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A fine collection of contemporary plays by one of South Africa's leading playwrights. The plays selected, namely Into the Grey, Shooting and Swing cover topics such as social activism, the death of a friend and discrimination in sport. Described through Singh’s satirical lens, these thought-provoking plays bring us up to date with the challenges of life in post-Apartheid South Africa. They focus particularly on people of Indian origin and their relationships with other South African communities and chart the loss of ideals in the dream of the Rainbow nation. Includes: Into the Grey: A harrowing drama depicting the twenty-nine year association between two Durban activists who battle a variety of challenges as their country stumbles towards a bleak future. Shooting: A one-man play about the unchanging paradigm in Durban’s small town communities in the early years of democracy as a football prodigy’s dream is brutally shattered. Swing: A two-hander about the relationship between a mixed-race Durban tennis player and her father/coach as they confront many obstacles in a society which undervalues the girl-child. With a foreword by director Ralph Lawson and introduction by Pranav Joshipura, Associate Professor of English, Mahila College, Gandhinagar, India. A follow-up anthology of three hard-hitting plays to Singh’s successful drama anthology Durban Dialogues, Indian Voice (2013) which is now studied internationally. “Ashwin Singh’s plays, working in a contemporary idiom and style and context, become a place for us to set up house, to inhabit, a place filled with humour, compassion and insight. They categorically signal a disposition not to remain silent, not to remain indifferent, prompting us and nudging us to make choices about how we live in our world.” Dr Betty Govinden, KZN Literary Tourism “The ability to capture the lives and communities of Durban with both pathos and humour resonates in all Singh’s works. The plays pay tribute to the city’s cultural and aesthetic beauty but they also expose its underbelly of crime, corruption and racial tension.” Estelle Sinkins, Weekend Witness “As with his To House and Spice ‘n Stuff, Shooting author Ashwin Singh tackles his subjects head-on, using his considerable writing skills to blend important historical and contemporary issues with entertainment.” Caroline Smart, The Mercury About the author Ashwin Singh is an attorney, academic, playwright, director and actor. His first anthology of plays, Durban Dialogues, Indian Voice was published in 2013 by Aurora Metro Books. The book is being studied and/or referenced at a variety of universities in South Africa, India, Canada and Europe. Singh has also been published as a playwright in the collective anthologies, New South African Plays (Aurora Metro Books, 2006) and the Catalina Collection (Catalina UnLtd, 2013). He is also a published poet and academic author. Singh is a three-time national award winner via the PANSA Playreading Festival (the country’s foremost playwriting contest) with his plays To House (2003); Duped (2005); and Reoca Light (2012). He is also a respected stage and radio actor, having performed in a number of dramatic and comic productions. Singh also played a lead role in award winning UK director James Brown’s short film about child abuse, One Wedding and a Funeral.
This volume provides an in-depth analysis of the work of Indian South African playwright Ashwin Singh, which, through the diversity of characters from all ethnic backgrounds, forges an inclusive South African identity. The essays in this volume show how Singh’s plays bring South Africa’s blatant prejudices and social ills to the forefront as only by confronting unpleasant realities can any far-reaching changes actually take place. The academics and cultural practitioners who have contributed to this volume approach Singh’s work from a variety of angles, ranging from history, psychology and experimental literary forms to the performance of the plays, the relevance of the stage directions and the symbiotic relationship between the playwright and the director. The contrast between the climate of optimistic political protest and the complacency and disillusion of the new democratic era is seen to reassess the actions of the past in the light of present outcomes.
A collection of six plays dealing with the new South Africa, published in 2006 to celebrate 10 years of democracy post-apartheid. Plays about racial conflict, the impact of AIDS, power and corruption, the legacy of the past and female identity. Reprinted 2012, 2019. The Plays The Playground by Beverly Naidoo “...it floats on a haunting, echoing raft of traditional South African harmonies that make watching it a joyful experience as well as a thought-provoking one...” Time Out Critics’ Choice – Pick of the Year Taxi by Sibusiso Mamba: Edinburgh fringe first winner “a superbly written and produced play... A fine piece of work that’s refreshingly free of cliches.” Daily Mail, Pick of the Week Green Man Flashing by Mike Van Graan “...This finely crafted drama tears at the heart and soul of our democracy, and rips at the underbelly of corruption and political power through its astute writing...” Star Tonight Rejoice by James Whylie “... the cruellest irony of all is left until the end... the same one which has spelled the death of Rejoice... And millions more.” Friends of BBC Radio 3 What the Water Gave Me by Rehane Abrahams “tales that retrieve ancient magics and reveal contemporary terrors...” Cape Times To House by Ashwin Singh: Finalist in the 2003 PANSA (Performing Arts Network of SA) Festival of Reading of New Writing (the country’s foremost playwriting contest) “To House is an important piece of theatre; in it people voice opinions that are uncomfortable and edgy. The cathartic and therapeutic value of hearing these things said aloud in a public place is part of our essential healing process and proves, once again, that art has the ability to go where angels fear to tread.” Daily News, Durban
Durban Dialogues, Indian Voice is an anthology of five engaging and eclectic South African plays by award-winning playwright Ashwin Singh. The plays selected, namely To House, Duped, Spice ’n Stuff, Reoca Light and Beyond the Big Bangs represent the complete array of Singh’s storytelling skills in drama as well as satire. Each play reflects, in different ways, on the complexities and contradictions of life in post-Apartheid South Africa, and focuses particularly on people of Indian origin and their relationship with other South African communities. The plays present a moving portrait of a unique array of characters and are also punctuated by Singh’s trademark humour. Each one is set in Durban, South Africa’s third largest and most diverse city, and they are described by renowned academic and critic Betty Govinden as ‘undressing Durban, as they take us away from the neon lights and “candy floss” to the reality of the underbelly of post-Apartheid urban and suburban existence’.
