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Viewers of films and television shows might imagine the dude ranch as something not quite legitimate, a place where city dwellers pretend to be cowboys in amusingly inauthentic fashion. But the tradition of the dude ranch, America’s original western vacation, is much more interesting and deeply connected with the culture and history of the American West. In American Dude Ranch, Lynn Downey opens new perspectives on this buckaroo getaway, with all its implications for deciphering the American imagination. Dude ranching began in the 1880s when cattle ranches ruled the West. Men, and a few women, left the comforts of their eastern lives to experience the world of the cowboy. But by the end of the century, the cattleman’s West was fading, and many ranchers turned to wrangling dudes instead of livestock. What began as a way for ranching to survive became a new industry, and as the twentieth century progressed, the dude ranch wove its way into American life and culture. Wyoming dude ranches hosted silent picture shoots, superstars such as Gene Autry were featured in dude film plots, fashion designers and companies like Levi Strauss & Co. replicated the films’ western styles, and novelists Zane Grey and Mary Roberts Rinehart moved dude ranching into popular literature. Downey follows dude ranching across the years, tracing its influence on everything from clothing to cooking and showing how ranchers adapted to changing times and vacation trends. Her book also offers a rare look at women’s place in this story, as they found personal and professional satisfaction in running their own dude ranches. However contested and complicated, western history is one of America’s national origin stories that we turn to in times of cultural upheaval. Dude ranches provide a tangible link from the real to the imagined past, and their persistence and popularity demonstrate how significant this link remains. This book tells their story—in all its familiar, eccentric, and often surprising detail.
Judith Sandoval brings an eye for striking detail and a feeling for the effects of time and habitation to her photographic tour of 450 ranches in sixteen counties in Wyoming. She discovered a dazzling variety of architectural styles in old ranchhouses, bunkhouses, barns, and even chicken coops. Taking in the whole ranching scene, she photographed corrals, machinery, irrigation works, and structures of stone built by German and Scottish immigrants and of logs by Scandinavians. She interviewed hundreds of people who have made their mark on the land, including many descendants of the builders. Some families have operated the same spread for five generations. Historic Ranches of Wyoming takes in such famous working ranches as the Wyoming Hereford Ranch, Careyhurst, the Palette Ranch, the Pitchfork Ranch, and John Kendrick's LX Bar. Among the dude ranches featured are the Seven-D, Eaton's in the Bar BC, and Valley Dude Ranch. In 1986 the Nicolaysen Art Museum in Casper, Wyoming, is mounting a major touring exhibit of Sandoval's photographs. Historic Ranches of Wyoming contains most of the photographs in the exhibition. The book includes an essay by T. A. Larson on the history of ranching in Wyoming and one by Robert Roripaugh about growing up on a ranch near Lander, Wyoming.
Dude ranches were the West's first destination vacation. In the early 20th century, they lured East Coast elites and their families out to the unspoiled wilderness and ranching country of the Rocky Mountains. In order to get to the dude ranches, tourists, who were often looking for an escape from their city lives, had to travel long journeys via trains, stages, wagons, and horseback. Wyoming was home to two dude ranch firsts. Howard, Willis, and Alden Eaton were pioneers in the business, and their Eatons' Ranch continues today. Larry Larom, another dude ranch trailblazer, became the first president of the Dude Ranchers' Association. His tireless work, vision, and leadership secured the future of dude ranching in the West. Working successfully with the railroad and the government, Larom set the stage for important cooperation between ranchers and diverse agencies, ensuring the preservation of the natural environment. Echoes of his wisdom are still felt today.
A welcome study of early dude ranch development, Dude Ranching in Yellowstone Country preserves the history of an important Wyoming ranch and the man who built it. W. Hudson Kensel recounts the life of Irving H. "Larry" Larom, whose East Coast connections to financial resources and wealthy guests enabled him to transform McLaughlin's small homestead into a major tourist destination and prep school on the edge of Yellowstone National Park.
