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This history of the social custom of pistol dueling in the antebellum South documents the rules for its conduct, its causes, and its typical participants. Also included is a popular dueling code from the year 1838 by John Lyde Wilson, one-time governer of South Carolina.--From publisher description.
Fierce, searing, and darkly comical, Garriga's debut collection of short-short fiction depicts historical and imagined duels, re-envisioning in a flash the competing points of motivation—courage and cowardice, honor and vengeance—that lead individuals to risk it all. In this compact collection, “settling the score” provides a fascinating apparatus for exploring foundational civilizing ideas. Notions of courage, cowardice, and revenge course through Michael Garriga’s flash fiction pieces, each one of which captures a duel’s decisive moment from three distinct perspectives: opposing accounts from the individual duelists, followed by the third account of a witness. In razor-honed language, the voices of the duelists take center stage, training a spotlight on the litany of misguided beliefs and perceptions that lead individuals into such conflicts. From Cain and Abel to Andrew Jackson and Charles Dickenson; from John Henry and the steam drill to an alcoholic fighting the bottle: the cumulative effect of these powerful pieces is a probing and disconcerting look at humankind’s long-held notions of pride, honor, vengeance, and satisfaction. Meticulously crafted by Garriga, and with stunning illustrations by Tynan Kerr, The Book of Duels is a unique and remarkable debut.
It wasn’t that long ago that dueling was an accepted practice in many parts of the world. In fact, duels were once considered an honorable way to solve a problem. The American navy actually included the Code Duello, the rules for conducting a duel, in its handbook until 1862. Readers are introduced to the special language of dueling and the famous people who participated in duels—or narrowly avoided them—including Andrew Jackson, Edgar Allen Poe, and Alexander Hamilton. Surprising facts are highlighted in sidebars throughout the text, such as the common practice of purposefully shooting away from one’s opponent. Dynamic images and illustrations transport readers back to the days of pistols drawn at dawn.
The question of what it takes "to be a man" comes under scrutiny in this sharp, often playful, cultural critique of the German duel--the deadliest type of one-on-one combat in fin-de-siécle Europe. At a time when dueling was generally restricted to swords or had been abolished altogether in other nations, the custom of fighting to the death with pistols flourished among Germany's upper-class males, who took perverse comfort in defying their country's weakly enforced laws. From initial provocation to final death agony, Kevin McAleer describes with ironic humor the complex protocol of the German duel, inviting his reader into the disturbing mindset of its practitioners and the society that valued this socially important but ultimately absurd pastime. Through a narrative that cannot restrain itself from poking fun at the egos and prejudices that come to the fore in the pursuit of "manliness," McAleer offers both an entertaining and thought-provoking portrait of a cultural phenomenon that had far-reaching effects. The author employs a wealth of anecdotes to re-create the dueling event in all its variety, from the level of insult--which could range from loudly ridiculing a man's choice of entrée in an upscale restaurant to, more commonly, bedding his wife--to such intricacies as the time and place of the duel, the guest list, the selection of weapons and number of paces, dress options, and the decision regarding when to let the attending physician set up his instruments on the field. As he exposes the reader to the fierce mentality behind these proceedings, McAleer describes the duel as a litmus test of courage, the masculine apotheosis, which led its male practitioners to lay claim to both psychic and legal entitlements in Wilhelmine society. The aristocratic nature of the duel, with its feudal ethos of chivalry, gave its upper-middle-class practitioners even more opportunity to distinguish themselves from the underclasses and other marginalized groups--such as Socialists, Jews, left-liberals, Catholics, and pacifists, who, for various reasons, were stigmatized as incapable of "giving satisfaction." The duel, according to McAleer, was thus a social mirror, and the dueling issue political dynamite. Throughout these accounts, the author sustains a personal voice to convey the horror and fascination of what at first appears to be simply a curious fringe activity, but which he goes on to reveal as an integral element of German society's consciousness in the late nineteenth century. In so doing, he strengthens the argument that Germany followed a path of development separate from the rest of Europe, leading to World War I and ultimately to Hitler and the Nazis. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Many of the West’s best writers fought in duels or wrote about them, seduced by glamour or risk or recklessness. A gift as a plot device, the duel also offered a way to discover how we face fears of humiliation, pain, and death. John Leigh’s literary history of the duel illuminates these and other tensions attending the birth of the modern world.
Knightly Dueling is a complete overview of the fighting arts of German chivalric dueling, on horse and on foot, during the late Middle Ages and early Renaissance. Through the words and pictures of original source texts of the great German fight masters of the 14th through 16th centuries - extraordinary works that poetically preserved medieval methods of armed combat - it reveals knightly dueling for what it truly was: mortal combat over some grave matter with battlefield weaponry and armour. Until now, no single book has encompassed and clarified the scattered existing historical information on German dueling with swords, lances, daggers, pollaxes and other weapons. Knightly Dueling shows the ruthless reality of man-to-man combat of the German Kunst des Fechtens (art of fighting), providing a thorough understanding of Johannes Liechtenauer's Roszfechten (horse fighting) and Kampffechten (duel fighting). It gives Middle High German transcriptions, as well as the first and only modern English translations, of works from various fight books by Liechtenauer's renowned masterly interpreters, including Hanko Döbringer, Peter von Danzig, Hans Talhoffer and Andre Lignitzer. The book also presents an illustrated blow-by-blow account of a deadly duel from a German Fechtbuch (fight book); primary source information regarding specific training of noblemen for duels and the training of noble youth in the combat arts; and a unique glossary of historical German chivalric terms for arms and armour. Lavishly illustrated with many pieces of period artwork, Knightly Dueling restores the concept of German chivalry to its rightful martial role and is a must for any serious scholar of the dynamic field of European martial arts.