First collection of full-length plays from British East Asian playwrights Playwrights: Yang Mai Ooi, Jeremy Tiang, Lucy Chai Lai-Tuen, Amy Ng, Stephen Hoo, Joel Tan and Daniel York Loh. Selected and Edited: Cheryl Robson, Dr Amanda Rogers and Dr Ashley Thorpe. With an introduction: Dr Amanda Rogers and Dr Ashley Thorpe A landmark collection of contemporary full-length plays by British East Asian writers. Exploring subjects such as cultural identity, the fragmentation of communities, tradition, invisibility and discrimination, these plays are ideal to perform. With an introduction by academics Dr Amanda Rogers and Dr Ashley Thorpe which sets the plays into context and explores the hidden history of theatre from BEA theatre-makers. This is a timely collection, being published within months of the opening of three plays by British East Asian playwrights in the UK, and a growing awareness in the mainstream press that that East Asians in British theatre are under-represented. As Daniel York Loh writes: “British East Asians were effectively side-lined in any debate on diversity in theatre where the general establishment view tends towards a binary black/white... which seems to exclude large swathes of the Asian continent.” As Kumiko Mendl of Yellow Earth theatre writes: "There is an abundance of talent and experience to be found in the UK, and it's time that the rest of Britain woke up to the diversity of artists and practitioners around them – those that know their Kuan Han-ching as well as their Shakespeare." The seven plays in the anthology are: Bound Feet Blues by Yang Mai Ooi The Last Days of Limehouse by Jeremy Tiang Conversations with my Unknown Mother by Lucy Chai Lai-Tuen Special Occasions by Amy Ng Jamaica Boy by Stephen Hoo Tango by Joel Tan The Fu Manchu Complex by Daniel York Loh "Ooi has some unsettling examples of how, even today in the West, daintiness in a woman is often celebrated and a `beauty is pain' culture still exists." --The Stage "The Last Days of Limehouse is a finely balanced, well-written and superbly acted play that's well worth seeing." **** - --everything theatre "...a devilishly ironic spin on Sax Rohmer's classic novel that will leave you in hysterics...wildly satirical and steeped in sexual innuendo... the atmosphere created on stage is alluring." - --The Upcoming
This is a joint publication with the Board of Mission which includes an essay by Bishop Michael Nazir-Ali on interfaith dialogue in Pakistan.
Ralph del Colle was born in New York City on October 3, 1954 and was raised in Mineola, Long Island. He attended Xavier High School in Chelsea and received a BA in History and Literature of Religions from New York University, and MDiv, MPhil, and PhD degrees from Union Theological Seminary. Ralph taught for 17 years in the Marquette University Theology Department; prior to that he taught at Barry University, Miami Shores, Florida and at St. Anselm College, Manchester, New Hampshire. Ralph's lively Christian faith and interest in church unity led to his participation in ecumenical dialogues. He served as a representative to the International Catholic-Pentecostal Dialogue for the Pontifical Council on Christian Unity for 12 years and also served on the Catholic-Reformed Dialogue and Catholic-Evangelical Dialogue, both for the U.S. Conference of Catholic Bishops. He was invited by the Pontifical Council to serve as a representative to the World Council of Churches Assembly in Harare, Zimbabwe in 1998. In 2002-2003, he served as the President of the Society for Pentecostal Studies and in 2003 Ralph received the Archbishop's Vatican II Award. Ralph's scholarly work, especially his work on the Holy Spirit, made significant contributions to the field of Systematic Theology. Ralph died in July of 2012, slightly more than four weeks after he was diagnosed with a rare form of liver cancer. He was fifty-seven.
The collection contains the Metro-Goldwyn-Mayer Corporation dialogue cutting continuity scripts arranged chronologically by production date. Each script provides a cut-by-cut description of all camera shots, including the movement of camera and actors within shot, dialogue spoken within the shot, subtitle, in and out times and calculated duration.