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“Ben-David delivers spy thrillers with all the authenticity and inside knowledge of an ex-Mossad agent.” —Simon Sebag Montefiore, author of Jerusalem: The Biography Ronen, an expelled Mossad agent, has disappeared following a failed assassination attempt against the Hezbollah operative responsible for suicide bombings in Israel. Feared to be on an unauthorized mission, it is up to his former commander, Gadi, to track Ronen down and stop him from causing harm both to himself and to his country. The physical and intellectual scuffle between the two men becomes one of deeper moral inquiry. Written with a master novelist’s terse conviction, Duet in Beirut takes us inside a much-discussed but little understood world. As revealing in its psychological acuity as it is in its portrait of life in the Mossad, Duet in Beirut is an essential thriller of espionage and political intrigue—written by an author who spent twelve years working with Israel’s legendary intelligence agency. “Le Carré fans will enjoy Ben-David’s look behind the scenes of government-sanctioned hits and the tension between loyalty to the chain of command and dissent.” —Publishers Weekly (starred review) Praise for Mishka Ben-David’s Forbidden Love in St. Petersburg “The novel has a solid sense of intrigue and suspense . . . The characterizations are precise, too: these aren’t stick figures in a spy story but real people in a real environment. A nice blend of classic spy-novel conventions with a thoroughly contemporary setting.” —Booklist (starred review)
By the author of Duet in Beirut and Forbidden Love in St. Petersburg, Final Stop, Algiers is former Israeli intelligence agent Mishka Ben-David's most exhilarating novel yet. When a terrorist attack in Tel Aviv violently disrupts his life, Mickey Simhoni abandons his plans to become an artist and instead allows himself to be recruited into the Mossad. Slowly, he learns the art of spy craft the and painstaking process of building a cover, becoming someone else whom he resembles, who is presumed dead. His cover story takes him to Toronto where he meets an old flame—Niki, a girl he had been involved with in Tokyo a decade earlier. As Mickey is torn between loyalty to the Mossad and his intense feelings for Niki, the dilemma leads to a harrowing conclusion.
“Convincing tradecraft, coupled with a plausible look at the inner life of a spy with a license to kill, will remind readers of the best of John le Carré.” —Publishers Weekly (starred review) Yogev Ben-Ari has been sent to St. Petersburg by the Mossad, ostensibly to network and set up business connections. His life is solitary, ordered, and lonely—until he meets Anna. Neither is quite what they seem to be, but while her identity may be mysterious, there is no doubt about the love they feel for each other. But the impassioned affair is not part of the Mossad plan. The agency must hatch a dark scheme to drive the lovers apart. Soon what began as a quiet, solitary mission becomes a perilous exercise in survival, and Ben-Ari has no time to discover the truth about Anna’s identity before his employers act . . . “The novel has a solid sense of intrigue and suspense, and its depiction of the world of international espionage feels accurate (as it should, since the author is a former Mossad agent). The characterizations are precise, too: these aren’t stick figures in a spy story but real people in a real environment. A nice blend of classic spy-novel conventions with a thoroughly contemporary setting.” —Booklist (starred review)
Everything in my life has changed. This woman, my paid companion, has turned my world upside down … while making it right for the first time ever. We were brought together by need. Hers was money. Mine was companionship. And sex. Caitriona Louden gave me the girlfriend experience. All of it. And now she’s gone. I’m not supposed to miss her. I’m not supposed to love her. But I do. Both. Our contract expired, and she walked away. Now my world is falling apart without her in it. Because she is my everything. A fairy-tale romance. It’s ours to have. And this woman I’ve come to love so dearly is my beautiful ever after. ––––– About Beautiful Ever After–– Heat level: 5/5 Cheating: No Tropes and Themes: · Alpha · Arranged Relationship · Hero with an Accent (Scottish) · Billionaire · Single Dad · Widower · Age Gap (10 years) · Damaged Hero · Damaged Heroine *** While the characters from Eighty-One Nights are entirely new, their storyline is a combination of fresh material and carefully selected themes, scenes, and settings from The Beauty Series, The Sin Trilogy, Dear Agony, and Indulge. This is intentional. I chose some of my favorite elements from previous releases and interjected them into Hutch and Lou’s story. Let’s call it a “story fusion” between our old favorites and new material. ***