In the spirit of Bringing Down the House and The Wolf of Wall Street, “an engrossing and often hilarious behind-the-scenes look at the characters, compulsions, and chaos inside the fantasy sports gold rush. It’s the perfect meld of a sports and business book, engagingly written like a fun, page-turning novel” (The Wall Street Journal). Daniel Barbarisi quit his job as a New York Yankees beat writer and began a quest to join the top one percent of Daily Fantasy Sports (“DFS”) players, the so-called “sharks,” in hopes to discover the secrets behind this phenomenon—and potentially make some money along the way. DFS is fantasy sports on steroids. It’s the domain of bitter rivals FanDuel and DraftKings, online juggernauts who turned a legal loophole into a billion-dollar industry by allowing sports fans to bet piles of cash constructing fantasy teams. Yet as Barbarisi quickly realizes, what should have been a fun companion to casual sports viewing was instead a ferocious environment infested with sharks, a top tier of pros wielding complex algorithms, drafting hundreds of lineups, and wagering six figures daily as they bludgeon unsuspecting amateur “fish.” Barbarisi embeds himself inside the world of DFS, befriending and joining its rogue’s gallery as he tries to beat them at their own game. In a work equal parts adventure and rigorously reported investigation, Barbarisi wades into this chaotic industry at the very moment its existence is threatened by lawmakers sick of its Wild West atmosphere and pushy advertising. All their money made FanDuel and DraftKings seem invincible; but, as Barbarisi reports, they made plenty of dubious—perhaps even scandalous—moves as they vied for market supremacy. In Dueling with Kings, Barbarisi uncovers the tumultuous inside story of DFS, all while capturing its peculiar cast of characters, from wide-eyed newly minted millionaires, to sun-starved math geeks, to bros living an endless frat party of keggers and Playboy Bunnies. Can he outwit them all and make it to the top?
This work is a rare cross-cultural study of one of the most universal dialogic genres: heroic flyting, or the verbal duel in which the heroes, prior to physical combat, make boastful claims that must be backed up through action in the arena of public contesting. Long recognized as an elemental behavioral paradigm in human consciousness, the contest has only recently emerged as a factor in the formation of Western intellectual traditions and modes of discourse. In presenting the verbal duel as a literary expression of the contest, Ward Parks shows how flyting interfaces words and physical action. He explores the place of flyting in the patterning of culture, both Eastern and Western, from Homeric and Old English martial narratives to current academic debate to such phenomena of popular culture as rap. Parks studies flyting from a comparative standpoint to discover major generic and structural characteristics common to this activity in both its oral and written traditions. Drawing his methodology from such fields as literary criticism, socio-biology, linguistics, and game theory, he begins with an exploration of the nature and structure of contesting as it relates to flyting interactions. He then examines the covert contract formation that binds the verbal and physical aspects of the duel, analyzes the heroic generation of speeches and their dialogic interrelation in the flyting process itself, and illustrates the adaptability of flyting patterns within a wide variety of cultural and ideological settings. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • “A taut page-turner with all the hallmarks of a good historical thriller.”—Orlando Sentinel The gripping true story of the duel to end all duels in medieval France as a resolute knight defends his wife’s honor against the man she accuses of a heinous crime In the midst of the devastating Hundred Years’ War between France and England, Jean de Carrouges, a Norman knight fresh from combat in Scotland, returns home to yet another deadly threat. His wife, Marguerite, has accused squire Jacques Le Gris of rape. A deadlocked court decrees a trial by combat between the two men that will also leave Marguerite’s fate in the balance. For if her husband loses the duel, she will be put to death as a false accuser. While enemy troops pillage the land, and rebellion and plague threaten the lives of all, Carrouges and Le Gris meet in full armor on a walled field in Paris. What follows is the final duel ever authorized by the Parlement of Paris, a fierce fight with lance, sword, and dagger before a massive crowd that includes the teenage King Charles VI, during which both combatants are wounded—but only one fatally. Based on extensive research in Normandy and Paris, The Last Duel brings to life a colorful, turbulent age and three unforgettable characters caught in a fatal triangle of crime, scandal, and revenge. The Last Duel is at once a moving human drama, a captivating true crime story, and an engrossing work of historical intrigue with themes that echo powerfully centuries later.
The presidential election of 1952, unlike most others before and since, was dominated by foreign policy, from the bloody stalemate of Korea to the deepening menace of international communism. During the campaign, Dwight Eisenhower and his spokesmen fed the public's imagination with their promises to liberate the peoples of Eastern Europe and created the impression that in office they would undertake an aggressive program to roll back Soviet influence across the globe. But time and again during the 1950s, Eisenhower and his advisers found themselves powerless to shape the course of events in Eastern Europe: they mourned their impotence but did little. In "Dueling Visions," Ronald R. Krebs argues that two different images of Eastern Europe's ultimate status competed to guide American policy during this period: Finlandization and rollback. Rollback, championed by the Joint Chiefs of Staff and the Central Intelligence Agency, was synonymous with liberation as the public understood it--detaching Eastern Europe form all aspects of Soviet control. Surprisingly, the figure most often linked to liberation--Secretary of State John Foster Dulles --came to advocated a more subtle and measure policy that neither accepted the status quo nor pursued rollback. This American vision for the region held up the model of Finland, imagining a tier of states that would enjoy domestic autonomy and perhaps even democracy but whose foreign policy would toe the Soviet line. Krebs analyzes the conflicting logics and webs of assumptions underlying these dueling visions, and closely examines the struggles over these alternatives within the administration. Case studies of the American response to Stalin's death and to the Soviet--Yugoslav rapprochement reveal the eventual triumph of Finlandization both as vision and as policy. Finally, Krebs suggests the study's implications for international relations theory and contemporary foreign affairs.