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First published in English in 1965, this book discusses the roots and development of the dumb show as a device in Elizabethan drama. The work provides not only a useful manual for those who wish to check the occurrence of dumb shows and the uses to which they are put; it also makes a real contribution to a better understanding of the progress of Elizabethan drama, and sheds new light on some of the lesser known plays of the period.
THE STORY: Courted at the end of his show by bankers John and Jane, TV star Barry believes he is to get the five-star treatment that he deserves. However, urged to provide a candid account of his offstage life and views, the Barry that emerges is t
Early Modern Theatricality brings together some of the most innovative critics in the field to examine the many conventions that characterized early modern theatricality. It generates fresh possibilities for criticism, combining historical, formal, and philosophical questions, in order to provoke our rediscovery of early modern drama.
A satirical campus novel, Dumb-Show shrewdly confronts the cultural politics of masculinity through a narrative that twists the structure of Henry IV. A controversial Canadian professor of political science at a Toronto university rises to power when his political views divide the student body. Two siblings, one a student at the university, develop isolated personal relationships with the professor, and find themselves spiralling to infamy alongside him. Parker?s second novel shadows the rise and fall of a corrupt king, observes a young and lazy boy?s attempt to make a name for himself, and, tearing a hole in the hyper-masculine power narrative, interrogates a woman?s internal search to power. Expanding from the brutal introspection first seen in Parker's Set-Point, Dumb-Show takes brilliant aim
Every generation reinvents Shakespeare for its own needs, imagining through its particular choices and emphases the Shakespeare that it values. The man himself was deeply involved in his own kind of historical reimagining. This collection of essays examines the playwright's medieval sources and inspiration, and how they shaped his works. With a foreword by Michael Almereyda (director of the Hamlet starring Ethan Hawke) and dramaturge Dakin Matthews, these thirteen essays analyze the ways in which our modern understanding of medieval life has been influenced by our appreciation of Shakespeare's plays.
Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.
Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.