Soon to be the major motion picture The Operative, starring Martin Freeman and Diane Kruger. For readers of John Le Carré and viewers of Homeland, a slow-burning psychological spy-thriller by a former brigadier general of intelligence in the Israeli army One of The Washington Post's 10 Best mystery books and thrillers of 2016 After attending her father’s funeral, former Mossad agent Rachel Goldschmitt empties her bank account and disappears. But when she makes a cryptic phone call to her former handler, Ehud, the Mossad sends him to track her down. Finding no leads, he must retrace her career as a spy to figure out why she abandoned Mossad before she can do any damage to Israel. But he soon discovers that after living under cover for so long, an agent’s assumed identity and her real one can blur, catching loyalty, love, and truth between them. In the midst of a high-risk, high-stakes investigation, Ehud begins to question whether he ever knew his agent at all. In The English Teacher, Yiftach R. Atir drew on his own experience in intelligence to weave a psychologically nuanced thriller that explores the pressures of living under an assumed identity for months at a time.
From the author of Once We Were Brothers, Liam and Catherine team up again to investigate an embezzlement case, and discover a link between their prime suspect, a kidnapping, and a terrorist cell
In Share, Retweet, Repeat, John Hlinko shows readers how to take their ideas, causes, and products, and craft marketing campaigns around them that create buzz. In the world of constant communication, the average consumer of information has transformed into a publisher of information as well. With easy to follow steps, Hlinko teaches readers how to create spreadable messages to optimize return on investment on any communications budget. This book is for anyone who wants to learn how to stand out, be noticed, and get others talking about them.
NAMED A BEST BOOK OF 2022 BY LIT HUB AND THE NEW YORK PUBLIC LIBRARY “O is so full of music and passion for life . . . Zeina Hashem Beck’s poems unfold the abundance of our world.” —Ilya Kaminsky, author of Deaf Republic From a “brilliant, absolutely essential voice” whose “poems feel like whole worlds” (Naomi Shihab Nye), a poetry collection considering the body physical, the body politic, and the body sacred Zeina Hashem Beck writes at the intersection of the divine and the profane, where she crafts elegant, candid poems that simultaneously exude a boundless curiosity and a deep knowingness. Formally electrifying—from lyrics and triptychs to ghazals and Zeina's own duets, in which English and Arabic echo and contradict each other—O explores the limits of language, notions of home and exile, and stirring visions of motherhood, memory, and faith.
The first in-depth study of diverse and radical innovation in Arab music From jazz trumpeters drawing on the noises of warfare in Beirut to female heavy metallers in Alexandria, the Arab culture offers a wealth of exciting, challenging, and diverse musics. The essays in this collection investigate the plethora of compositional and improvisational techniques, performance styles, political motivations, professional trainings, and inter-continental collaborations that claim the mantle of "innovation" within Arab and Arab diaspora music. While most books on Middle Eastern music-making focus on notions of tradition and regionally specific genres, The Arab Avant Garde presents a radically hybrid and globally dialectic set of practices. Engaging the "avant-garde"—a term with Eurocentric resonances—this anthology disturbs that presumed exclusivity, drawing on and challenging a growing body of literature about alternative modernities. Chapters delve into genres and modes as diverse as jazz, musical theatre, improvisation, hip hop, and heavy metal as performed in countries like Iraq, Egypt, Lebanon, Syria, Palestine, and the United States. Focusing on multiple ways in which the "Arab avant-garde" becomes manifest, this anthology brings together international writers with eclectic disciplinary trainings—practicing musicians, area studies specialists, ethnomusicologists, and scholars of popular culture and media. Contributors include Sami W. Asmar, Michael Khoury, Saed Muhssin, Marina Peterson, Kamran Rastegar, Caroline Rooney, and Shayna Silverstein, as well as the editors.