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In 2009, Rachael Cerrotti, a college student pursuing a career in photojournalism, asked her grandmother, Hana, if she could record her story. Rachael knew that her grandmother was a Holocaust survivor and the only one in her family alive at the end of the war. Rachael also knew that she survived because of the kindness of strangers. It wasn’t a secret. Hana spoke about her history publicly and regularly. But, Rachael wanted to document it as only a granddaughter could. So, that’s what they did: Hana talked and Rachael wrote. Upon Hana’s passing in 2010, Rachael discovered an incredible archive of her life. There were preserved albums and hundreds of photographs dating back to the 1920s. There were letters waiting to be translated, journals, diaries, deportation and immigration papers as well as creative writings from various stages of Hana’s life. Rachael digitized and organized it all, plucking it from the past and placing it into her present. Then, she began retracing her grandmother’s story, following her through Central Europe, Scandinavia, and across the United States. She tracked down the descendants of those who helped save her grandmother’s life during the war. Rachael went in pursuit of her grandmother’s memory to explore how the retelling of family stories becomes the history itself. We Share the Same Sky weaves together the stories of these two young women—Hana as a refugee who remains one step ahead of the Nazis at every turn, and Rachael, whose insatiable curiosity to touch the past guides her into the lives of countless strangers, bringing her love and tragic loss. Throughout the course of her twenties, Hana’s history becomes a guidebook for Rachael in how to live a life empowered by grief.
"Provides a critical and historical introduction to the core themes and influential thinkers that helped to shape contemporary human science approaches to psychotherapy"--Provided by publisher.
The fourth in a series of ratings and reviews of public university honors programs, INSIDE HONORS: 2018-2019 presents unique data from honors Deans and Directors across the nation on their admission stats, class sizes, grad rates, course sections, and honors residence halls. New sections detail the internships, undergraduate research opportunities, and study-abroad choices for each program, PLUS the latest information on merit scholarships.
Between present and past, visible and invisible, and sensation and idea, there is resonance—so philosopher Maurice Merleau-Ponty argued and so Jessica Wiskus explores in The Rhythm of Thought. Holding the poetry of Stéphane Mallarmé, the paintings of Paul Cézanne, the prose of Marcel Proust, and the music of Claude Debussy under Merleau-Ponty’s phenomenological light, she offers innovative interpretations of some of these artists’ masterworks, in turn articulating a new perspective on Merleau-Ponty’s philosophy. More than merely recovering Merleau-Ponty’s thought, Wiskus thinks according to it. First examining these artists in relation to noncoincidence—as silence in poetry, depth in painting, memory in literature, and rhythm in music—she moves through an array of their artworks toward some of Merleau-Ponty’s most exciting themes: our bodily relationship to the world and the dynamic process of expression. She closes with an examination of synesthesia as an intertwining of internal and external realms and a call, finally, for philosophical inquiry as a mode of artistic expression. Structured like a piece of music itself, The Rhythm of Thought offers new contexts in which to approach art, philosophy, and the resonance between them.
The volume is devoted to the relevant problems in the legal sphere, created and generated by recent advances in science and technology. In particular, it investigates a series of cutting-edge contemporary and controversial case-studies where scientific and technological issues intersect with individual legal rights. The book addresses challenging topics at the intersection of communication technologies and biotech innovations such as freedom of expression, right to health, knowledge production, Internet content regulation, accessibility and freedom of scientific research.
By Way of Interruption presents a radically different way of thinking about communication ethics. While modern communication thought has traditionally viewed successful communication as ethically favorable, Pinchevski proposes the contrary: that ethical communication does not ultimately lie in the successful completion of communication but rather in its interruption; that is, in instances where communication falls short, goes astray, or even fails. Such interruptions, however, do not mark the end of the relationship, but rather its very beginning, for within this interruption communication faces the challenge of alterity. Drawing mainly on the philosophy of Emmanuel Levinas, Pinchevski explores the status of alterity in prevalent communication theories and Levinas's philosophy of language and communication, especially his distinction between the Said and the Saying, and demonstrates the extent to which communication thought and practice have been preoccupied with the former while seeking to excommunicate the latter. With a strong interdisciplinary spirit, this book proposes an intellectual adventure of risk, uncertainty and the possibility of failure in thinking through the ethics of communication as experienced by an encounter with the other.
Lady in Red is the long-awaited collection of behind-the-scenes stories and iconic images of one of the most influential First Lady in modern history -- Nancy Reagan. Lovingly compiled by long-time close confidante and aide, Sheila Tate, the book provides a rare and much-anticipated look into the personal life of the president's wife, from her daily routines and travels as First Lady to her friendships and deep influence in the Reagan White House. Lady in Red depicts a nuanced portrait of this graceful yet strong woman who felt it was her mission to restore a sense of grandeur, mystique, and excitement to the presidency, showcasing the various roles that Mrs. Reagan played during her years in the White House, that of Wife, Mother, Protector, Host, Diplomat, and Advisor, among others. The book also features twenty-four pages of gorgeous color photographs, including "Nancy's Album," a collection of Mrs. Reagan's favorite photographs, which she entrusted to Sheila to share with the world after she and her beloved Ronnie had passed. To complete the portrait, Lady in Red includes interviews with the friends and politicians who knew Mrs. Reagan best: President George H. W. Bush, Chris Wallace, James Baker, Ed Meese, Maureen Dowd, and Marlin Fitzwater share their most cherished memories of the First Lady.
General John Forbes’s campaign against Fort Duquesne was the largest over-land expedition during the Seven Years’ War in America. While most histories of the time period include the Forbes Campaign as an aside, McConnell documents how and why Forbes and his army succeeded, and what his success meant to the subsequent history of the mid-Atlantic colonies, native inhabitants of the Ohio Country, and the empire he represented. A close look at the Forbes Campaign and its personnel reveals much about both British relations with native peoples and the nature of Britain’s American empire during a time of stress. Unlike other campaigns, this one was composed largely of colonial—not professional British—troops. In addition, individual colonies negotiated their role in the campaign and frequently placed their own local interests ahead of those of the empire as a whole. The campaign thus suggests the limits of imperial power and how Britain’s hold over its American frontiers was, at best, tenuous and helped lead to an eventual break-down of empire in the 1760s and 1770s.