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Spider-Man finds himself in a battle with the Ringmaster under the big top.
He feared nothing… …not even after a rock-climbing fall stripped Matt Pearson of his ability to walk. Now the former daredevil was gearing up for a dangerous river run that would test him as never before. So would seeing Alex Penny, his former partner and lover—the woman he let get away. But Matt wasn't one to resist a dare.… Five years ago, Matt had allowed his heartbreaking accident to come between them. How could Alex make him see that he was the same man she'd always loved? This time, nothing—not the river, not an unseen enemy, not even Matt himself—could stem the tide of their feelings, and of a passion too long denied….
2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work. Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines. A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world. Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.
Collects the earliest battles between Daredevil, the Man Without Fear, and Bullseye, Marvel's deadliest assassin.
Typhoid Mary, a predator with a split personality, is hired by the Kingpin to seduce and emotionally destroy Matt Murdock, a.k.a. Daredevil, as the city of New York goes mad around them.
Ever since the first appearances of Superman and Batman in comic books of the late 1930s, superheroes have been a staple of the popular culture landscape. Though initially created for younger audiences, superhero characters have evolved over the years, becoming complex figures that appeal to more sophisticated readers. While superhero stories have grown ever more popular within broader society, however, comics and graphic novels have been largely ignored by the world of academia. In Enter the Superheroes:American Values, Culture, and the Canon of Superhero Literature, Alex S. Romagnoli and Gian S. Pagnucci arguethat superheroes merit serious study, both within the academy and beyond. By examining the kinds of graphic novels that are embraced by the academy, this book explains how superhero stories are just as significant. Structured around key themes within superhero literature, the book delves into the features that make superhero stories a unique genre. The book also draws upon examples in comics and other media to illustrate the sociohistorical importance of superheroes—from the interplay of fans and creators to unique narrative elements that are brought to their richest fulfillment within the world of superheroes. A list of noteworthy superhero texts that readers can look to for future study is also provided. In addition to exploring the important roles that superheroes play in children’s learning, the book also offers an excellent starting point for discussions of how literature is evolving and why it is necessary to expand the traditional realms of literary study. Enter the Superheroes will be of particular interest to English and composition teachers but also to scholars of popular culture and fans of superhero and comic book literature.
Dangerous and desperate, the Owl is on the attack - and he's far from the Man Without Fear's only problem! Bullseye is back, while the Purple Man has employed his mind-control powers to torment Daredevil and his friends alike. It's a gritty, edge-of-your-seat saga that traps DD in Ryker's Island prison, forcing him to fight a gauntlet of his most violent enemies! The personal drama is no less captivating: After Heather Glenn discovers that Matt Murdock is Daredevil, she blames him for her father's death, sending Matt into a tailspin. And things won't get any easier when his old flame, the Black Widow, returns! This historic volume culminates with an epic final battle against Death-Stalker - and Frank Miller's Daredevil debut! COLLECTING: DAREDEVIL (1964) 144-158; MARVEL PREMIERE (1972) 43
A Duel with a Dictator may well be a trashcan of rotten African politics. It is a tale of an African dictator parroting democracy. This is a story of intrigue, gross human rights abuses, and political violence within the tradition of African tyrants. But this despot and looter-this omnipotent god, President Wadhabo-must face off with a single-minded opposition activist. In Paula Okappah, we see a determined African woman pitied against a crooked tyranny. A great irony in the twenty-first century is that Western democracies still roll out red carpets for these repressive African pretenders to the throne. It is unbelievable