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A popular Victorian composer of organ and choral music
Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship—Black and White, Protestant and Catholic—is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music—whatever the genre—must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.
The series of biographical sketches published by Brainard's Musical World between 1877 and 1889 is notable for the diversity of the musicians profiled and for the entertaining personal information provided. This period witnessed the establishment of musical institutions and attitudes toward music that have shaped American music to the present day. The biographies present a cross-section of American musicians in the late 19th century, including singers, instrumentalists, writers, teachers, and composers. Among the musicians included are some of America's most prominent conductors, such as Theodore Thomas and Leopold Damrosch; composers, such as John Knowles Paine and George F. Root; writers, such as John S. Dwight and Amy Fay; teachers, such as William Mason and Erminia Rudersdorff; and performers, such as Emma Abbott and Maud Powell. Scores of less familiar musicians who were also instrumental in shaping America's music are included as well. Originally intended for general readers, the biographical sketches not only shed light on musical topics but also include personal information that is seldom found in a traditional dictionary and which speaks to the attitudes and concerns of the late 19th century society. This work will be of value to scholars and researchers of 19th-century American music and to those interested in the development of popular song. Entries are alphabetically arranged and include select bibliographies. A general bibliography and index are also included.
The “fascinating [and] informative” biography of a pioneering American computer scientist and his mysterious death during the Cold War (The Scotsman, UK). MIT professor Dudley Allen Buck was a brilliant young scientist on the cusp of fame and fortune when he died of mysterious causes in 1959. His latest invention, the Cryotron, was an early form of microchip that would have greatly advance ballistic missile technology. Shortly before Dudley’s death, he was visited by a group of Soviet computer experts. On the day that he died from a sudden bout of pneumonia, a close colleague of his was also found dead from similar causes. Some wonder if their deaths were linked. Dudley’s son Douglas was never satisfied with the explanation of his father’s death. He’s spent more than twenty years investigating it, acquiring his father’s lab books, diaries, correspondence, research papers and patent filings. Armed with this research, Douglas and award-winning journalist Iain Dey tell the story of Dudley’s life and groundbreaking work. The Cryotron Files is at once a gripping history of America’s Cold War era computer scientists, the dramatic personal story of Dudley Buck, and an eye-opening investigation into his mysterious death.