Dude ranches were the West's first destination vacation. In the early 20th century, they lured East Coast elites and their families out to the unspoiled wilderness and ranching country of the Rocky Mountains. In order to get to the dude ranches, tourists, who were often looking for an escape from their city lives, had to travel long journeys via trains, stages, wagons, and horseback. Wyoming was home to two dude ranch firsts. Howard, Willis, and Alden Eaton were pioneers in the business, and their Eatons' Ranch continues today. Larry Larom, another dude ranch trailblazer, became the first president of the Dude Ranchers' Association. His tireless work, vision, and leadership secured the future of dude ranching in the West. Working successfully with the railroad and the government, Larom set the stage for important cooperation between ranchers and diverse agencies, ensuring the preservation of the natural environment. Echoes of his wisdom are still felt today.
Whatever your idea of a restorative vacation, there's a guest ranch that will fit you and your family like a boot in a stirrup.
Showcases more than 25 dude ranches across the American West
I was born ranch, raised ranch, and feel ranch. My closest friends are ranch, and my pride comes from that base. Something about ranching captivates me, and for nearly all of my eighty years, I've been involved with the land that enchants me. My stories in Part One of this book are all about ranching in the Big Horn Valley, Wyoming, where I was born. I take a few detours here and there, but everything you read here is, in one way or another, related to ranching. I hope I have done justice to the Native Americans who were here first. They are a vital part of the history of this beautiful country in northeastern Wyoming, and their influence is still highly significant today. Besides covering some history of the Big Horn region, my honest-to-goodness real "tales" will probably give you some good laughs along with some serious thinking in my more philosophical musings about the extraordinary landscapes I've had the privilege of being a part of. And even if my old elementary teacher would insist on my correcting that "dangling participle" in the last sentence, well, that's just how I talk. From my grandfather's time through my own years, the Fordyce family has been a constant presence in the Big Horn ranching scene. Out of the several enterprises I was involved with, Tepee Lodge was one of my high points. Tepee was a family-oriented dude ranch where people could watch the world roll by, go horseback riding, dance, visit other ranches, eat, or simply enjoy being alone in a purely wonderful place. My stories of Tepee are not to be forgotten! Later in life, after my ranching career came to an end, I found my place in the world of the camera. I learned the art of darkroom and black-and-white photography from David Scheinbaum and Janet Russek in Santa Fe. Through them, I met Eliot Porter. I worked with him for a spell printing his early eight-by-ten negatives for a book he would publish. My ranch-trained eye helped me to understand the relationship between the natural elements involved, and I got to see Eliot do his magic with the dye-transfer process. He had no equal and was to color what Ansel Adams was to black-and-white. These people greatly improved my life in many ways beyond photography. Through them I met people like Paul Caponigro, Bill Wright, Willard Van Dyke, and others. A marvelous group they were! I served on the board of a New Mexico group from which evolved the Santa Fe Workshops, and though I never reached the preeminence of these people, they all added greatly to my time in photography. I also met David Lubbers, a man I much admired while in New Mexico, and, along with him, I saw most of what we call our Southwest. Later, my present wife, Jane, and I angled toward the Southeast and lived for a spell in Aiken, South Carolina. She is not only my partner but my best friend, and she carried me through a crippling surgery that left me unable to stand in a darkroom or continue with black-and-white photography. We met a man, Forrest E. Roberts, who introduced me to digital photography and insisted I work at it. This began a trip with color with Jane, a portrait painter of note, and together we moved to Georgetown, Texas, followed by another move to Round Rock, Texas. My ventures in photography gave me great fulfillment. It is therefore my pleasure to share some of my favorite black-and-white photos with you in Part Two of this volume. Throughout my life, I followed my father's advice, "Let the good luck happen." He told me I needed to remember this saying in order to be successful. I also believe that hard, honest work goes well with luck. I hope you, too, will let the good luck happen, and that you'll enjoy these remembrances of days gone by in a part of the world never to be forgotten.
Mark Spragg grew up on the oldest dude ranch in Wyoming - a remote spread in the Shoshone National Forest. It is a sublime but unforgiving landscape, a place of unrelenting winds, pitiless blizzards, fierce rivers, and the men who work there have to be tough to survive. Spragg writes lyrically of this world, its animals - horses, bears, elk - and of its people, in particular his parents and John, an old cowboy who becomes the boy's mentor. This is a book about joy - Spragg's writing is miraculous; tough but beautiful, passionate and funny.