume I: 1. Durkheim: The man himself, 2. General sociology. Volume II: 3. Religion, 4. Epistemology and the philosophy of science. Volume III: 5. Morality and ethics, 6. Political sociology. Volume IV: 7. Suicide and anomie, 8. Division of labour and economics, 9. EducationP